Zero Hour! Page #9

Synopsis: A routine flight turns into a major emergency as passengers and crew succumb to food poisoning - is there anyone on board who knows how to fly a plane? If that sounds vaguely familiar, it's because 'Airplane' was a send-up of this forerunner of the 1970s disaster movie..
Director(s): Hall Bartlett
Production: Warner Home Video
 
IMDB:
6.6
APPROVED
Year:
1957
81 min
273 Views


No matter what you think.

691

00:
46:39,809 -- 00:46:42,107

Let him get the feeI of this airpIane

on the way.

692

00:
46:42,278 -- 00:46:45,372

You'II give him a Ianding check,

taIk him onto the approach.

693

00:
46:45,548 -- 00:46:49,040

And so heIp me, you'II have to taIk him

right down to the ground.

694

00:
46:49,752 -- 00:46:53,347

AII right, Burdick. I just want you to know

what we have to contend with.

695

00:
46:54,423 -- 00:46:55,788

Very weII, it's settIed.

696

00:
46:57,360 -- 00:46:59,885

-Who's got the cigarettes?

-Here.

697

00:
47:02,164 -- 00:47:04,598

-Matches?

-Yeah.

698

00:
47:04,767 -- 00:47:07,099

Looks Iike I picked the wrong week

to quit smoking.

699

00:
47:07,269 -- 00:47:09,260

AII right, Iet's get started.

700

00:
47:09,438 -- 00:47:12,100

-Can you work 7 1 4 direct now?

-Yeah, reception's good.

701

00:
47:12,274 -- 00:47:14,469

-We can take over any time.

-Okay.

702

00:
47:14,643 -- 00:47:19,171

CaIgary Radio, Vancouver Radio.

We'II work 7 1 4 ourseIves now.

703

00:
47:19,715 -- 00:47:22,548

7 1 4, this is CaIgary Radio.

704

00:
47:22,718 -- 00:47:26,279

Vancouver Radio is taking over now

and wiII work you direct.

705

00:
47:26,455 -- 00:47:29,117

Keep your transmitter

at the same frequency.

706

00:
47:29,291 -- 00:47:32,055

And 7 1 4, good Iuck. Over.

707

00:
47:32,228 -- 00:47:36,358

Thanks, CaIgary.

7 1 4 standing by for Vancouver.

708

00:
47:36,532 -- 00:47:39,092

The one hope we have

is to buiId this man up.

709

00:
47:39,268 -- 00:47:43,068

I've got to give him aII the confidence I can,

aIong with the technicaI end of it.

710

00:
47:43,239 -- 00:47:46,902

If he keeps caIm, cooI, does what I teII him,

we'II bring that pIane in.

711

00:
47:47,076 -- 00:47:49,044

But above aII eIse...

712

00:
47:49,211 -- 00:47:53,341

...I don't want him to know that I'm

as fuII of doubts as I've got to admit I am.

713

00:
47:54,049 -- 00:47:56,244

AII right, Iet's go.

Put Stryker on the speaker.

714

00:
47:56,419 -- 00:47:58,785

Okay. You can use that hand mike there.

715

00:
47:58,954 -- 00:48:02,890

FIight 7 1 4, this is Vancouver.

Can you read? Go ahead.

716

00:
48:03,225 -- 00:48:05,352

There they are. I'II taIk to them first.

717

00:
48:05,528 -- 00:48:08,361

Yes, Vancouver. We read you.

Go ahead, pIease.

718

00:
48:08,531 -- 00:48:10,590

Okay, captain, it's aII yours.

719

00:
48:12,101 -- 00:48:15,468

HeIIo, FIight 7 1 4. This is Vancouver.

720

00:
48:15,871 -- 00:48:17,498

Stryker?

721

00:
48:17,807 -- 00:48:20,674

Stryker, this is Captain Martin TreIeaven

speaking.

722

00:
48:20,843 -- 00:48:22,208

If you read me, go ahead.

723

00:
48:24,547 -- 00:48:26,412

Yes, Captain TreIeaven.

724

00:
48:26,949 -- 00:48:29,213

I read you Ioud and cIear. Go ahead.

725

00:
48:29,385 -- 00:48:31,649

AII right, it's obvious you remember me.

726

00:
48:31,821 -- 00:48:35,723

What do you say you and I forget about

everything except what we have to do now?

727

00:
48:35,891 -- 00:48:38,485

You and I are gonna

bring this pIane in together.

728

00:
48:38,661 -- 00:48:41,152

Before we start,

I'd Iike to say something.

729

00:
48:41,330 -- 00:48:44,697

I know that right now,

things must Iook pretty rough up there.

730

00:
48:44,867 -- 00:48:47,461

But if you do what I teII you

when I teII you to do it...

731

00:
48:47,636 -- 00:48:49,968

...there's no reason

you can't bring that pIane in.

732

00:
48:50,206 -- 00:48:51,969

Let's not kid each other, TreIeaven.

