Youngblood Page #5

Synopsis: A gang war/drug story set in a Los Angeles ghetto about the coming of age of a 15-year-old black youth. In HD.
Genre: Action, Drama
Director(s): Noel Nosseck
Production: MGM
 
IMDB:
5.6
R
Year:
1978
90 min
510 Views


HOW TO MAKE SOME MONEY.

WHAT'S THE SET HERE?

WHAT'S THE SET HERE?

WHAT IS THIS, BOY?

WHAT'S THE DEAL HERE?

WHAT'S THE DEAL HERE?

COME ON WITH IT.

COME ON WITH IT.

STICK UP. STICK UP.

YOU BETTER BE COOL,

SUCKERS.

YOU BETTER BE COOL.

YOU DON'T KNOW WHO I AM,

DO YOU, CHUMP?

I'M DEATH TO YOU, BOY.

DEATH TO YOU,

AND YOU, AND YOU.

JUST BETTER REMEMBER NOW,

WHAT GOES AROUND

COMES AROUND.

I'M DEATH TO YOU, BOY.

YOU GONNA BE DEAD.

( metallic ring )

WHAT'S THE DEAL, BROTHERS?

WHAT'S THE SET HERE?

COME ON, IT AIN' ABOUT ALL THIS, IS IT?

COME ON, MAN.

UNITY, EH?

COME ON, BROTHERS,

WHAT'S THE DEAL?

IT AIN'T RIGHT.

LET'S TRY A LITTLE

UNITY, MAN.

HEY, MAN, ALL I'M TRYING

TO DO IS MAKE A DOLLAR,

BROTHER.

WHAT'S WRONG WITH Y'ALL, MAN?

Y'ALL LOST YOUR MIND?

WHAT'S WRONG--?

GET OUT--!

LOOK, MAN, LOOK,

I CAN SET ALL Y'ALL, MAN.

I KNOW THE MAN.

I'M IN THE FAMILY, HOMES.

CHUMP. I'M DEATH

TO YOU, BOY.

I SEE. I'LL REMEMBER

EVERYBODY.

Man:
KILL HIS ASS!

Rommel:
TAKE

THEM CLOTHES OFF!

Man:
BOY, YOUR ASS IS GONE!

( indistinct shouting )

( clothes ripping )

Man:
KILL HIS ASS!

COME ON, LET'S MOVE IT!

COME ON, COME ON, LET'S GO!

I'M TALKING ABOU STREET KIDS, REGGIE.

THEY KNOCKED ONE OF

OUR MESSENGERS RIGH INTO THE SEWER.

THERE'S A LOT OF

GANGS OUT THERE.

IT'S GOING TO BE HARD

TO PIN DOWN WHO'S DOING IT.

IT'S COOL.

WE'VE GOT SOME

PROFESSIONAL PROBLEM-

SOLVERS ON THE CASE.

WHAT ARE THEY GONNA DO

WHEN THEY FIND 'EM?

-THEY'RE GONNA SOLVE

THE PROBLEM.

-HOW?

THEY'RE GOING

TO ELIMINATE IT.

HELLO, MOMMA?

YEAH, YEAH,

THE HOUSE IS FINE.

LISTEN, IS JUNIOR THERE?

GOOD.

YOU TRY TO KEEP HIM THERE

FOR A WHILE, OKAY?

YEAH, I KNOW, MOMMA,

BUT TRY.

OKAY.

OH, MERCY, REGGIE!

WHERE DID YOU FIND

SUCH A BIG HOUSE?

COME ON IN, MOMMA.

YOU AIN'T SEEN NOTHIN' YET.

( chuckles happily )

AIN'T YOU COMIN'?

NO.

HEY, NOW, LOOK,

IT'S, UH...

IT'S COST ME A LOT OF TIME

AND A LOT OF BREAD

GETTING THIS HOUSE

FOR YOU AND MOMMA.

DON'T MAKE ME NO DIFFERENCE,

'CAUSE I AIN'T GONNA

LIVE IN IT.

WHERE YOU GONNA LIVE?

THAT AIN'T NONE OF

YOUR BUSINESS, REGGIE.

NOW, LISTEN, CHUMP,

YOU AIN'T COME SO FAR

THAT YOU CAN'T RESPECT ME.

WHY DON'T YOU JUS KICK MY ASS, MAN?

HEY, MAN...

