Written on the Body of Night Page #6

Synopsis: A look back at a director's life with his neurotic mother.
Production: Videocine S.A. de C.V.
  3 wins & 3 nominations.
 
IMDB:
6.4
Year:
2001
128 min
34 Views


from a piece that's 32 CE?

You didn't say 32 CE.

-I didn't say anything.|-Yes, you did.

You did. You said Massada.|You did!

I only said Massada|as a name for a file.

I didn't give you the date.

I didn't.

All right.

Was the date|of the matching piece 32 CE?

Yes.

Then your date is 32 CE.|It's a perfect match.

Father, a message has come through for|you on the Net. Cardinal Pesci's office.

Hello, Father. It's urgent.

-Can you read it to me?|-It's marked for your eyes only.

What's it say? And don't go through|the motion of opening the envelope.

-I know you did it already.|-I may have caught a peek.

It goes something|along the lines of...

"Cardinal Pesci|and Moshe have spoken.

And they concur that it's time|for you to bring your friend to Rome."

I booked you a fight|for tomorrow morning.

-Shall I tell Dr. Golban?|-No, no. I'll do it my self.

And, Father...

I'm sorry about not being able|to crack that code of yours.

It's all right.

It's not important anymore.|Thanks.

Hello, Abu Yusef.

They said the body was Christ.

He said Christ?

If that's what they think,|Rome will do anything to get it back.

We must act immediately.

-Stop.|-What's wrong?

I forgot to say good-bye|to the Easter Bunny.

Don't tell me.

The Red Queen has invited you|to her birthday party.

Not exactly. You were right. It was|a prayer. The bloody code of yours.

-We have a plane to catch.|-Excuse me. How is that?

I ran a program to search for keywords|like "please," "Father," "God," "Amen."

-And they all came up?|-No, not exactly.

But two and three-quarters.|"Please" and "Father."

And then three letters|from the word "God."

Which means|our man is a Jew.

A Jew will not write out the full word|"God" on anything that may be destroyed.

Could even be|a follower of Christ.

-In the wall.|-What is this about?

There is a prayer in the tomb.

-What letter's missing?|-Fav.

-The dig is over.|-Hold on.

-Take a look.|-Bingo.

-The oil lamp from the dig.|-It's got to be in the tomb.

I have to find Sharon.|Let's go.

-Excuse me. Dr. Golban?|-Hamid. Is everything all right?

I don't know.|It's Mr. Gutierrez.

He took a pick from the store|and disappeared into the tomb.

He seemed very disturbed.|I thought you would want to know.

Yes. Yes. Let's go.

The van is over here.

It's okay, Hamid.|I'll take my car.

What's going on?

Hamid, why didn't|you just call me?

Hamid, what's going on?

We mean you no harm. Unless you do what|I say, the children will be executed.

They want what's in the tomb.

Can you hear me?

Message for Fr. Gutierrez.

Dr. Golban--

I can't hear you.|Talk slower. You're breaking up.

They've taken the children.

It's only a body.

-They're only bones.|-Father! Father!

Dr. Golban just called.|She's freaking out.

-Her kids have been kidnapped.|-What?

The line was bad,|but I'm sure she said bones.

-Give me your car keys.|-Just bones.

Call Moshe Cohen|and tell him exactly what Sharon said.

-What's happening?|-Call him.

The body is missing. Yes.

The red car!|Follow the red car!

Why do you stare like that?

They would have killed my family|if I didn't cooperate.

And my family's disposable|just because we're Israeli?

Of course not.

But it's of no consequence,|as no one will be killed.

So you say.

I swear it.

On my life.

Everything will be fine now.|You will see.

This is Abu Yusef.

Where are my children?

So you are the one|who started all the trouble.

Now you have what you want, so she|will have the car to take the children.

You gave me your word.|The children will be released.

Children, run inside.|Go away. Run in.

You can't kill the children.|I swore my life! I won't have it!

What have you done?

-You okay?|-Yeah.

-The bones. He went that way.|-Where? Where?

He went up the stairs.

Look after them.

-I may hit the priest.|-If Yusef makes it out, he's in Syria.

Give it up.

As you said...

God...

has no place in politics.

Not mine.

Not yours.

The Cardinal wants|this incident buried.

To have the state of Israel|involved in something...

so potentially dangerous|to the Christian faith...

would have serious|repercussions for us.

This is not|the body of Christ.

