A Guy Thing Page #6

Synopsis: When he wakes up the morning after his bachelor party in bed with a strange woman, a man presumes he must have cheated on his fiancée. Guilt leads him to try to cover it up in the week before the wedding, high jinks ensue.
Genre: Comedy, Romance
Director(s): Chris Koch
Production: MGM/UA
 
IMDB:
5.6
Metacritic:
27
Rotten Tomatoes:
24%
PG-13
Year:
2003
101 min
$15,408,822
Website
273 Views


Yes, ma'am.

Wine, please.

Honey, you look|very handsome tonight.

I love that sweater on you.

- Thanks.|- It's very sharp.

Are you having fun?

- Yeah...|- Absolutely...

Great party.

I know!|And it's all for us!

Yeah.

I'm gonna slip off|to the powder room.

Go ahead. I'll be here.

- She's very sweet.|- Yeah, I know.

I'll be right back.

Check this out.

What is that?

The cops are on to Ray.|They're making me wear this.

They're sitting|outside listening.

Oh, cool.

Check one. One-Adam-12.

Breaker 1-9,|this is Ex-Tiki Dancer...

- Who is she?|- Some idiot.

What are you doing?

Oh, my God. Sorry.

I'm wearing a wire.|What are we gonna do?

This gravy|is absolutely heavenly.

Somebody smells really good.|Know what I'm saying?

I suddenly realized...

Did you know this?|I was a surfer.

I had a longboard.

Know what the real|mark of greatness is?

It's the Duke!

"Why, thank you, pilgrim."

Out there|riding on the horse...

man versus nature|versus himself!

Because man|fights his own self...

to find out|what it is about him...

Everyone?

I'd like to propose a toast.

To the chicken!

Man, how good is that stuff?

The story of how|Paul and Karen got together...

is old news|to pretty much everybody...

but I like to tell it|because it gives me a chance...

to remind my brother|that I am the one responsible...

for all of his future happiness.

That's right.|She talked to me first.

And if I had not been married|at the time...

I would've whisked her|out of that bar so fast...

it would've|straightened out her perm.

I knew right then|that Karen was a special woman.

She's the kind of woman...

who helps a guy|figure out the answers...

that she would make|an incredible partner...

and a wonderful wife|and mother.

The minute I saw her,|I knew she would be the one.

And that Paul|would be a happy man...

for the rest of his days.

So I raise my glass to Karen.

I wish both|her and my brother...

all of the happiness|in the world.

Well done, Pete! Well done!

Nice job!

You like that, Padre?

It's got a great beat.

Here's the same thing,|only backwards.

That's Satan, man!

I cannot believe|you mentioned the night we met.

When will you|let me live that down?

How many stories do I have...

about attractive women|hitting on me in bars?

I don't know.

Maybe when cute married guys|don't wear wedding rings...

that is the risk they take.

I actually remember the song|playing on the jukebox...

the night that we met.

Me, too!

You remember the song|that was playing...

the night I met Karen?

It's one of those songs|that sticks in your head...

and ruins years of your life.

No, Pete,|you are surely mistaken.

"Islands in the Stream"|is a great song.

What does the line...

When we rely on each other,|uh-huh...

What does that mean?

It means that they've come|to realize something...

that they rely on each other...

and as they realize that|they say "Uh-huh."

No, they realized the music|was still going...

and they'd|run out of lyrics...

so they made up|some nonsense syllables.

Pete, you're killing me!

- Excuse me.|- That is a beautiful song.

I remember what|you were wearing that night.

You looked so cute,|I thought you had mascara on.

- Hey, Ma.|- Hi, honey.

You got a second?

Sure, baby, it's your night.|What?

- You and Buck.|- Yeah?

You're pretty happy, huh?

Yeah. Very happy.|Your stepfather's different.

He's very, very different...

but there's|just something about him.

He gets me.|He lets me be myself.

I've never been happier, honey.

One, two, three, draw!

I think she got you!

I've just never been happier.