NOW, WE ALWAYS

BEEN TIGHT, RIGHT?

BUT YOU AIN'T TALKIN'

TO MOMMA NOW.

WE TALKIN' MAN TO MAN.

A'IGHT, REGGIE.

I'M GONNA GO STAY

WITH MY PARTNERS.

-WHAT ARE YOU GONNA DO

FOR BREAD?

-ROMMEL'S WORK.

I DON'T GIVE A DAMN

'BOUT NO ROMMEL! I WAN TO KNOW

YOUR:

HUSTLE!

SEE, YOU'RE JUST LIKE MOMMA.

YOU DON'T BELIEVE NOTHIN'!

YOU KNOW ANYTHING

ABOUT THE STREETS? HMM?

DO YOU:

REALLY:

KNOW:

WHAT GOES ON OUT HERE?

HUH?

LOOK, I AIN'T SCARED,

REGGIE, ALL RIGHT?

I AIN'T HARDLY SCARED.

( live jazz music playing )

HEY, HEY. DIG.

THERE GOES SUPER DUDE.

I BEEN PEEKIN'

HIS WHOLE CON FOR

TWO WEEKS, YOU KNOW?

HEY, WHAT'S HAPPENIN',

BROTHER?

-WHERE MY MONEY?

-I AIN'T GOT IT, MAN.

Man:
HE THE BAG MAN

FOR THE BOWLING ALLEY?

Man #2:
NO.

HE RUNS THE STRIP.

NOW, WATCH HIM

PUT HIS DOGS UP:

ON THE BUS STOP BENCH.

DON'T FORGET MY MONEY.

NOW, WATCH HIM.

HE'S GONNA MEET TWO OF HIS

LADIES OF THE NIGH IN FRONT OF THE CHINESE

FOOD STORE, DIG?

DIG. CHECK HIM OUT.

WHAT'S HAPPENING,

WHAT'S HAPPENING?

Woman:
HEY, BABY,

WHAT IT IS?

YEAH, YOU LOOKIN' GOOD.

WHERE MY MONEY?

AHH...

YOU JUST-- YOU BETTER

GET MY MONEY, UNDERSTAND?

NEXT TIME.

NOW, WATCH, WATCH.

HE'S GONNA LAY SOME SKIN

ON MY MAN CAPTAIN MARVEL,

AND SOME DOUGH.

CHECK IT.

ALL RIGHT.

Y'ALL ALL RIGHT?

NOW HE'S GONNA MOVE INSIDE.

NOW, CAPTAIN MARVEL

STANDS OUTSIDE AND WATCHES

WHILE SUPER DUDE

DROPS HIS DOUGH INSIDE.

WHAT'S HAPPENING?

HOW YOU?

ALL RIGHT, BABY.

HOW MUCH TIME WILL IT TAKE?

FIVE MINUTES.

OKAY, EVERYBODY OUT,

QUICK.

COME ON, LET'S GO.

MICHAEL! MICHAEL!

PUT THIS UNDER YOUR BELT.

HEY, KINGSMAN.

BIG-TIME SKEETER-JEETER.

COME HERE FOR A MINUTE.

YOU KNOW...

WHAT GOES AROUND

COMES AROUND.

( gunshot )

( tires squeal )

( live jazz music playing )

( Jamaican accent )

HOW YOU DOIN', MAN?

I'M ALL RIGHT.

WHERE YOU WANT TO GO?

-47th AND CRENSHAW.

-47th AND CRENSHAW.

OKAY, MAN. THIS THING

DON'T NEVER WORK, YOU KNOW.

OKAY. 47th AND...

WHO YOU SAY?

CRENSHAW.

CRENSHAW. OKAY,

I GOT YOU, I GOT YOU.

YEAH, MAN,

HOW YOU DOIN', MAN?

ALL RIGHT.

OH, YEAH, MAN,

IT'S A NICE NIGHT.

SAY, BROTHER, WHY'D YOU

TURN OFF THE STRIP?

OH, DID YOU SEE

ALL THE TRAFFIC:

DOWN THERE, MAN?

I DON'T WANT TO CRASH

IN THE CAR.

I'M GONNA TRY TO GET YOU

IN A BETTER ROUTE.

ALL RIGHT, ALL RIGHT.

SO, WHAT, ARE YOU

A BUSINESSMAN?

YEAH, THAT'S MY BUSINESS.