When the Vatican recognizes|an undivided Jerusalem...

as the capital of Israel,|the bones will be released.

God has no place in politics.

Christ said the truth|will set you free.

The truth will set you free.

What's this doing|in the house?

Well, it be longs|to my friend Matt.

But it's a cross.

Well, you see Matt is a Christian,|and he wears a cross...

like you wear|your daddy's Magen David.

But there's this man|on the cross.

-And who do you think that might be?|-I don't know.

What would you say if I told you|that that was their god?

They can see their god.|Wow. They're lucky.

Do you think it matters|that we can't see our god?

Don't be sad, Mommy.|Daddy can see God.

Do you think he can?

I think he can too.

We're very pleased that your|recuperation is going so well.

Is there anything|we can do for you?

Yes, Your Eminence.

I would like you|to listen to me.

Of course, Father.|Of course.

Your Eminence,|when I was chosen to go to Jerusalem...

I asked you why.

Why me?

Why not an archaeologist?|Someone more...

qualified for the task.

And when you told me|it was because of my faith...

I believed you.

Because for me...

your word was as good as...

God's.

But now, Your Eminence--

now I know the real truth.

You needed a puppet|to do your bidding.

The body is not Christ,|you said.

And that is exactly|what I went to prove.

Whether it was true or not.

No matter how many innocent lives|it cost in the process.

I know you don't|believe this, Father.

But in time you will come to see|it was not Him in that tomb.

Of course.|I already know that.

I thought I had lost my faith|in Christ, in God.

My savior.

My...

friend.

But I hadn't.

I have lost my faith|in serving men...

like you or Moshe Cohen...

who use God to justify|their material agendas.

That is why I now choose|to serve God in my own personal way.

As a priest,|you are sworn to silence.

Fr. Gutierrez?

Remember, Sharon...

how you said|the truth would set me free?

Well, it has.

The Church made me a priest...

but it was our or deal together|that has made me a man of God.

Maybe for the first time.

Wherever I go,|I will keep you in my heart...

and also in my prayers.

God keep you and bless you.

Translated and linkage: Jean-Luc Picard

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Emilio Carballido

Emilio Carballido (Córdoba, Veracruz, 22 May 1925 – Xalapa, Veracruz, 11 February 2008) was a Mexican writer who earned particular renown as a playwright. Carballido belonged to the group of writers known as the Generación de los 50, alongside such figures as Sergio Magaña, Luisa Josefina Hernández, Rosario Castellanos, Jaime Sabines, and Sergio Galindo. He studied English literature and earned a master's degree in literature from the National Autonomous University of Mexico (UNAM). As a playwright his first work was Rosalba y los Llaveros, which premiered at Palacio de Bellas Artes in 1950, directed by well-known poet and stage director Salvador Novo. This was followed by a huge number of plays, including Un pequeño día de ira (1961), which earned him the Casa de las Américas Prize, ¡Silencio Pollos pelones, ya les van a echar su maíz! (1963), Te juro Juana que tengo ganas (1965), Yo también hablo de la rosa (1965), Acapulco los lunes (1969), Las cartas de Mozart (1974), and the box office hit Rosa de dos aromas(1986). Some of his works as a playwright were filmed for the screen, such as Rosalba y los llaveros (1954), Felicidad (1956), La danza que sueña la tortuga (1975), El censo (1977), Orinoco (1984), and Rosa de dos aromas (1989). In addition to more than a hundred plays and scripts, he also wrote two volumes of short stories and nine novels, and worked randomly as a stage director. His career in the Mexican film industry began with the script for La torre de marfil, written in collaboration with Luisa Josefina Hernández in 1957. In 1972 he received two Ariels for the storyline and script of Alfonso Arau's El Águila Descalza. On 27 May 2002 he was given the Ariel de Oro for his lifetime achievements which include more than 50 films, remarkably his collaboration in Luis Buñuel's Nazarín (1959). On 16 March 2007, Carballido and his partner of 20 years, Héctor Herrera, were among the first couples to apply for a civil union following the enactment of the Federal District's 2006 Ley de Sociedad de Convivencia. Carbadillo died of a heart attack on 11 February 2008 in Xalapa. Two days later, Governor of Veracruz Fidel Herrera Beltrán ordered a day of mourning in the state and announced that the Theatre of the State and one of the state literary prizes would be renamed after him. more…

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Submitted on August 05, 2018

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