Wonder Woman Page #4

Synopsis: Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.
Director(s): Patty Jenkins
Production: Warner Bros. Pictures
  17 wins & 54 nominations.
 
IMDB:
7.5
Metacritic:
76
Rotten Tomatoes:
92%
PG-13
Year:
2017
141 min
$412,400,625
Website
7,187 Views


Cryptography had no luck.

It seems like it's a mixture

of two languages...

...but as if they failed to

determine which two languages.

Ottoman & Sumerian.

Surely someone else in

this room knew that.

Who is this woman?

She is my...

...secretary, sir.

And she can understand

Ottoman and Sumerian?

She's a very good secretary.

Sir, if this woman

can read it...

...we should hear

what she has to say.

Yes, very well.

It's a formula...

...for a new kind of gas.

Mustard gas, hydrogen

based instead of sulfur.

Hydrogen based...

Gas masks would be useless

against hydrogen.

The book says, they plan

to release the gas...

At the front?

When?

It doesn't say.

Wait. In "front" of what?

Sir...

...that is the

evidence we need.

You have to find out where

they are making that gas.

You have to burn

it to the ground.

Destroy it.

Ludendorff was last

seen in Belgium.

We can't be seen in sending troops

into German-occupied Belgium...

...As we are negotiating

their surrender.

Sir, I have seen that

gas with my own eyes.

If it is used, it will kill

everyone on both sides.

They will all die.

Yes, that's what

soldiers do, Captain.

Send me in.. with some

logistical support.

At least give me the chance to take

out Ludendorff's operation myself.

Are you insane?

I can't introduce rogue

elements this late in the case.

Sir, I can take...

Now more than ever...

...the armistice is

off paramount importance.

It must be negotiated

it must be signed..

It's the best way

of stopping the war.

Captain, you will do nothing.

And that's an order.

Yes sir.

I understand, sir.

I don't!

Diana, I know this confusing...

- It is not confusing! It's unthinkable!

- Who is this woman?

She is with me, she is with us.

I'm not.. I am not with you!

You would knowingly

sacrifice all those lives.

...as if they mean

less than yours.

- Diana, let's talk about it outside.

- As if they mean nothing?

Where I come from, generals don't

hide in their offices like cowards.

That's enough! They fight

alongside their soldiers.

They die with them

on the battlefield!

- That's enough! My apologies.

- You should be ashamed.

- My apologies.

- You should be ashamed.

- Diana... Diana!

- All of you should be ashamed!

Please slow down!

Is that your leader?

How could he say that?

Believe that?

And.. and you!

Was your duty to simply

give them a book?

No!

You didn't stand your ground.

You didn't fight.

Because there was no chance

of changing anything.

This is Ares and

he's not going to allow negotiation,

...nor a surrender!

The millions of people you

talked about, they will die.

We are going anyway!

You mean you were lying?

I'm a spy!

That's what I do!

How do I know you're not

lying to me right now?

I'm taking you to the front.

We are afraid you're gonna die.

This is a terrible idea.

We're gonna need reinforcements.

These are the reinforcements?

Yep.

Are these even good men?

Well, relatively.

Even in Africa gentlemen, we

haven't seen such luxuries.

The luxury that we have now is like...

is like we can't stop making money!

So my uncle, the

Prince, and I...

Which prince is that?

I decided to extend

your profanity...

But seriously, which prince?

Hey, Sultan, Angoora,

Next Kashmir...

...Care to talk for a minute?

Gentlemen, excuse me one second.

- A bar... Well, a pub.

- You hypocrite.

I've been racing those peacocks

all night, and you've...

Oh my goodness, gracious.

That's a work of art.

Sameer, Diana.

Diana, Sameer!

Hi, Diana. You can

call me Sammy please.

"Sammy".

Oh Sameer, I wouldn't...

do that if I were you.

Sameer is a top undercover man.

He can talk the skin off a cabbage

many ways as you can.

He doesn't look that impressive to me.

You do for me.

Your eyes, as soft as your smile.

And your eyes...

...looks like they want something.

I know Chinese too, tricky girl.

