Youngblood Page #4

Synopsis: A gang war/drug story set in a Los Angeles ghetto about the coming of age of a 15-year-old black youth. In HD.
Genre: Action, Drama
Director(s): Noel Nosseck
Production: MGM
 
IMDB:
5.6
R
Year:
1978
90 min
510 Views


READ YOUR OWN MAGAZINE?

NO, MAN, JUST TELL ME

WHAT THAT WORD MEAN?

THAT'S ALL YOU GOTTA DO!

WILL YOU STOP LOOKING

OVER MY SHOULDER, MAN?

I AIN'T LOOKING OVER

YOUR SHOULDER, MAN!

WHY DON'T YOU LISTEN

TO THE RADIO?

THERE AIN'T NOTHING--

OW!

GRAB ONE OF THESE

CUPS HERE.

YOU'RE DOING ALL RIGHT,

DOING ALL RIGHT.

LITTLE MORE?

LITTLE MORE?

LITTLE MORE.

YOU CAN HANDLE IT?

-BIG MAN HERE.

-DRINK UP! BIG BOY.

YOU A KINGSMAN NOW.

All:
ALL RIGHT!

( indistinct shouting )

KINGSMAN! KINGSMAN! YEAH!

KINGSMEN:

KINGSMEN:

GET DOWN NOW.

KINGSMEN:

ALL RIGH KINGSMEN

KINGSMEN:

HEY, MAN!

HEY TURN UP THE SOUND, MAN!

( instrumental music

playing )

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

KINGSMEN, YEAH!

( chanting continues )

GET DOWN!

-SO, HOW'S IT GOING?

-AH, SMOOTH AS SILK.

MAKIN' A RUN

FOR THE MONEY.

ANYWAY, THAT'S WHAT WE

IN BUSINESS FOR, AIN'T IT?

OH, YEAH.

THAT SWEET YOUNG THING

SURE HAS A WICKED HOOK.

YOU PLANNING ON:

STAYING FOR A GAME?

NO CONTEST, MY MAN.

WAIT A MINUTE, CHUMP.

I DON'T PLAY

IN THE MINOR LEAGUES.

JUNIOR?

OH, UH, HEY, REGGIE.

UM... UH... MY BROTHER.

COME HERE A MINUTE.

LET ME TALK WITH YOU.

HEY, I'LL CATCH UP

WITH YOU.

WHAT DO YOU CALL YOURSELF

DOING IN HERE?

JUST HANGING OUT.

WITH AN EARRING:

IN YOUR EAR?

WHAT'S WRONG WITH IT?

NOTHING WRONG WITH IT,

LONG AS YOU DON'T MIND

BEING PINCHED.

AIN'T NOBODY GONNA BE

PINCHING ME.

NOW, YOU DON'T THINK

THOSE SISSIES GONNA

STOP SOMEBODY:

FROM SQUEEZING YOUR ASS,

DO YOU?

HEY, MAN, YOU TALKIN'

'BOUT THE KINGSMEN.

-SO WHAT?

-SO LAY OFF.

COME ON.

I'LL DRIVE YOU HOME.

NO, I AIN'T GOIN' HOME.

DOES MOMMA KNOW:

YOU'RE OUT HERE?

I AIN'T BEEN HOME

FOR TWO DAYS.

WHAT THE HELL:

YOU TRYIN' TO DO?

AIN'T DOIN' NOTHIN'

BUT BOWLING.

YOU DON'T HAVE TO COME

DOWN HERE AND BOWL

WITH THESE CHUMPS.

IF YOU WANTED TO GO BOWLING,

WHY DIDN'T YOU COME SEE ME?

NEXT TIME, ALL RIGHT,

REGGIE?

CAN I COUNT ON THAT?

SURE. WHY NOT.

THIS DUMP HAS A BAD REP.

BE CAREFUL.

I CAN TAKE CARE OF MYSELF.

YEAH. SURE YOU CAN.

SYBIL.

OH. HI, MICHAEL.

HOW YOU DOIN'?

FINE.

HEY, I DIDN'T KNOW

YOU HUNG OUT IN HERE.

UH... SOMETIMES.

WANT TO SHOOT A GAME?

HMM?

WANT TO SHOOT A GAME?