Who do you have to know...

to get a little|Grey Poupon around here?

Ray!

It's you, in my apartment,|making a sandwich.

It wouldn't kill you to keep|lettuce in the crisper.

No, it wouldn't, Ray.|Ray's here.

He's coming.|He's right there.

I don't know what you did|to get your butt out of jail...

but you think|you're the only slippery guy...

I've ever dealt with?

No, Ray.

Do you think planting evidence|is all I got?

I got a whole bag of tricks...

including kicking your ass.

You know what?|Bring it on.

Oh, a gift.

How do you like|this package, Ray?

Hey, yo mama!

What did you just say?

What?

I have to ask you to leave now,|seriously.

That's a death lock.|You ain't getting out.

That's good.

Can I ask you a question?

Yeah, shoot.

How do you cheat|on a girl like Becky?

How do you cheat on a girl|who's funny and beautiful?

Who speaks fluent Chinese?

Who's afraid of heights?|Which is kind of sweet.

Who's such a bad dancer.|And those feet.

A girl who's... Sorry.

Police! Freeze!

Get your hands in the air|or I'll shoot you!

Where were you guys?

You're going away|for a long time.

Whoa! Wait! Hey!

For making a sandwich?

We'll take the tape now.

What? Wow, I...

Hold on. You were wired?

Yeah, Ray, I was.

Son of a b*tch!

Get him!

Get off me!|Get off me, mini-cop!

Thanks for your help.

Yeah, big man!|Wearing a wire! A**hole!

This is a disaster.

We didn't all wear bow ties|to school when we were 13.

I was eccentric.|It was a phase.

Are you OK?

Am I OK?|Let me see, Pete.

I woke up with a tiki dancer|in my bed six days ago...

then I found out|she was my fiancee's cousin...

then I got mugged by|her psycho cop ex-boyfriend.

That's right... cop.

I broke into his apartment|and stole his property...

which is a felony...|then I got arrested...

but not for|breaking and entering...

which is probably what|you were thinking...

for cocaine possession.

And as a bonus,|I got crabs from a toilet seat.

- That's bad.|- I got rid of them.

Sh*t! I forgot to book|the string quartet!

Give me your phone!

This is going to be fine.

It's going to work out...

and you and Karen|will be together...

which is|the most important thing...

because she is...

Pete, don't start, please!

- Yeah?|- Jim!

I forgot to book|the string quartet.

Jimmy anticipated as much,|and I got you covered.

Oh, my God,|thank you so much.

Late!

He's on it.

Everything's going to be fine.

- How do I look?|- Great.

See you out there.

All right, thanks.

Oh, my God.

Ken! Mr. Cooper!|I didn't...

Were you in that stall|the whole time?

I'll tell you|what I'm going to do.

I'm going to overlook|what I just heard.

I believe|that you love my daughter.

And in spite of everything...

you're going to make her happy.

Am I right?

Yeah, but I can explain...

I don't want to hear it.|What's done is done.

But, sir,|I didn't actually do...

Paul, forget it.

We're men. We're hunters.

It happens.

Here. It's a butter dish.

And I just gave away|the surprise.

Thanks.

I know that a lot of weird...

fun weird things|happened recently.

You know that stuff|I said about taking chances?

That was all bullshit.

You're a great guy...

and Karen's a great girl,|so congratulations.

See you in there.

How about those pants?|Those look good.

- Hey, Buck!|- How are you?

- Pretty big deal.|- Hi, Sandy!

- Sorry.|- Music all set?

- It's all good.|- You're a little late.

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Greg Glienna

Greg M. Glienna (born in Chicago, Illinois, August 23, 1963) is an American director and screenwriter best known as the creator of the original 1992 film Meet the Parents. Glienna also wrote A Guy Thing and wrote and directed Relative Strangers. He is also the co-author (with Mary Ruth Clarke) of the play Suffer the Long Night which had its Los Angeles premiere August 2008. more…

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Submitted on August 05, 2018

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    "A Guy Thing" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/a_guy_thing_1922>.

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