Wise Guys Page #4

Synopsis: Roland, an idler living on the Left Bank in Paris, is determined to inflict a terrible revenge on his friend Arthur, after the latter subjected him to a harmless joke. He engages the services of the seductive Ambroisine, who pretends to fall in love with Arthur. Oblivious to his friend's scheming, Arthur is certain that Ambroisine's feelings for him are genuine and looks forward to their wedding day.
 
IMDB:
6.5
Year:
1961
99 min
187 Views


And Ambroisine?

She is in Saumur to let her family know.

It amazes you,

you didn't think you could

go to the town hall.

You're wrong boy, you're wrong.

Why didn't you follow my advices?

You're hiding me something.

Ambroisine never went to Saumur.

I don't believe you.

Turn over,

I'll go out my bath.

I have a proof:
I saw her in Cannes.

Do you know you're a great bastard?

He's becoming nasty.

He's doubting his old friend.

Did you see her or not?

Don't shout like that.

Turn over.

Yes, I saw her.

Liar.

I'm civilized.

Come to the living-room,

I have to talk to you.

Sit down.

Listen,

you'll be chocked.

I'd better tell you like a man.

Once upon a time a young man

who loved Ambroisine.

Ambroisine...

don't make that face.

It's easy for you to judge.

You're not crazy about her.

You're less that you think.

One day you'll forget about her.

Now occupy your mind with something else.

I believed it for so long.

You can't imagine how much.

It's my fault.

I conspired it.

I'm the only responsible.

Was it so fun to hurt me?

Ambroisine is a whim.

She like you you know.

But she like me too.

Don't you understand I love her for true?

I can't get it.

Listen Arthur.

You have to unhook before you become mad.

It never happened this way.

You'll be sad, very sad.

But one day you'll wake up

and you'll be happy.

Ambroisine is mirage, a deception.

She doesn't exist.

- And there are other women.

- I don't care!

Do you know where she is?

Honestly, I don't know.

One day I woke up and she had flown away.

You really don't know where she is?

Arthur,

I don't know where she is.

You know the proverb:

When women disappear,

the devil himself

couldn't find his children.

Arthur where are you going?

Where are you going Arthur?

You could say goodbye.

Arthur broke the two vases in the hall.

Arthur.

Here we are, I got my vengeance.

But I don't understand.

For the first time of my life, I feel sad.

Can you understand?

No.

One year later.

See you later sweety, at the hotel.

- Can't you stay a bit?

- You know I can't.

Goodbye.

What a surprise!

Ambroisine.

Let's walk my friend,

I don't want my henchmen to spy us.

Nice Matin, special edition.

Nice Matin, special edition.

Don't you kiss me?

Are you crazy? I'm married.

And I'm a seminarian.

I'm not joking.

Atomic plane crashes in Colombia:

Don't play dumb.

You don't need to act like a clown

in front of everybody.

Why?

You really don't want to kiss me?

No, please Arthur, have some behavior.

I have to hurry or I'll be late.

Are all those American for you?

They are men's of my husband.

He is the commander of the destroyer there.

Where there?

There.

Goodbye,

see you soon.

Tchao.

You'll never be flighty again, Ambroisine.

You became American.

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Claude Chabrol

Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker. Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time. Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career. In 1978, he cast Isabelle Huppert as the lead in Violette Nozière. On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1996). Film critic John Russell Taylor has stated that "there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium...Some of his films become almost private jokes, made to amuse himself." James Monaco has called Chabrol "the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we don't get from the more varied experiments in genre of Truffaut or Godard." more…

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Submitted on August 05, 2018

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