Shilobe's Scripts Page #2

The Bourne Supremacy

EXT. MERCEDES WINDSHIELD -- DUSK It's raining... Light strobes across the wet glass at a rhythmic pace... Suddenly -- through the window a face -- JASON BOURNE -- riding in the backseat -- his gaze fixed. INT. MERCEDE...

– by Tony Gilroy

Bottle Rocket

EXT. ALLEY. DAY ANTHONY and DIGNAN walk down an alley behind a convenience store. Anthony's nineteen. He's got on a red jacket with an Enco patch. Dignan's twenty. He has a buzz-cut and wears a short-sleeved terrycloth shirt. He carries a vinyl tennis bag. It's got a pouch for a racquet but no r...

– by Owen Wilson

The Body Snatcher

FADE IN THE MAIN AND CREDIT TITLES ARE IMPOSED ON a mezzotint of Edinburgh castle viewed from the Causeway. When the last credit title dissolves DISSOLVE TO STOP FRAME of STOCK S...

– by Philip MacDonald

Blood Simple

LANDSCAPES An opening voice-over plays against dissolving Texas landscapes--broad, bare, and lifeless. VOICE-OVER The world is full of complainers. But the fact is, nothing com...

– by Joel Cohen and Ethan Jesse Coen

Blade

Darkness, BLOOD-CURDLING SCREAMS. Presentation credits roll as we FADE UP ON: INT. HOSPITAL, INNER-CITY TRAUMA WARD - NIGHT It's 1967, the Summer of Love and -- BOOM! Entry doors swing open as PARAMEDICS wheel in a FEMALE BLEEDER, VANESSA (20s, black, nine months pregnant). She's deathly pale,...

– by David S. Goyer

Unbreakable

INT. CLOTHING STORE - AFTERNOON Women's casual wear department. J.C. Penny. Legend "1961" An African-American man carrying two J.C. Penny shopping bags is ushered past the department store managers and security guards on walkies that have gathered at the entrance to the woman's dress...

– by M. Night Shyamalan

Watchmen

INT. EDWARD BLAKE'S APARTMENT - KITCHEN - EVENING CLOSE ON: A "Have A Nice Day" HAPPY FACE PIN. STEAM rises past the pin. We hear a KETTLE BOILING. We PULL BACK and find that the pin adorns the lapel of a ROBE worn by EDWARD BLAKE, 63, but amazin...

– by David Hayter

Ted

EXT. SPACE - X As the Universal logo completes itself, we begin to slowly push in on the East Coast of the United States. The camera glides down through the atmosphere, through the clouds, closer and closer, until we begin to see ...

– by Alec Sulkin

Heavy Metal

FADE UP ON A WHEATFIELD A beautiful field of wheat glistens in the morning sun. As the camera skims overtop, titles start to roll. Ahead of us an odd-looking service van comes into view, sputtering along a dirt road. Getting closer, we can see the driver, a thin, bookish man with a neat musta...

– by Daniel Goldberg

Labyrinth

FADE IN ON: 1EXT: SKY - DAY A WHITE BIRD soaring. The sky is a glorious explosion of blue and mauve and lavender. The setting sun washes the clouds with a delicate pink tint. The bird swoops and spirals and we are right there with him. Then suddenly, below us, an extraordinary sight appears. 2...

– by Terry Jones

Hancock

FADE IN: BLACK. It's everywhere. It swallows the screen. And so we stare into a sea of BLACK. NARRATOR (V.0.) I saw a severed head once. Except for the, paleness, it looked healthy, well-fed. The end came abruptly you could tell ...

– by Vince Gilligan

Legend

1EXTERIOR FOREST NIGHT Huge trees taper upward like columns supporting the roof of heaven. Moonlit dewdrops spangle a delicate spiderweb. The setting is tranquil and utterly majestic. Over the brow of a distant hill, a pair of brilliant light beams scintillate in an etheral ballet. Numerous...

