X-Rated: The Greatest Adult Movies of All Time Page #11

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WE'RE SUPPOSED TO MAKE THE

THINGS THAT AREN'T SEXY SEXY.

DON'T ACT SO SURPRISED,

YOUR HIGHNESS.

I'M NOT SURPRISED.

I'M DISGUSTED.

WE SAT IN A ROOM AND HE TALKED

INTO A POT.

WE RECORDED ALL HIS SOUND IN A

GIANT POT, LIKE A SPAGHETTI POT.

IT WAS HILARIOUS.

EVERY ONCE IN A WHILE

I HAVE A GOOD IDEA.

AND IN "STAR WARS" IT WAS LIKE

CHI CHI LARUE.

I'M SAVED!

OVER HERE.

HEY, SAILOR!

C-3PO HAS ALWAYS BEEN VERY

METROSEXUAL, AND I FIGURE WE

TAKE IT, YOU KNOW, TO PARODY

THAT, TO EXPLORE THAT.

"STAR WARS" WON A TOTAL OF

EIGHT AWARDS AT AVN WHICH IS THE

MOST THAT ANY PARODY HAS EVER

WON, AND I THINK THAT'S AMAZING.

IT'S CRAZY, UM,

AND WHAT'S EVEN MORE AMAZING

ABOUT THAT IS MOST OF ALL THAT--

ALL THE WORK FOR THE MOVIE WAS

DONE BEHIND-THE-SCENES, WITHOU THE SETS, WITHOUT THE COSTUMES,

WITHOUT THE TIME AND DEDICATION

FOR THE SCRIPT.

THE SHOOTING, THE ANGLES,

THE GREEN SCREEN,

THE POST PRODUCTION.

THE MOVIE WOULD'VE BEEN NOTHING.

AND I THINK, UM, YOU KNOW, THA REALLY SHOWS AND, YOU KNOW,

BY WINNING EIGHT AVN AWARDS,

IT DEFINITELY SHOWS THAT OTHER

PEOPLE APPRECIATE ALL THE HARD

MOST KNOW ME AS DEATH.

WHAT DO YOU WANT FROM ME?

I'VE COME FOR YOU.

THE BASIS BEHIND

"UNDERWORLD--" I PLAY

A CHARACTER NAMED TANYA,

AND I HAVE BEEN WITH MY FIANC

AND WE HAVE MADE THE SWEET LOVE,

TO DRIVE ME HOME,

WE'RE IN HIS PARKING GARAGE,

AND ALL OF A SUDDEN, WE'RE

VICTIMS OF A VIOLENT MUGGING.

SAY GOOD-BYE TO YOUR

BOYFRIEND.

NO, PLEASE!

THE OPENING IS, UH,

A BIT DRASTIC:

AND A BIT BLOODY

AND VIOLENT, UH,

BUT WE ACTUALLY:

WENT BACK AND FORTH ON

HOW VIOLENT TO MAKE IT.

AND THEY'RE TRYING TO SAVE MY

LIFE, I'M PUT UNDER ANESTHESIA.

AND WHEN I GO UNDER ANESTHESIA,

THE REST OF THE MOVIE IS THAT,

GOING BACK AND FORTH BETWEEN

ME FIGHTING FOR MY LIFE IN THE

OPERATING ROOM AND THE THINGS

THAT ARE HAPPENING TO ME

IN THE UNDERWORLD.

IF YOU REALLY WATCH THE

MOVIE, EVERYTHING PRETTY MUCH

IS-- HAS A MIRROR IMAGE WITH THE

PEOPLE IN THE OPERATING ROOM

AND THE UNDERWORLD BELOW.

EVERYTHING'S KIND OF TIED IN

AND EVERYTHING'S, UH, GO A YING AND A YANG SORT OF THING.

XANDER CORVUS PLAYS SLICE

AND HE WAS SORT OF, UH,

HE HAD SCALPEL FINGERS

AND HE WAS UP ON STILTS AND

SO HE WAS THE SCALPEL THA WAS STARTING THE SURGERY.

