.45 Page #5

Synopsis: Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?
Genre: Crime, Drama, Thriller
Director(s): Gary Lennon
Production: Media Talent Group
 
IMDB:
5.7
R
Year:
2006
101 min
240 Views


- Show 'em to me. Give 'em to me.

- These clothes?

Those are f***ing whore's clothes, baby!

F***ing whore's clothes!

- Look at this, look at this sh*t.

- Oh Al, stop it, please.

- It's f***ing whore's clothes, baby!

- Do not do it, Al

Please, Al, I'm sorry. I'm sorry.

I won't talk to anybody anymore. Please.

Oh f***!

Alright, come here.

Crawl to the f***ing mirror.

Come on, take a look at yourself in the mirror.

You see that? You see that, baby?

You tell me.

- You tell me.

- Stop it, Al!

Tell me you're a whore. Tell me you're a whore

Tell me you're a whore!

Tell me. Tell me

you f***ing love me.

- Tell me you f***ing love me.

- I love you.

Tell me you really wanna suck my cock, baby.

I want to suck your cock!

Baby, baby.

- I'll gonna cut your f***ing hair.

- No! F*** you! No! Get off me!

It's the only way

you're gonna learn.

It's the only way you're

gonna f***ing learn, baby.

It's the only way you're

gonna f***ing learn, baby.

Come here!

I want to spend the rest of my

life with you, your f***ing c*nt!

Al! Al!

I'm gonna get you a new mirror baby,

tomorrow. I'll get you a new mirror tomorrow.

There's no excuse to go around

treating people the way that he did.

There are some people out there who've

had childhoods far worse than Al's...

go on to do great things.

Become model citizens, y'know? Like...

There's a secretary that I used to know.

She had a very terrible childhood, like...

Too bad to get into. Like raped,

incest, ate with her hands, everything.

But, a nice smile on her face

and everything, like... delightful,

funny. Not like this animal, Al.

Death penalty.

Shoot him. It should be

quick and brutal.

It's okay. Okay. Okay?

- You got-- you gotta go, Vic.

- What?

You gotta go, cuz if ...

I don't want trouble.

Please just, you gotta go. Please.

I am not going anywhere, alright?

You are coming home with me.

- No.

- What are you--what are you doing?

I can't, cuz he'll just come

after me, Vic. You know him, please.

I don't want any

more trouble, please.

I'm just scared.

It'll all calm down.

It'll be fine.

It'll be fine.

How the f*** can you

stay with him after this?

I love him.

I f***ing love him.

That's f***ed. Love isn't

supposed to hurt, Kat.

- But I love him, Vic.

- Was this about the guns?

No, it wasn't about the guns.

He was just jealous.

- What the f***?

- It's Reilly.

Don't let him in, please.

Hey. F***, Jesus Christ, you alright?

Holy f***. Alright, let's

sit down. Let's just sit down.

It's Al. It's Al.

F***ing lowlife motherf***er!

Hitting a woman.

- Reilly

- How could he do something like that?

Don't act so surprised.

This isn't the first time.

It's gonna be okay, baby.

What do you mean, okay? You're the one

who went and cut off Jose.

- You're f***ing one of them.

- No I didn't.

I didn't, I didn't do anything, okay?

I don't work for Al, Kat. I don't.

Clancy did that with

some other guys, I promise you.

- Reilly, Reilly, Reilly.

- Don't worry, Everything's gonna be alright

I'll do anything you want, okay? It's your call.

You're full of sh*t, Reilly.

You guys are all full of sh*t.

Alright, I'm gonna get your stuff.

And we're gonna get you outta here, cuz

you can't stay here anymore, okay. I'll take you--

- Come home with me. Okay? That'll be better.

- I don't wanna go with anybody, sh*t!

Stay here, and I'll wait with you, and I'll beat

the f***ing sh*t out of him when he comes home,

right in front of you.

- Stay right there, stay right there.

- Honey, it's okay, I'm sorry.

- You shouldn't have done this, Al!

- Get the f*** outta my f***ing house!

- F*** you!

- Don't f***ing touch her!

No, you don't touch her! You don't

deserve her, you motherf***er!

- So try it!

- Reilly!

- Stop it!

- Stop, Reilly get off him!

-Watch out!

-Reilly, get off of him!

- He has a f***ing gun! Somebody call the police!

- You're hurting him, Reilly!

You're hurting him,

Reilly, stop it!

Al! Al! Al, are you okay?

You're hurting him, c'mon

They were noisy. Very noisy.

That's all I have to say. I don't wanna

get into any trouble.

What went on behind those closed doors

is none of my business.

- Get them to let me see Al, okay?

- I'm here to help you, and not Al

You think I believe that?

You think I'm f***ing stupid?

You don't think I know that you want me to help

the cops put Al away for a long time

And I'm not gonna f***ing have

anything to do with it. You got that?

Look, I, I don't know what Al's done

in the past, and honestly I don't care.

I'm here because I was assigned

to your case, to help you.

This is my job, alright?

I talk to battered women.

Battered women? What the f***

does that mean, battered women? What is that?

What, a f***ing shake and bake or something?

F***ing battered f***ing chicken.

What the f*** are you talking about?

Come on, Kat.

Look at you. He clearly hurt you.

What? He threw me a beating, so what?

I mean, I get a beating once,

once in a blue moon.

This wasn't just a beating.

YOu gonna wait til the next time,

until he actually kills you?

- He didn't mean it, okay?

- Listen to me.

You can protect yourself, alright?

Talk to me.

Nothing you say

is gonna leave this room.

Yeah, right. The f***ing

walls have ears.

I am not asking you to

rat out your boyfriend.

Alright? All I'm asking you

is how a man who loves a woman

would do this to her?

And why a woman

like you would stay?

You don't have to say anything

if you don't want to.

We can, uh, we can just

sit here for awhile.

He cut my hair.

Oh Jesus, look, it was a f***ing

accident, alright? I didn't try to kill her.

It would've been murder

if the bullet had hit her.

Yeah, but it didn't. It grazed her, okay?

On accident. I wouldn't kill Kat!

She gives the best

f***ing head in New York.

- I can see you think quite highly of her.

- Okay, look ...

If somebody was trying to come after

your man, right? You wouldn't want to hurt her?

No one is

worth killing for.

I guess you haven't

had a taste of Kat.

So, um ... married?

Divorced.

Lonely, huh?

Not at all. My work

keeps me very busy.

You want to f*** me, don't you?

This may be hard for you to believe,

but I can resist your charms.

Okay. You would be the first.

What about your girlfriend

who's about to put you away?

What would she say if you

heard you talking like this?

Please don't be so dramatic, okay?

I'm not going anywhere except for home.

Home sweet home. Betcha.

Kat's not pressing charges.

She can't live without me, you see?

She f***ing loves me.

- So what do you think of me, huh?

- I think you're homicidal and psychopathic.

And that if left on the streets,

you'll probably kill someone.

- Maybe yourself.

- Don't you f***ing say that, I'll f***ing kill you!

What is it? What the f*** is wrong

with you, moron? You're a tough guy?

Tougher than me?

You think you're cute, Clancy,

But I know you.

All I said in the bar was she was

Rate this script:4.0 / 1 vote

Gary Lennon

All Gary Lennon scripts | Gary Lennon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    ".45" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/.45_1479>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    .45

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of "scene headings" in a screenplay?
    A To indicate the location and time of a scene
    B To outline the plot
    C To describe the character's actions
    D To provide dialogue for characters