Withnail and I Page #6

Synopsis: Withnail and I is a 1987 British black comedy film written and directed by Bruce Robinson. Based on Robinson's life in London in the late 1960s, the plot follows two unemployed young actors, Withnail and "I" (portrayed by Richard E. Grant and Paul McGann) who live in a squalid flat in Camden Town in 1969 while squandering their finances on alcohol. Needing a holiday, they obtain the key to a country cottage in the Lake District belonging to Withnail's lecherous gay uncle Monty and drive there. The weekend holiday proves less recuperative than they expected.
Genre: Comedy, Drama
Year:
1987
1,373 Views


I:

Then they must be delighted with your career.

Withnail:

What do you mean?

I:

You rarely are.

[Withnail points the sword menacingly, although there is a cork on the

end.]

Withnail:

You just wait. Just you wait. When I strike they won't know what

hit them.

[He hears a noise from outside.]

Withnail:

Tractor approaching.

[He goes to the window and knocks his head on the lantern hanging from

the ceiling.]

I:

Then get after it. That's the man.

[They rush out of the cottage and pursue the tractor.]

Withnail:

Hey, stop!

I:

Stop

Withnail:

Stop

I:

Stop please!

[The tractor driver notices them and stops.]

Withnail:

Stop please! Please stop!

[They run up to the side of the tractor and address the driver, Mr

Parkin.]

Withnail:

Are you the farmer? [To I] Shut up, I'll deal with this. [to

Parkin] We've gone on holiday by mistake. We're in this cottage

here. Are you the farmer?

I:

Stop saying that Withnail, of course he's the f***ing farmer. [To

Parkin] We're friends of Montague Withnail, we desperately need

fuel and wood.

[The farmer shakes his head, bewildered.]

I:

Montegue Withnail, you must know him. Fat man, owns the cottage.

Parkin:

Ay, seen the fat man. London type. Queer sort. Think his name's

French or something.

Withnail:

French!?

Parkin:

Ay, Adrian de la Touche. He hasn't been up year for couple of

years. Last time I saw him, he were; he were with his son.

I:

Yeah, that's him.

Withnail:

Listen, we're bona fide. We're not from London. Could we have

some fuel and wood?

Parkin:

Ay, I could bring you up some logs later but I've got the cows

and that to feed first.

Withnail:

When?

I:

Shut up. That would be very kind of you. Erm, what about food? Do

you think you could sell us something to eat?

Parkin:

I could bring you up a chicken but you'll have to go to the

village really.

I:

That would be very kind of you Mr?

Parkin:

Parkin

I:

Mr Parkin. What happened to your leg?

Parkin:

Got a randy bull up there. Give me one in knee!

[They walk back inside. I claps Withnail on the back. Back inside,

Withnail removes his boots and places them in the oven attached to the

fire.]

I:

You want to get out the back don't you? Get some spuds up.

Withnail:

Sorry I can't. My boots are in the oven

I:

You'd go if you had boots?

Withnail:

Gladly

[Withnail emerges from the back door with polythene bags tied around

his feet. He walks into the garden and after a little unearths a

potato.]

Withnail:

I've got one!

[Later, the potatoes are peeled and ready to be cooked. I sits reading

'Journey's end' while Withnail dozes in front of the fire. I hears the

tractor once again and goes out to meet Parkin. He is there with some

logs.]

I:

Great. How much do we own you?

Parkin:

Pay us when you come down

I:

What about this chicken?

Parkin:

's on back

[Back inside I has left the chicken on the table. It is alive and

looks round questioningly. He nudges Withnail to wake him.]

I:

Oye! Oye! Parkin's been. There's the supper!

Withnail:

What are we supposed to do with that?

I:

Eat it

Withnail:

Eat it!? F***er's alive

I:

Yeah, you've got to kill it.

Withnail:

Me!? I'm the firelighter and fuel collecter.

I:

Yeah I know but I got the logs in. It takes away your appitite just

looking at it.

Withnail:

No it doesn't I'm starving. How can we make it die?

I:

You've got to throttle them. Withnail, I think you ought to kill it

instantly in case it starts trying to make friends with us.

Withnail:

Alright, you get hold of ir. I'll strangle it.

I:

I can't. Those dreadful, beady eyes! They stare you out!

Withnail:

It's a bloody chicken. Just think of it with bacon across its back!

Right, I'll deal with this. You'll have to get its guts out.

[Later, I is washing his hands in the sink having finished getting the

chickens guts out. Withnail enters with a shotgun and points it at I's

head.]

I:

Never point guns at people. Extremely dangerous. Now what about this

roasting dish? What are we going to cook it in?

Withnail:

You're the food and plummings man. I've no idea. I wish I'd found this

an hour ago. I'd have taken great pleasure in gunning this pullet

down.

[He pokes the chicken with the gun. It still has a few feathers.]

Withnail:

Shouldn't it be more bald than that?

I:

No it shouldn't. Right, we're going to have to reverse the roles. We

can bake the potatoes in the oven and boil this bastard over the fire.

[He tries to push the chicken into a kettle but it is too large to fit.]

Withnail:

Lets get its feet off

I:

No, it's going to need it's feet.

[He removes the chicken and takes it to the fire. Opening the oven, he

removes Withnail's steaming boots and points the the brick in the oven.]

I:

Straddle them either side of that.

[He sits the chicken on the brick.]

---------------------------------------------------------------------------

A phonebox

[I is smoking stood outside the phonebox waiting for Withnail.]

Withnail:

I've already put two shilling pieces in. No I havn't got another.

It's not my fault if the system doesn't work.

[He emerges from the phonebox.]

Withnail:

B*tch hung up on me.

[I fishes around in his pocket and finds a shilling for Withnail who goes

back into the phonebox and dials.]

Withnail:

Hello. How are you? Very well. What! Why wouldn't they see me?

This is ridiculous. I haven't been up in a job for three months.

Understudy Constantine!? I'm not going to understudy Constantine,

why can't I play the part? This is ridiculous. No, I'm not in

London, Penryth. Penryth! Well, what about TV? Listen, I pay you

ten percent to do that. Well lick ten percent of the arses for

me. Hello? Hello? Hello? Hello? How dare you! F*** you.

[He takes out his frustration on the phone, hitting it for a while then

leaves the phonebox.]

Withnail:

Bastard asked me to understudy Constantine in The Seagull. I'm

not going to understudy anyone, especially that little pimp.

Anyway, I loath those Russian plays. Always full of women

starring out of windows whinning about ducks going to Moscow.

[Returning from Penryth they walk accross a field. I is carrying some

shopping.]

Withnail:

What do you think to Desmond Wolf?

I:

With respect to what?

Withnail:

I'm thinking of changing my name.

I:

Too like Donald Woolfe

[He hands the bag to Withnail and opens a gate. It is clearly marked 'Shut

this gate']

I:

Here, changeover point.

[Withnail slams the gate behind them but it doesn't fasten. They see Parkin

on his tractor.]

Withnail:

Do you think he's happier than us?

I:

No

Withnail:

I suppose happiness is relative. I never thought it would be a

polythene bag without the hole in it.

[Parkin turns the tractor towards them, stops and runs towards them.]

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Bruce Robinson

Bruce Robinson (born 2 May 1946) is an English director, screenwriter, novelist and actor. He is arguably most famous for writing and directing the cult classic Withnail and I (1987), a film with comic and tragic elements set in London in the 1960s, which drew on his experiences as "a chronic alcoholic and resting actor, living in squalor" in Camden Town. more…

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