THIS JOURNEY THAT YOU'VE

EMBARKED UPON IS YOUR

SUBCONSCIOUS SELF REACTING

TO THE WORLD AROUND IT.

THE NURSE WAS PASSING

THE GAUZE TO THE DOCTOR.

DURING MY OPERATION IT FELL.

AND AS IT DROPPED, YOU SEE

AN AERIALIST FALL OUT OF THE SKY

SO ME AND JESSICA DRAKE GO TO HAVE SEX ON WATER, OR I LOOKED AS THOUGH IT WAS DIRECTLY

ON THE WATER, BUT IT WAS

WAS BUILT AND, UH, THERE WAS

MAYBE LIKE AN INCH OF WATER

ON TOP OF IT.

AND I'M BLOODY IN A SHALLOW

POOL OF WATER FOR LIKE

EIGHT HOURS THAT DAY.

WHEN THE INTIMIDATION MELTED

AWAY WAS WHEN SHE STUMBLED ON

A FEW OF HER LINES AND LAUGHED

AT HERSELF.

AND THEN YOU REALIZE, LIKE,

SOMEONE'S A HUMAN BEING,

AND THEY'RE A NORMAL PERSON

AND... THAT'S OKAY.

OH, I LOVE HAVING SEX

WITH ASA AKIRA.

RIGHT BEFORE THE SCENE, WE'RE

TAKING PRETTY GIRLS AND I'M

LIKE, "OH, THIS IS GONNA BE

REALLY FUN."

WE JUST SORT OF GOT ON EACH

OTHER AND ROLLED OFF THE SET.

WE DID IT EVERYWHERE.

LIKE, WE WERE JUST HAVING SEX,

SO, AS MUCH AS POSSIBLE, YEAH,

I WOULD LIKE TO, UH,

IS THERE ANYTHING ELSE

YOU WANT?

I MEAN, WHAT ELSE IS THERE

APART FROM LUXURY?

THAT CAN'T BE

A SERIOUS QUESTION.

AN INDIE PORNO,

THAT'S WHAT WE CALL IT.

IT'S-- IT'S LIKE A REAL MOVIE

WITH EMOTION AND ACTING

IT'S PORN WITH A REAL STORYLINE.

WHY DID YOU COME?

I CAN'T DO THIS AGAIN.

WHY DID YOU COME

AFTER FIVE F***ING YEARS?

MY CHARACTER, HER NAME'S JACKY.

SHE'S THE BADASS.

SHE'S DEFINITELY THE BADASS

OF THE MOVIE AND SHE, UH,

IS TRYING TO OPEN

THE OTHER LILY UP TO THIS WORLD

MY ROLE IN "WASTELAND"

WAS VERY SIMPLE.

THERE'S TWO GIRLS AT THE BAR.

I SAY SOMETHING IN THEIR EARS

WHICH IS EASY FOR ME.

TAKE HER UP TO THE BATHROOM

AND HAVE SEX WITH LILY LABEAU

IN THE BATHROOM.

IT'S A VERY, VERY CLOSED

ENVIRONMENT, IT'S LITERALLY

REAL TOILET SO THERE WAS NO ROOM

TO OPEN THE DOOR, SHOOT, LIKE,

THROUGH THE OPEN DOOR.

THEY SHOT IT ALL FROM ABOVE.

I THINK HE KNEW THAT THE BES WAY TO USE ME IS NOT TO HAVE ME

SPEAK BUT LET ME JUST F***.

I THINK THAT'S ONE OF THE

BIGGEST THINGS THAT SEPARATES

"WASTELAND" FROM A LOT OF

THE OTHER PORN IS THAT THE SHOTS

ARE SO BEAUTIFUL

AND THEY ARE THOUGHT OUT.

EVERY SINGLE SHOT IS THOUGHT OU AND PLANNED TO JUST--

IT WAS REALLY, REALLY DARK,

UM, WHERE WE SHOT THAT SCENE,

FOR ME BECAUSE I'VE NEVER SHO ANYTHING IN SUCH DARK LIGHTING.

IT WAS JUST COMPLETELY DARK.