BUSINESSMAN.

YEAH. THAT'S A NICE

BUSINESS, YOU KNOW?

HEY, MAN, YOU SURE

YOU KNOW THE WAY TO CRENSHAW?

WELL, I GONNA TELL YOU

THE TRUTH--

I AIN'T TOO SURE.

THEN STOP THIS MOTHER--!

( tires squeal )

( moderate blows landing )

HOLD UP, HOLD UP.

JUST-- HEY, HOLD UP.

LISTEN, JUST HOLD UP.

NOW, YOU LOOK, MAN.

MR. SUPER DUDE,

MAYBE YOU THINK:

WE BULLIN',

BUT WE NOT,

YOU UNDERSTAND?

NOW, EITHER YOU GIVE IT UP,

OR WE GONNA GIVE YOU UP.

NOW, YOU SPEAK UP.

YOU OUGH TO KNOW BETTER, MAN.

-MAN, LET ME BUST THE DUDE!

-HOLD UP. JUST HOLD UP.

-MAN, WE BLOWIN' IT, MAN.

-WE NOT BLOWIN' NOTHIN'.

I'M TIRED OF YOU, MAN.

I'M TIRED OF YOU.

YOU AIN'T NOTHIN'

BUT A DAMN ERRAND BOY!

WHEN WE FINISH:

WITH YOUR ASS,

THERE WON'T BE ENOUGH

OF YOUR ASS LEF FOR YOUR MASTER

TO PUT HIS BOOT UP IN.

NOW, YOU TELL ME

WHO HE IS!

SPEAK UP!

WHAT YOU THINK,

CHAKA?

OFF HIM.

YOUNGBLOOD...

GIMME MY PIECE.

HEY, DON'T DO THIS, MAN.

I CAN'T TELL YOU NOTHIN'.

I SWEAR I CAN'T!

COME ON.

WHAT YOU DOIN'?

I WANT US TO SEE

IF THIS SUPER DUDE

LOVES HIS MASTER

MORE THAN HIS LIFE.

YOU CAN'T.

BUMMIE...

OUTSIDE AND STAND GUARD.

YOUNGBLOOD...

STUFF HIS MOUTH.

( muffled cry )

( click, muffled cry )

( c*cks pistol )

( click )

( muffled cry )

( muffled cries )

( click )

( muffled cries )

Y'ALL CRAZY, MAN!

Y'ALL CRAZY!

SPEAK UP.

FRIDAYS.

I MEET THE SUPPLIER

ON FRIDAY.

WHERE?

WESTSIDE RIFLE CLUB.

-HMM?

-MANAGER'S OFFICE.

I WOULDN' MESS WITH HIM, MAN.

( car arrives outside )

( gunshot )

( tires squeal )

( distant dog barking )

BUMMIE! BUMMIE!

( swallows hard )

BUMMIE'S DEAD, MAN!

BUMMIE'S DEAD!

OKAY, LET'S GE OUT OF HERE.

EVERYBODY.

COME ON, COME ON!

HEY, MAN! HEY!

HEY, KID, DON' BOTHER ME, MAN!

Super Dude:
WHAT'S

WRONG WITH YOU, HUH?

TAKE IT EASY.

TAKE IT EASY, ALL RIGHT?

THERE AIN'T NOTHIN'

WE CAN DO ABOUT IT,

ALL RIGHT?

YOU OKAY? YOU OKAY?

Chaka:
( whispering )

ROMMEL, WHAT SHOULD I

DO WITH SUPER DUDE?

DUMP HIM IN THE JUNKYARD.

YOU ALL RIGHT?

COME ON.

HOW YOU DOIN'?

OKAY, I GUESS.

I DIDN'T THINK

YOU WERE COMING.

I TOLD YOU I WOULD.

YEAH.

I'M GLAD YOU CALLED.

I WOULD HAVE COME

AND PICKED YOU UP,

YOU KNOW,

BUT I, UH...

OH, THAT'S OKAY. REALLY.

IT'S ON MY WAY

TO THE CLINIC.

OH, YEAH?

MMM-HMM.

UM... HOW THEY

TREATIN' YOU?

IT AIN'T MUCH OF A TREAT.

WHAT HAVE YOU BEEN DOIN'?

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Paul Carter Harrison

Paul Carter Harrison (born March 1, 1936) is an American playwright and professor. more…

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Submitted on August 05, 2018

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