– by Brian Helgeland

The Four Feathers

Four Feathers Screenplay by Michael Schiffer revised by Hossein Amini based on the book by A.E. Mason EXT. TRAINING GROUND/ WESTMINSTER barracks/ LONDON - Day. Through a veil of dust we see two lines of uniformed cavalry, stretched out across the parade ground. There's a tense silence except...

– by Michael Schiffer

Three Kings

FADE IN: EXT. IRAQI DESERT - DAY WIDE ANGLE POV of wide open desert, flat grey sky. THE CAMERA is running forward, toward a big sand berm in the distance. There are O.S. sounds: SOLDIER'S EQUIPMENT CLANKING, BOOTS RUNNING ON SAND. Hear a MAN's BREATHING. The back...

– by David O. Russell

Warrior

EXT. PITTSBURGH, PA - TWILIGHT A beautiful blue-collar city approaching nightfall. Bridges. Rivers. Churches. The working class poetry of the `Burgh. EXT. ST. MARY'S CHURCH - SAME ...

– by Cliff Dorfman

X-Men

BLACK Sounds of a train rolling to a halt, a shrill whistle. EXT. CAMP - DAY UP ON the door of a weathered cattle car as a German soldier steps into frame wearing that familiar gray of the all-too familiar era. He throws the door to reveal a mass of h...

– by David Hayter

Wild Hogs

FADE IN: INT. KITCHEN - MORNING ANGLE ON: BILLY MATTHEWS, 8, ravenously eating a plate of hashbrowns, runny fried eggs and syrupy waffles. WOMAN'S VOICE (O.C.) Doug?... We see DOUG MATTHEWS, 40's, sitting across the table, s...

– by Brad Copeland

Twins

TWINS FADE IN: 1 LONG BASEMENT CORRIDOR 1 The CAMERA is MOVING SLOWLY DOWN a long basement corridor. We hear a narrator (Werner) -- WERNER (V.O.) On his 35th birthday, I decided to tell...

– by William Davies

Code of Silence

EXT. CHICAGO - NIGHT TO DAWN Thundering north through the glass canyons of the Loop, the elevated train SCREECHES through the city awakening. As it races north across the river past ancient factories giving way to high rise splendor,...

– by Dennis Shryack

Clash of the Titans

FADE IN: EXT. ALLEYWAY (VILLAGE) - DUSK Gloomy, last light. From out of the shadows comes -- A DOG. A dog of war. Big, mangy, muscular, scary. As he moves down the alley, the way becomes increasingly choked with fallen structures. and...

– by Travis Beacham

Big Eyes

FADE IN: TITLE SEQUENCE: TIGHT on TWO PAINTED EYES. The pupils are impossibly wide. Imploring. The watery rims spill a single tear. We PULL OUT... revealing the eyes belong to a child. A young girl, fingers clasped pitifully. She'...

– by Scott Alexander and Larry Karaszewski

The Revenant

FADE IN: EXT. UPPER MISSOURI RIVER/1820'S - EVENING ANGLE ON A SINGLE COTTONWOOD LEAF... brown and crisp... clinging to its empty branch... the solitary sign of life on an otherwi...

– by Mark L. Smith

La La Land

FADE IN... A sun-blasted sky. We HEAR radios -- one piece of music after another... We're -- 1 EXT. 101 FREEWAY - DAY Cars are at a standstill. It's a horrific traffic jam. Morning rush hour. Sun beating down, asphalt shimmering in the heat. The blown-out dow...

– by Damien Chazelle

Innerspace

A STRANGE LANDSCAPE. Like the surface of some alien planet. CELESTIAL FORMS spin in the distance. DROP DOWN over a topography of rolling hills. ALVIN 5 - THE POD A titanium alloy sphere; the strongest form to withstand great pressures. A streamlined mantle houses propellers, batteries, artic...

– by Jeffrey Boam