6 Days to Air: The Making of South Park Page #6
- NOT RATED
- Year:
- 2011
- 42 min
- 631 Views
so I anticipate that
we'll go real long hours.
So we need some pretty
significant cuts.
- Yeah.
- Okay.
Almost every week
on Sunday or Monday,
I'm pretty bummed out.
I'm pretty much just like, "ugh."
And then I kind of get a
little better on Tuesday,
maybe a little bummed out,
and then Trey gets really
bummed out on Tuesday.
We kind of hit our lulls or whatever,
but I'm always like, Sunday,
Monday, I'm like, "oh, my God.
This, the show, this thing sucks."
Terrible.
I'm embarrassed for putting
this piece of sh*t on the air.
A lot of funny stuff's just
gonna have to get cut out.
You just can't have a show
where "A" to "B"
doesn't make any sense.
And I'm bummed, 'cause I know,
based on what I've handed
over and everything,
it's not gonna be a 5:00 A.M. day.
It's gonna be a 9:00, 10:00 A.M. day.
Beginning of act two is that;
Then we come back,
and that's when it's,
"okay, the Geniuses
are gonna see us now."
And then, act three,
we just start with the
unveiling of the thing.
And then we go to,
they're doing the bubble thing,
and Gerald flips out, joins Apple.
We're back, and that's it.
That's great.
Yeah, that actually works.
Hey, script's here, guys. Hey.
Oh, thanks, Rick.
To keep the action balanced over here,
she's back here.
Yeah, right now, we just got...
I just dropped in the audio.
We're pulling the storyboards.
I was in a hurry, you see,
and I didn't know what
I was agreeing to.
I can't even read "Engrish."
See...I want to redo
these lines all wild.
Do it wild.
I just want to get 'em again.
I just clicked "agree."
I-I didn't read it.
I was in a hurry, you see,
and I-I-I didn't know
what I was agreeing to.
- Yeah. That's good.
- Great.
It's okay if he starts out...
Well, no, that doesn't really
have any logical sense, mommy,
because I'm already being punished
by not getting the iPad.
Mama.
Please, can we just go back
and get the Toshiba Handibook?
No!
Well, then can we at
least pull up here
and get some dinner?
'Cause I like to be wined and dined
after I've been f***ed!
Come on.
We'll get you separated, little boy.
Guess you won't be eating
Japanese food for a while, huh?
Oh, no, don't make
me "raff." Don't make me "raff."
I always feel like,
"wow, I wish I had another
day with this show."
That's the reason that there's
so many episodes of South Park
we're able to get done,
is 'cause there just is a deadline,
and you can't keep going,
'cause there would be
so many shows that I'm like,
"no, no, it's not ready yet.
Not ready yet."
And I would have spent
four weeks on one show.
All you do is start
second-guessing yourself
and rewriting stuff,
and it gets over-thought,
and it would have been 5% better.
Why did you do this to me, God?
Next time you're
gonna get my hopes up,
could you please take
me to a grease monkey?
'Cause I like to get
lubed up before I get f***ed!
The draft is ready,
but that's the only part.
Good job.
Okay, good job, you guys. Excellent.
Thank you.
- Do this to the camera.
- For the camera.
I think it's a good episode.
It's really twisted,
but Trey can't see it that way.
Trey won't be able to
see it that way today.
Wednesday morning,
after finishing an episode,
First shows usually kill us,
kill us, and this one did,
and that will have a ripple effect.
I mean, that's good.
The first couple episodes,
we actually delivered
a couple days early.
We don't do that anymore.
It was a little bit
sloppy and reckless,
but sometimes, especially after
something like Book of Mormon,
we just got to get back in that way,
get a little tighter as we go.
Got 18 minutes to
have this tape feeding
to New York so that
they can begin roll.
Excellent. Great.
All right. See you again next week.
All right, you guys. Thank you.
One down. Six to go.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"6 Days to Air: The Making of South Park" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/6_days_to_air:_the_making_of_south_park_1764>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In