Written on the Body of Night Page #5

Synopsis: A look back at a director's life with his neurotic mother.
Production: Videocine S.A. de C.V.
  3 wins & 3 nominations.
 
IMDB:
6.4
Year:
2001
128 min
34 Views


and with Him the dream of millions of|people who believe He's all they have.

Are you manipulating me, Matt?

Are you trying|to make me feel?

But I wouldn't|call that manipulation. No.

I don't want to feel responsible|for this. It's not my fault.

What about the truth?

Christ said the truth|will set you free.

The truth will set you free.

You asked me|to see your truth...

to think like a scientist.

Now...

I ask you|to experience my truth...

to think with your heart.

Can you do that for me?

No, I can't.

You don't know my truth.

And I am afraid of it.

All we can do is offer it up|to a higher power...

and pray that in time|all will be revealed.

Did you read that|in a fortune cookie?

No. It's a proverb.

In time, all that is hidden|will be revealed.

It's the Bible. It's a big book,|but it's a crackin' read.

Mr. Hamid is waiting for you|on the veranda.

He says it's very important.

Hamid?

Here?

I cannot believe|that you were able to find it.

Jerusalem is small. For every oil lamp|a thief and for every thief a buyer.

Please.

And you expect me to believe you,|a known terrorist?

I do not expect you|to believe me.

But I do expect you|to believe your ears.

When the Vatican recognizes an undivided|Jerusalem as the capital of Israel...

the bones will be released.

That's immaterial.

On the contrary.

If Cohen succeeds|in this blackmail...

there will be a blood bath.

With you at the spigot.

I didn't invite you here|to exchange insults.

In fact,|you didn't invite me here.

You lured me here|under false pretenses.

I brought you here|to provide us both a way out.

Remove the body|from the tomb...

and I will help you get it|to your embassy in Syria.

So you can blackmail the Vatican,|like Moshe Cohen?

Mr. Yusef...

I believe God|has no place in politics.

Mine, yours.

That's what I believe.

Then the blood will be|on your hands, not on mine.

Even you don't believe that.

I believe this is yours.

So you got a special body|that you want me to examine.

-What makes you think it's special?|-That.

-There was a terrorist attack.|-No, what makes the body interesting...

is the fact|that it was crucified.

Did the Babylonians crucify?|I think not, Sharon, no.

Twenty-five hundred years|is a long way down.

Now, I prefer|to examine bodies in a lab.

The darkness of a tomb|breeds fights of imagination.

So, shall we have a look|at your fellow?

What are you|so nervous about?

I told him|the body was 500 BC.

I lied for you.

Now, this is unusual.|Minor indentations...

from the coronal suture...

along the frontal.

Now, the skin was pierced|with something right to the skull...

pointed objects of some kind,|but not--yes, not metal.

There's no oxidation.

All the way along|to the supraorbital notch.

Our fellow|was obviously male, yes, and...

certainly crucified.

But I'm not sure about this date,|500 BC. It appears Roman.

-Why?|-If you see this mark on the ribs...

looks like they finished him off|with a round spear.

Build-up of right forearm.

A mason. A carpenter.|Just like Christ.

Shall we continue|this conversation outside?

Father, we've got to talk.

Yes, fine, good.

I have found something.

Daniel 7 and 8, about the coming|of the Antichrist in the 70th week.

-No, please, Father.|-Which is not a week, but years.

This is serious stuff.

Thousands.|And exactly correlates...

with Nostradamus|and Revelations.

Dr. Sproul said to me|that the body had--

Exactly. The body.

See? Mark 18, verse 21.

And if any man|shall say un to you...

here, lo is Christ|or lo, He is there, believe him not.

-Please, Father.|-Daniel predicted...

that the false prophet would come|as a man like you or I.

But he was wrong.|It is the body.

Dr. Sproul found scratches on the|rib cage from the legionnaire's spear.

-Irrelevant.|-Irrelevant?

He knew his age, that he was|a carpenter. That is not irrelevant.

But you're not listening.|It doesn't matter what he said.

He has no authority|in matters of the faith.

-But I thought you were a scientist.|-I am.

-In the service of God.|-For heaven's sake, put God aside...

and let me talk|to the scientist.

Please tell me!

Give me something we can use,|something we can hold on to.

But I already have.|Mark 13, verse 21.

The body in the tomb|is the false prophet.

You accept him|and you summon the Antichrist.

What about the crown|of thorns, Father?

-What do you mean, crown of thorns?|-Yes.

The one that pierced the forehead|of a carpenter in his mid-'30s.

With unbroken legs, oxidation marks|on the wrist and feet and a heart wound.