I WAS LIKE, "REALLY, LIKE, CAN

YOU GUYS REALLY SEE

WHAT WE'RE SHOOTING?"

THEY'RE LIKE,

"YEAH, YEAH, IT LOOKS COOL."

IT'S THIS WHOLE STORY

COMBINING TO MAKE THIS BEAUTIFUL

JUDGMENT HAD REARED

ITS UGLY HEAD.

AND RIGHT WHEN MY GUARD

WAS FULLY DOWN,

IT SUDDENLY HAD POPPED BACK UP.

EMMA GOES INTO INTERVIEW

A MAN BY THE NAME OF

WILLIAM FITZGERALD WHO IS THIS

VERY PROMINENT BUSINESSMAN WHO

EMPLOYS PREDOMINANTLY FEMALES.

THERE'S AN UNSPOKEN ATTRACTION

PROPOSITIONS HER FOR

THE ROLE OF BEING HIS SUB.

SHE'S NOT A VERY SEXUAL PERSON.

SHE DEFINITELY DOESN'T CONFORM

TO NORMAL SOCIETY'S VIEWS

I DIDN'T READ THE "50 SHADES

OF GREY" BOOK OR ANYTHING LIKE

THAT BECAUSE I REMEMBER JACKY

WE WANNA DO PRETTY MUCH

THE OPPOSITE OF THAT.

I READ "50 SHADES OF GREY"

AND I HATED HOW THE FEMALE

PROTAGONIST WAS PORTRAYED.

SHE WAS INCREDIBLY WEAK AND HER

ENTIRE MOTIVATION WAS TO PLEASE

A MAN AND TO MAKE A MAN HAPPY.

I WANTED TO SET ABOUT WRITING

A BDSM STORY THAT REALLY

EXPLORED A STRONG WOMAN'S

SUB ROLE AND HOW THAT CAN BE

SO EMPOWERING FOR HER.

SHE WAS, UM, LIVING, LIKE,

A KIND OF RESERVED LIFE

AND NOT REALLY BEING HERSELF,

AND THAT'S SOMETHING THAT I CAN

VERY MUCH RELATE TO BECAUSE

I ALWAYS WANTED TO JUST, LIKE,

BE THE PERSON THAT EVERYONE

WANTED ME TO BE.

BDSM IS NOT JUST BEATING

SOMEBODY AND HARMING SOMEBODY

AND PHYSICALLY HURTING THEM.

IT'S SO MUCH ABOUT THE MENTAL

ASPECT OF THOSE RELATIONSHIPS.

SO FOR ME, I WANTED TO TELL

A STORY ABOUT THAT.

I DID FEEL LIKE, UH, I HAD

A LITTLE BIT OF AN ADVANTAGE

JOINING THE MOVIE BECAUSE I HAD

SOME BDSM EXPERIENCE WORKING

WITH DIFFERENT BONDAGE COMPANIES

IN THE INDUSTRY.

SO IT WAS NICE TO BE ABLE TO

BRING IN A LITTLE BIT OF

MY KNOWLEDGE AND EXPERIENCE

WITH THAT FOR A MOVIE THA SO MUCH, LIKE, REVOLVES AROUND

THE BDSM COMMUNITY.

SO "THE SUBMISSION OF

EMMA MARX" WON BEST BDSM MOVIE

AT AVN.

AND I WAS COMPLETELY FLOORED

BECAUSE WE'RE UP AGAINS BDSM COMPANIES.

AND NEW SENSATIONS MAINLY IS

A FEATURE GONZO STUDIO

THAT DOESN'T REALLY FOCUS ON

ANYTHING PARTICULARLY HARDCORE.

I WAS REALLY FLATTERED THA THEY WOULD RECOGNIZE THAT FILM,

ESPECIALLY GIVEN THAT IT WASN' REALLY THE PHYSICALITY

THAT WAS EXPLORED.

IT WAS THE MENTAL ASPECT.

WHEN I FIRST STARTED,

WE WERE DOING FILM,

IT WAS A THRILL.

IT WAS GREAT, YOU KNOW, WE'RE

LUGGING THESE BIG ASS CAMERAS

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