Why Stop Now Page #3
you're bringing business
into the area.
All right, make this quick.
- I can't go in there.
- Huh?
You've gotta get it for me.
You said you would.
What, are you crazy?
Eli, you said you would.
I cannot go in there.
I owe the guy money.
- F***
F***
You're killing me, Mom.
Whoa, whoa, whoa, wait.
What?
- You look ridiculous.
Lose the tie.
What's wrong with the tie?
Take it off, Eli.
Just take the stupid tie off.
- All right.
- Now put this on.
There you go.
There you go.
Put it on; we've got to
rough you up a little bit.
What is this?
- It's something I got you
You never wore it.
- You got this for me?
Can't wait to see it on you.
- You got this
in the women's department?
You look adorable.
- You think
I'm an adolescent teenaged girl?
- Sweetie, ifs unisex.
Come on.
This looks all right?
- I wish you had
- Yeah, well, I shaved,
you know, for the audition.
- Oh, yeah, that, well...
you look great then.
But you can
change back later.
All right, here.
Put these on.
There you go.
All right.
Oh, we'll do this.
- Yeah?
- Yeah.
- It's all right?
- There we go.
- Yeah.
- Yeah?
- I think so.
- No, ifs not.
I look like the Unabomber.
Oh, my God, you're right.
Forget that.
Okay, here.
Sweet.
- Good?
- Good, yeah.
Okay, so what do I do?
Okay.
You knock on the door.
- Okay.
- And you ask
for Sprinkles, right?
- Ask for Sprinkles?
- Mm-hmm.
- That's a person?
- Yeah.
If he asks who you are,
you tell him you're a friend
of Pauly Rezzer's.
He'll know who that is.
- Okay.
- When you get inside,
you ask for a 20 of blow.
Uh, no.
You'd better-
better make that 50, right?
Sure, why not a kilo?
Just listen, all right?
All right, sorry.
Then you give him the money.
He'll go in the back,
get the sh*t,
and then you get out of there,
all right?
And do not tell him who you are.
- Why?
Who am I?
My son.
Go make your mother proud.
This is ridiculous.
Ah, ya f***in' door!
Don't speak espanol.
Don't hold out on me, Black.
You know
I don't speak Spanish.
Help me help you.
I can't do everything.
Hold on!
Acting like you the damn police.
What up?
- Hey, not much.
How's it going?
- I'm good.
Can I help you?
Good, good.
So, uh, okay, so I'm a friend
of Pauly Rezzer's.
He's a good friend of mine.
He told me to stop by.
- Oh, yeah?
- Yeah.
What's his middle name?
I, uh...
I think it's, uh-
Nah, I'm just f***in' with ya.
Come on in.
Gotta stay on my toes.
Wipe your feet off.
My mother just cleaned.
Mommy!
N' nI nI no-
No, no.
No, see, no, dude, English!
No, man, I need you
to speak English, okay?
How do you know Pauly?
Yeah, we play-
we play music together,
so-yeah.
- I didn't know Pauly
played music.
Yeah, big time, big time.
We, uh, tickle the ivories
sometimes, I guess.
- Anybody there
speak English?
I love sports.
- What kind of sports that,
eafing?
- Ma, why you giving me
a hard time?
So you like Mozarts and sh*t?
- Yeah.
Yeah, you like that sh*t?
You like that f***ing sh*t?
Me too.
- Nah, I'm not partial
to Mozart,
but I love music.
No comprende, maricon.
- F*** he want?
- No comprende.
I don't know.
He keep talkin' about persona-
- Yeah, hey, guys, can I get
like, a 50 of blow?
- So what the f*** is he saying?
- A little jonesy.
- Watch your mouth!
- Sorry, Mommy.
- I don't know.
We need to get Javier in here
to translate, man.
I don't understand this.
- I'm quite sure
restauranto means restaurant.
Yo, so can I, uh,
can I get, like,
a 50 of blow, you guys?
Yo.
This is torture, man.
- Uh...
- You hungry?
- No!
- You sure?
- Yes, I'm sure-
I'm sorry.
Yes, hi.
It smells very nice.
I'm just-l'm kind of
in a rush here, you guys.
Can I just get
the stuff, okay?
- Hold on.
What he talking about?
I don't know, man.
He got this, uh, uh, negociar,
negro-
- Negotiate.
He means negotiate, okay?
Yo!
Ah, gracias.
There you go.
What was that?
- He said to meet him
at the restaurant in 20 minutes
to negotiate,
to make the deal.
You speak Spanish?
- Si.
Yes.
- That's cool.
- Thanks.
Thanks a lot, bop.
- All right, man.
Thanks.
So, uh, all right,
can I get a 50 of blow?
- All out.
- You're all out?
- You heard the man.
He said we all out.
- What are you,
a vending machine?
You're a drug dealer.
How do you run out of drugs?
You have nothing here?
No, that was my connect.
It's re-up time, homes.
- That was your guy?
- Yeah.
- F***!
Okay, well-
All right.
I'll go with you, okay?
And, uh, I'll translate for you.
How does that sound?
How about that?
- Hell, yeah.
That's cool.
- Good, we can even take my car.
What do you think?
a free eight ball.
- Whatever.
I can buy you dinner-
- You're leaving after I cooked
all this food for you?
Ma, not now!
You're driving me crazy!
I told you today
was a re-up day!
Them collard greens
didn't buy themselves!
Waste.
- Come on, Black.
- That's all it is.
Save me a plate, Moms.
- What you said
your name was again?
Uh, Mozart.
- Mozart.
Like the piano man.
You a funny man.
Ain't he funny, Black?
Yeah, he funny.
Let's do it.
Penny!
What the f***
are you doing here?
- Hey, man,
I know I owe you money.
I shouldn't have come.
Eli, get in the car.
- This your moms?
- Not by choice.
You sent him here?
Let me wrap my brain
around this f***ing one.
Black, does this b*tch
owe me money?
- Yeah, the b*tch
owes you money.
- I oughta f*** you up
real bad, Penny.
Or your boy.
- Whoa, wait, wait, me?
No, I'm going
to translate for you.
- Translate what?
- Yo, Mom, shut up.
Yo, does that cancel her debt?
- We are not doing anything.
F*** that!
- Yes, we are.
- Oh, yes, you are.
Your boy works for me now.
Yeah, and what if I say no?
out of Mozart,
and I'll pull all your
f***ing teeth out of your head,
then make you gargle vinegar.
- Good?
- Yeah.
Great.
Let's get in the f***ing car.
Come on, man.
- Yo, Mom,
just shut the f*** up, okay?
Hey, hey, hey, listen to him.
Get in the car, okay?
I'm driving.
Come on.
Come on.
- Put that boy's life
in danger?
You f***ing idiot!
Hey, hey, hey-
- Look at all this garbage
in here.
How long this Pamper
been sitting here?
Come on, move the car!
Got to pump the gas.
- Mom, stop it.
What are you doing?
All right, okay, all right.
- Yo, let's start
this b*tch up.
We're trying.
- Trying to do what?
Turn the key.
- Move the car.
Come on!
This raggedy sh*t.
- Stop all the shucking
and jiving up there.
- Jesus Christ,
you're embarrassing me.
Mozart, let's go.
Come on, man, y'all slow,
and y'all dumb.
- Turn the key and let's go
get the hell out of here.
Slow and dumb.
- Yeah, slow and dumb.
Let's go.
- Is that possible?
- I don't know.
Move the car, Mozart!
- I got it!
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"Why Stop Now" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/why_stop_now_23441>.
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