What do we do about that?|What do I do, Father?

Yes, yes.|I-I see your point.

Please...

give me a few moments alone.

Of course.

I'm sorry. Of course.

What are you doing here?|What happened?

I've been looking|for you everywhere.

Fr. Lavelle is dead.

He killed himself.

And he did that|after I told him about...

Dr. Sproul's findings.

I'm sorry.

Sh*t.

I can't...

do God's work anymore.

When I was 14 years old...

I had a rife|hanging on my shoulder.

No hopes,|no future, no nothing.

There was this man,|this priest...

called Manuel Arrerra.

He was one|of those liberation priests...

revolutionaries of God.

In some way|he was a father to me.

One day...

I was standing in the middle of the|church, and he came up to me and said...

"You would be|a great soldier of Christ."

And I believed him.|It became my ambition.

My country was|in the middle of a war...

and he was working|for the guerillas, and...

he convinced me that...

the best way|I could help our cause was...

working undercover...

for military intelligence.

On the 14th of June, 1981...

I made a terrible mistake.

My most reliable source...

gave me information|I absolutely believed to be true.

I passed it to...

Fr. Manuel.

And I sent him to his death.

These two deaths|are unrelated.

And neither of them|was your fault.

They were my family.|They are my family. That's...

all I have.

If that-If that is|the body of Jesus Christ...

I sent Fr. Lavelle to oblivion,|to nothingness.

I need to know|if that body there...

is Him.

Can you get that?

Galit, from the lab.

Wait, wait, wait, wait, wait.|Could you repeat that?

Are you sure?

No doubt?

Thank you.

God bless you. Bye.

-What did she say?|-It is not Him.

It's not Christ.

-Something about a perfect glow.|-Great.

I gotta go. I gotta go.

I have to write the report|and fax it right away to Rome.

-Okay, let's go.|-Wait.

I'm sorry.

-I am sorry. I'm such an idiot.|-I don't understand.

This was your big discovery.|I don't know what to say. I'm sorry.

I'm happy, you're happy.

And I'm not gonna burn in hell,|so let's go. Come on.

Jacket, keys. Jacket.

-Your jacket.|-Oh, yes. Yes.

All the cross-checks|and duplications are there.

Though tit was|quite straight for ward.

I just don't follow how you managed|to establish a precise date...

based solely|on the glow curves.

We didn't. We still have|to match it to a known date.

Then how did you get 70 CE...

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Emilio Carballido

Emilio Carballido (Córdoba, Veracruz, 22 May 1925 – Xalapa, Veracruz, 11 February 2008) was a Mexican writer who earned particular renown as a playwright. Carballido belonged to the group of writers known as the Generación de los 50, alongside such figures as Sergio Magaña, Luisa Josefina Hernández, Rosario Castellanos, Jaime Sabines, and Sergio Galindo. He studied English literature and earned a master's degree in literature from the National Autonomous University of Mexico (UNAM). As a playwright his first work was Rosalba y los Llaveros, which premiered at Palacio de Bellas Artes in 1950, directed by well-known poet and stage director Salvador Novo. This was followed by a huge number of plays, including Un pequeño día de ira (1961), which earned him the Casa de las Américas Prize, ¡Silencio Pollos pelones, ya les van a echar su maíz! (1963), Te juro Juana que tengo ganas (1965), Yo también hablo de la rosa (1965), Acapulco los lunes (1969), Las cartas de Mozart (1974), and the box office hit Rosa de dos aromas(1986). Some of his works as a playwright were filmed for the screen, such as Rosalba y los llaveros (1954), Felicidad (1956), La danza que sueña la tortuga (1975), El censo (1977), Orinoco (1984), and Rosa de dos aromas (1989). In addition to more than a hundred plays and scripts, he also wrote two volumes of short stories and nine novels, and worked randomly as a stage director. His career in the Mexican film industry began with the script for La torre de marfil, written in collaboration with Luisa Josefina Hernández in 1957. In 1972 he received two Ariels for the storyline and script of Alfonso Arau's El Águila Descalza. On 27 May 2002 he was given the Ariel de Oro for his lifetime achievements which include more than 50 films, remarkably his collaboration in Luis Buñuel's Nazarín (1959). On 16 March 2007, Carballido and his partner of 20 years, Héctor Herrera, were among the first couples to apply for a civil union following the enactment of the Federal District's 2006 Ley de Sociedad de Convivencia. Carbadillo died of a heart attack on 11 February 2008 in Xalapa. Two days later, Governor of Veracruz Fidel Herrera Beltrán ordered a day of mourning in the state and announced that the Theatre of the State and one of the state literary prizes would be renamed after him. more…

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