Willow Creek Page #6

Synopsis: Jim and his girlfriend Kelly are visiting the infamous Willow Creek, the alleged home of the original Bigfoot legend - the tale of huge ape like creatures that roam the forests of North America. It was there that in 1967, the legendary beast was captured on film and has terrified and mystified generations since. Keen to explore more than 50 years of truth, folklore, misidentifications and hoaxes, Kelly goes along for the ride to keep Jim happy, whilst he is determined to prove the story is real by capturing the beast on camera. Deep in the dark and silent woods, isolated and hours from human contact, neither Kelly or Jim are prepared for what is hidden between the trees, and what happens when the cameras start rolling...
Director(s): Bobcat Goldthwait
Production: MPI Media Group
  1 nomination.
 
IMDB:
5.1
Metacritic:
62
Rotten Tomatoes:
86%
NOT RATED
Year:
2013
80 min
381 Views


Did you see something?

Does your cell phone work here?

No.

That one was closer.

It sounded like it

was in another area.

Maybe there's more than one.

What? Come on.

Can wolves make that kind of sound?

- I mean, it was...

- Are you f***ing serious?

I'm trying to figure out

what, what this is.

Do I need to tell you what this is?

Honey, we're in a huge forest.

There's like a ton of things

that could be out there.

You still don't believe, huh?

You know, I'd much rather be

in my own bed right now, so...

This is...

I knew we were asking

for trouble coming here.

This is not good.

- Just, just... shh, shut up.

- People get pissed...

We're going into territory that

should not be messed with.

I think whatever it is,

it's gone away, babe.

You know, whatever it is,

maybe, whatever it is,

is just warning us

to get away and...

it sounds like they're gone now.

What?

OK, babe.

It's gone, babe.

That ain't no human.

What's that supposed to mean?

What is that sound?

Maybe we should turn

off the light, babe.

What is that?

That sounds like someone's crying.

Is that a woman?

I don't know what the f*** that is.

This is not funny anymore.

I'm freaked out.

Yeah, yeah, yeah.

Yeah, I mean, yeah.

What if somebody needs our help?

It sounded like a

woman who's in pain.

Shh, shh, shh.

I'm not f***ing going out there.

I'm not going to go.

I really think we're

attracting attention

having the light on us in here.

You want me to turn it,

the light off?

Maybe turn it off for a second.

I'm going to keep recording?

That's fine.

But maybe just turn off the light.

Maybe, whatever.

It's attracted to the light.

There's something...

- Turn it back on?

- Yeah.

That was really close.

What the f*** is that?

Someone is right out there.

Jim.

- Babe, what was that?

- I don't know, I don't know.

It's going away.

What the f***.

F***.

So, it's almost dawn

and we're getting

the hell out of here.

We had some f***ed up

sh*t go down last night,

um, all kinds of vocalizations,

uh, we had rocks thrown at us,

wood knocking,

uh, something pushed

on our tent and, uh,

needless to say, we're

getting the f*** out of dodge.

We're not going to

go to the film site.

- OK?

- Yeah.

- Are you ready?

- I'm f***ing ready.

- I'm not taking the camera.

- Take the f***ing camera.

Seriously. Please.

Look at this. Did you see this?

What the f*** is that?

Some kind of hair or something.

That's great, Jim. You know what?

Great. But we got to keep moving.

What are you doing?

I'm getting it.

You don't think we got enough

last night? Come on. Let's go.

Oh my God.

- F***.

- Come on, Jim.

- All right, all right.

- Are you serious? Let's go.

- Please just shoot this.

- I am shooting this.

Good.

- Oh.

- Oh.

OK. We got it. Let's go.

All right, all right. Just chill.

Jim, we got to start moving again.

I'm going.

- Come on.

- I'm going, I'm going. F***.

- Are you all right?

- Where are we going from here?

Yeah. I just want to know

what direction we're going in.

Here, give me the camera.

This way?

So, I may have just

gotten some evidence.

Jim, are you seriously

filming yourself?

Let's go.

You're leading.

So, we're hearing some crazy sh*t.

- More vocalizations.

- Jim,

are you f***ing kidding me?

OK.

I knew this wasn't right.

I knew it.

Why are you stopping?

What?

- It's the same tree.

- What?

That is the tree that we just

passed by three hours ago.

- No, it's not.

- Yes, it is, Jim.

It's the same f***ing tree.

What are you talking about?

This is where you found the

f***ing hair. We stopped.

That's not the same tree.

Yes, I have it in the f***ing film.

We have it, Jim.

- Babe, I don't think that's it.

- You don't think that's it?

Why don't you look at your footage?

Your f***ing footage that you

brought me out here for.

That's not it.

Look, you're

overreacting, all right?

I'm overreacting? Are you serious?

We should have been back by now.

What...

- F***!

- It's getting dark out.

What are we going to do?

Come on, Kel, let's go!

I'm not following you anymore.

Oh my God!

Are you all right?

What the f*** was that?

Come on, babe.

Are you all right?

Kelly?

Are you all right?

- Come on, babe, let's just go.

- We don't know where we are.

I know, but we got to go.

I want to go home.

I do too.

Baby, we got to go.

Where are we going to go?

I don't know where we are.

No! No! No!

All right. Let's go.

Let's go.

Come on, Kel!

Oh my God! No, no!

Kelly!

Come here!

Holy sh*t.

What is it?

Oh, sh*t.

- Come on!

- Oh my God!

Go! Run!

Sh*t.

Holy sh*t.

Where'd it go?

Oh, sh*t.

Oh, f***, it's back.

I f***ed up.

What the f*** is it?

Let's keep moving.

- No.

- No, come on.

F***.

No!

Jim!

No! No! No!

Help me! Help me!

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Bobcat Goldthwait

Robert Francis Goldthwait (born May 26, 1962), better known as Bobcat Goldthwait, is an American comedian, filmmaker, actor and voice artist, known for his acerbic black comedy, delivered through an energetic stage persona with an unusual gruff and high-pitched voice. He came to prominence with his stand-up specials An Evening with Bobcat Goldthwait – Share the Warmth and Bob Goldthwait – Is He Like That All the Time? and his acting roles, including Zed in the Police Academy franchise. Goldthwait has written and directed a number of films and television series, most notably the black comedies Shakes the Clown (1991), in which he also starred, Sleeping Dogs Lie (2006), World's Greatest Dad (2009), God Bless America (2011), and the horror film Willow Creek (2013); episodes of Chappelle's Show (2003), Jimmy Kimmel Live! (2004–07), and Maron (2013–15); and several stand-up specials, including Patton Oswalt: Tragedy Plus Comedy Equals Time (2014). He has also worked extensively as a voice actor, with voice roles in Capitol Critters (1992–95), Hercules (1997), and Hercules: The Animated Series (1998–99). more…

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Submitted on August 05, 2018

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