But, can you recite Socrates

in ancient Greek?

Oh, you're done.

Where is Charlie?

Voila!

At least this Charlie

is good with his fists.

That's not Charlie.

That's Charlie.

Steven!

May god grow a flower

upon your head son.

Good to see you.

So what were you fighting about?

I mistook his glass for mine.

That happens.

This man is no fighter.

Charlie is an expert marksman.

Means he shoots people.

From very far away.

You never know what hit 'em.

So, how do you know who you kill

if you can't see their face?

I don't. Trust me

it's better that way.

You fight without honor.

Who gets paid for honor?

So, what's the job, boss?

Two days tops.

We need supplies and

passage to Belgium.

What's the going rate?

Better be a good pay.

Yeah, well, here's the thing.

..I told you it was going to be quick.

And there's a lot to

be gained by this.

It's for a great cause...

...Freedom.

Friendship...

...ending the war, friendship...

- Okay, You have no money.

- No.

All I want now is a picture

of that beautiful face.

You will not need a photo...

...because I'll go with you.

What?

What is this?

We're gonna drop her up at front!

- "Dropping her off"?

- Yeah.

Question sweetheart, I am not

gonna get myself killed...

...with helping every last human.

- That's no I mean.

- Here's the little thief now!

I am both frightened and aroused.

Oh here they are! Sorry I'm late.

Sir Patrick!

Yes, that's what I

was gonna mention.

- Sir Patrick.

- No... No..!

Gentlemen, sit.

Ms. Prince, sit..

I assume you are here

planning something...

...that's going to get you

either court martial or killed.

And I assume,

you are here to stop us.

No.

Not at all in fact..

Well, look.

I was an younger man once.

And had I been in better health,

I like to think that I might do the same.

It's very very honorable

thing you're doing.

Therefore..

...I am here to help.

Unofficially, of course.

What's your plan?

If there's another weapon's

facility, find it and destroy it.

Along with Ludendorff and Maru.

In that case, to

allay suspicion...

...our charming Etta could run

the mission from my office.

"Run"...

Also.

...There is enough

here for a few days.

Thank you sir.

You're very welcome.

Take great care all of you...

...and good luck.

Fresh ice-cream.

Hello miss, would you like

to buy an ice cream?

- Me?

- You hungry?

Yes.

Thank you.

Eight pence please, sir.

There you go, and keep the change.

Thank you very much sir.

- What you doing?

- It's wonderful!

Yeah.

- You should be very proud.

- Thank you very much!

You should be very proud.

I hope I got niches here.

The chief's expecting us before dark.

Chief?

Oh yeah.

A smuggler.

Very reputable.

A liar, a murderer,

and now a smuggler.

Lovely.

Careful, I might get offended.

I wasn't referring to you.

Really?

I wanna recover from pretending

to be somebody else.

...I shot people on your

beach, smuggle a notebook.

A liar, murderer and smuggler.

You still coming?

It's awful.

That's why we're here.

The gas will kill everything.

What kind weapons

Rate this script:5.0 / 1 vote

Allan Heinberg

Allan Heinberg (born June 29, 1967) is an American film screenwriter, television writer and producer and comic book writer. Heinberg is the screenwriter of the film Wonder Woman, directed by Patty Jenkins. His television writing and producing credits include The Naked Truth, Party Of Five, Sex And The City, Gilmore Girls, The O.C., Grey's Anatomy, Looking, and Scandal. Most recently, Heinberg developed, wrote, and ran ABC’s The Catch, starring Mireille Enos and Peter Krause. For Marvel Comics, Heinberg created and wrote Young Avengers and its sequel, Avengers: The Children’s Crusade with co-creator/artist Jim Cheung. For DC Comics, Heinberg co-wrote JLA: Crisis Of Conscience with Geoff Johns (art by Chris Batista), and re-launched Wonder Woman with artists Terry and Rachel Dodson. more…

All Allan Heinberg scripts | Allan Heinberg Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Wonder Woman" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/wonder_woman_23638>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The underlying meaning behind the dialogue
    B The literal meaning of the dialogue
    C The background music
    D The visual elements of the scene