UH, NO. I'M

WAITING FOR SOMEBODY.

OH, UH, YOUR BROTHER?

NO. NO, NOT MY BROTHER.

HEY, UH...

YOU KNOW, I WAS KIND OF

HOPING I'D SEE YOU AGAIN.

I DIDN'T GO BACK

TO SCHOOL. I QUIT.

I GUESS IT DON'T MATTER

MUCH ANYWAY.

IT'S ALREADY SUMMER.

UH... WHAT...

WHAT ARE YOU DOING

THIS SUMMER?

WHAT?

SYBIL, ARE YOU ALL RIGHT?

I DON'T FEEL SO GOOD.

WHAT'S WRONG?

UM, MY STOMACH IS CRAMPING.

OH, UH,

ANYTHING I CAN DO?

I'LL BE ALL RIGHT.

IT'S JUST HOT IN HERE.

ALL RIGHT, WELL, UH...

HERE, USE THIS.

NO, WAIT. LET ME GO

AND WET IT FOR YOU.

I'LL BE RIGHT BACK.

( faint gasping )

( faint gasping )

Youngblood:
ROMMEL!

ROMMEL!

SOMEBODY CALL AN AMBULANCE.

GET OUT OF THE WAY!

SAY, MAN!

( music and chatter

continue outside )

Male Vocalist:

MOVE WITH THE GROOVE

MOVE WITH THE CAT

HE'S DEAD.

IT'S ALL THE WAY LIVE

IT'S ALL THE WAY

IT'S ALL THE WAY LIVE,

BABY:

IT'S NOT HARD

( excited chatter )

SYBIL!

SYBIL!

( distant siren

approaches )

LEAVE ME ALONE.

UM... WANT ME

TO TAKE YOU HOME?

NO.

YOU CAN'T STAY OUT HERE.

NO.

SYBIL, LOOK,

WHAT DO YOU WANT ME TO DO?

COME ON.

COME ON.

I DON'T WANT TO GO!

SYBIL.

I DON'T WANT TO GO!

PLEASE.

PLEASE.

AM I GONNA BE ALL RIGHT?

YEAH.

EVERYTHING'S GONNA

BE OKAY.

OKAY, COME ON.

I'M SO SCARED.

YOU OUGHT NO MESS WITH

JUNK.

WHY YOU WANT TO MESS

WITH THAT STUFF?

I FEEL SO SICK, MICHAEL.

LOOK, YOU GONNA BE OKAY.

I'M NOT GONNA

LEAVE YOU ALONE, ALL RIGHT?

I'M GONNA BE

ALL RIGHT, RIGHT?

YEAH, YOU GONNA BE

JUST FINE.

( Sybil shuddering )

COME ON, NOW,

DRINK IT DOWN.

THERE YOU GO.

THAT'S IT.

( gasping )

NO BIG THING.

KEEP AN EYE ON HER.

( crying softly )

MUST HAVE SCARED HER TO DEATH.

SHOULD HAVE TAKEN HER

TO THE HOSPITAL ANYWAY.

GERONIMO'S DEAD.

WHAT YOU LOOKING

AT ME FOR, JOAN?

I KNOW YOU'RE

LOOKING AT ME.

I HAD NOTHING TO DO

WITH IT, BABY.

I SWEAR TO YOU.

I AIN'T BEEN NEAR

NO JUNK SINCE I GO BACK FROM THE 'NAM.

IT'S GOT A FUNNY WAY

OF SNEAKING UP ON YOU,

DON'T IT?

YEAH.

AND I'M GONNA

GET RID OF IT.

LEAVE IT ALONE,

ROMMEL.

GERONIMO IS DEAD.

WE AIN'T LIVIN'

TOO TOUGH EITHER.

YEAH.

I'LL GET MY TAXI GIG

BACK TOMORROW.

I STILL GOT TO TAKE CARE

OF THIS OTHER BUSINESS FIRST.

YEAH, YOUR TURN NOW,

HOMIE.

GOOD SHOT, BABE,

GOOD SHOT.

WHAT YOU GONNA DO?

( indistinct chatter )

I'M GONNA TAKE IT!

I'M GONNA TAKE IT!

GOOD SHOT, BABE!