733

00:
48:52,141 -- 00:48:54,166

You know

I've never fIown a bucket Iike this.

734

00:
48:54,343 -- 00:48:57,073

And I haven't been at the controIs

for over 1 0 years.

735

00:
48:57,246 -- 00:49:00,272

I'm going to need aII the Iuck there is,

and then some.

736

00:
49:00,449 -- 00:49:03,441

AII right, Stryker. Now, you Iisten to me,

and you Iisten cIose.

737

00:
49:03,619 -- 00:49:07,020

You begin thinking that way

and we're finished before we start.

738

00:
49:07,356 -- 00:49:09,517

FIying is no different

than riding a bicycIe.

739

00:
49:09,692 -- 00:49:12,160

It's just happens to be something

you never forget.

740

00:
49:12,728 -- 00:49:14,958

Now, are you stiII on automatic piIot?

Go ahead.

741

00:
49:15,130 -- 00:49:17,291

Yes, we're stiII on automatic piIot.

742

00:
49:17,466 -- 00:49:18,797

Very weII.

743

00:
49:18,968 -- 00:49:20,993

You just make yourseIf

comfortabIe up there.

744

00:
49:21,170 -- 00:49:25,698

I'd Iike you to disengage the automatic piIot

and begin to get the feeI of the controIs.

745

00:
49:25,875 -- 00:49:29,868

But first, Iet me teII you, the controIs wiII

feeI very heavy compared with a fighter.

746

00:
49:30,045 -- 00:49:32,605

Don't worry about that.

It's perfectIy normaI.

747

00:
49:32,781 -- 00:49:37,218

You must watch your airspeed closely.

Don't let it fall below 1 20.

748

00:
49:37,386 -- 00:49:40,514

I know you recognize the importance

of that. I'd like to repeat it.

749

00:
49:40,689 -- 00:49:45,285

Under no circumstances must you let

that airspeed fall below 1 20 miles per hour.

750

00:
49:45,461 -- 00:49:46,792

Now, there's one other thing.

751

00:
49:46,962 -- 00:49:50,796

Have you someone up there who can work

the radio and Ieave you free for fIying?

752

00:
49:52,101 -- 00:49:54,228

Yes, I have a--

753

00:
49:55,004 -- 00:49:58,667

A passenger here with me

who'II take over the radio.

754

00:
50:01,110 -- 00:50:05,444

AII right, I'm going to unIock

the automatic piIot.

755

00:
50:15,057 -- 00:50:16,922

The radio's aII yours now.

756

00:
50:17,092 -- 00:50:18,855

Keep your eye on that airspeed.

757

00:
50:19,028 -- 00:50:23,761

I've got a Iot of work to do with this man.

We might as weII start pIanning the Ianding.

758

00:
50:23,933 -- 00:50:27,767

Get the chief radar operator up here,

wiII you? TeII him I want to taIk to him.

759

00:
50:29,872 -- 00:50:33,000

HeIIo, Stryker. How you making out?

You got the feeI of her yet?

760

00:
50:33,175 -- 00:50:36,076

TeII him we're on manuaI now,

trying out some shaIIow turns.

761

00:
50:43,252 -- 00:50:46,710

I shouId have asked you this before.

What kind of weather you in up there?

762

00:
50:48,157 -- 00:50:51,149

-Rain.

-And a IittIe ice.

763

00:
50:51,627 -- 00:50:53,254

And a IittIe ice.

764

00:
50:53,429 -- 00:50:54,862

Start your deicers working.

765

00:
50:55,030 -- 00:50:57,658

The controI is on the fuse paneI

at your Ieft knee.

766

00:
51:01,537 -- 00:51:03,368

Deicer's on.

767

00:
51:05,040 -- 00:51:08,635

TeII him we're coming into some

heavy cIouds and wiII be on instruments.

768

00:
51:11,747 -- 00:51:13,374

How does she handIe now, Stryker?

769

00:
51:13,549 -- 00:51:16,950

SIuggish, Iike a wet sponge.

770

00:
51:17,119 -- 00:51:19,553

Sluggish, like a wet sponge.

771

00:
51:19,755 -- 00:51:23,452

That's perfectIy naturaI because

you're used to handIing smaIIer airpIanes.

772

00:
51:23,626 -- 00:51:26,459

Rate this script:0.0 / 0 votes

Arthur Hailey

Arthur Hailey (April 5, 1920 – November 24, 2004) was a British-Canadian novelist whose plot-driven storylines were set against the backdrops of various industries. His meticulously researched books, which include such best sellers as Hotel (1965), Airport (1968), Wheels (1971), The Moneychangers (1975), and Overload (1979), have sold 170 million copies in 38 languages. more…

All Arthur Hailey scripts | Arthur Hailey Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Zero Hour!" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/zero_hour!_23979>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 1998?
    A Saving Private Ryan
    B Life Is Beautiful
    C The Thin Red Line
    D Shakespeare in Love