GOOD SHOT, HOMIE.

GOOD SHOT.

GOOD SHOT, HOMIE.

WHAT YOU GONNA DO?

WHAT YOU GONNA DO?

THERE'S THE BALL--

THERE'S THE BALL, HOMIE!

WHAT YOU GONNA DO, BABY?

COME ON, BABY!

NEXT TIME AROUND,

NEXT TIME AROUND.

COME ON, BABY.

COME ON, BABY.

COME UP TO THE HOOP!

COME UP TO THE HOOP!

MY MAN, WHAT YOU GONNA DO?

WHAT YOU GONNA DO?

DON'T PUT IT OUT THERE.

I'LL TAKE IT, NOW.

DON'T PUT IT OUT THERE.

I'LL TAKE IT!

COME ON, BABY!

COME ON, LITTLE MAN!

I'M GONNA BUST YOU!

TAKE IT BACK TO THE HOOP!

COME ON, NOW!

COME ON, NOW, HOMIE!

( indistinct comment )

GOING FOR THE HOOK, BABY,

GOING FOR THE HOOK!

GOT TO STOP IT!

MMM, YOUNGBLOOD!

WHOO!

AWW!

THAT'S IT, BLOOD.

GIVE IT UP, GIVE IT UP.

SHAKE IT LOOSE.

COME ON. COME ON.

YOU WANT TO GO:

ANOTHER ROUND?

NO. THAT'S MY LAST DOLLAR.

IF THAT'S YOUR GAME, MAN,

EARL THE PEARL WILL BE

BOOGYING A LONG TIME.

YEAH, WELL,

IF MY HEAD WAS COOL,

I'D HAVE FLOATED

PAST YOU ALL DAY.

YOUR HEAD? WHAT DO YOU

NEED FOR YOUR HEAD, MAN?

UH... YOU KNOW.

YEAH, BUT YOU AIN'T GO NO MORE BREAD.

BUT I'LL HAVE SOME TONIGHT,

SOON AS I SELL MY 8-TRACKS.

WHERE YOU GONNA BE AT, BLOOD?

MAYBE I CAN DO SOMETHING

FOR YOUR HEAD, HUH?

37th AND CRENSHAW.

ME AND THE FELLOWS WILL

BE THERE AROUND 9:30.

RIGHT AROUND THE CORNER

FROM THE JUNKYARD.

YOU BE THERE, MAN.

LOOKY HERE, MAN.

THIS AIN'T NO PLAY.

THIS IS BUSINESS, MAN.

COME ON.

THAT ALL YOU GOT?

DIDN'T THINK YOU COULD

STAND NO MORE THAN A NICKEL.

WELL, IS IT GOOD?

IS IT GOOD?

( scoffs )

THIS IS THE BEST, HOMIE.

WHAT DO YOU THINK

I AM, MAN?

THE BEST. MMM-MMM-MMM.

YO...

WANT TO TAKE A SNORT?

I CAN STAND IT IF YOU CAN.

HEY, MAN.

OKAY, MAN. YOU GO A LOT TO LEARN, HOMIE.

IT'S YOUR BAG.

MMM. IT'S YOUR GOOD DOPE.

NOW, THIS--

I SEE NOW!

HEY, GET ON BACK HERE!

COME BACK HERE:

WITH THAT BAG!

I'M GONNA KILL YOU, BOY!

I'M GONNA KILL YOU!

YOU BETTER GE AWAY FROM ME, YOU CHUMP!

WHAT YOU GONNA DO NOW?

WHAT YOU GONNA DO NOW, CHUMP?

I'M GONNA KILL YOU, BOY.

YOU DON'T KNOW

WHO YOU TAKIN' WITH!

I'M DEATH JUST AS WELL

AS LIFE, BOY,

AND I'M GONNA TAKE I FROM YOU, YOU LITTLE CHUMP.

GIVE ME THAT BAG, BOY.

YOUR LIFE IS NOTHING,

CHUMP!

I WAS GONNA SCHOOL YOU.

I WAS GONNA SHOW YOU

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Paul Carter Harrison

Paul Carter Harrison (born March 1, 1936) is an American playwright and professor. more…

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Submitted on August 05, 2018

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    "Youngblood" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/youngblood_23906>.

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