A Life Less Ordinary Page #6

Synopsis: Ewan McGregor stars as a cleaning man in L.A. who takes his boss' daughter hostage after being fired and replaced by a robot. Two "angels" who are in charge of human relationships on earth, offer some unsolicited help to bring this unlikely couple together.
Genre: Comedy, Crime, Fantasy
Director(s): Danny Boyle
Production: Twentieth Century Fox Home Entertainment
  1 win & 3 nominations.
 
IMDB:
6.4
Metacritic:
35
Rotten Tomatoes:
39%
R
Year:
1997
103 min
756 Views


It felt just like this.

Now do you understand

how it felt, Robert?

But you, unlike me,

couldn't pull the trigger.

- Oh, no.

- Good-bye, Robert.

ROBERT:
OK, kill me,

but don't touch the girl!

Extremely amusing!

CELINE:
" Kill me,

but don't touch the girl."

Robert,

you should be on television.

- Very funny.

- What's wrong?

ROBERT:
What's wrong? I thought

you were going to shoot me!

That's what's wrong!

CELINE:

Shoot you? I wouldn't do that.

- Oh, no?

- No! I'm having a great time!

- Oh, good!

- Yeah, certainly is!

CELINE:
What's wrong?

Celine, it's over.

ROBERT:
Aah!

[Robert screaming]

[Robert moans]

ROBERT:
I'm dying, Celine.

I think I'm dying,

and I don't want to die.

You're not going to die.

I don't want to die.

Are you taking me to a hospital?

Because I don't want to die

in a hospital.

CELINE:
I'm not going

to take you to a hospital.

What do you mean, you're not

taking me to a hospital?

Take me to a hospital!

Where are you taking me?

ELLIOT:
Very nice.

Very nice, indeed.

You could have a perfect smile.

For two thousand dollars,

you could change your life.

No, thanks.

Do you think a perfect smile

just happens?

Is that what you think? Huh?

Do you think that Celine's smile

is her own?

No, it's not.

It's mine.

I gave it to her...

just like I can give you one.

I'll fix your teeth

for twelve thousand dollars.

I didn't get shot in the teeth.

Well, let me tell you something.

It wouldn't have made

too much difference if you had.

I don't want to say anything.

It's your teeth,

but if you wait another year...

you'll have fifty grand worth

of major reconstruction, so...

CELINE:

If you wait another year...

he'll be dead.

ELLIOT:
Sorry. Just a little

free consultation.

[Taps button with foot]

ELLIOT:
You know,

they wanted me to take a break.

Take a break.

[Laughs]

Go get counseling, you know?

F*** them. What do they know?

They wanted me to stay

in the hospital.

I discharged myself

this afternoon.

Lucky for you that I did, huh?

OK.

Have you, um, done this before?

The principles of surgery...

are the same

above and below the neck.

ROBERT:
Aah! Aah!

Aren't you going

to anesthetize me?

I'm sure you'll pass out

as the pain gets worse.

Aah!

Aah!

[Camera taking pictures]

[Celine laughing]

[Elliot and Celine laughing]

ELLIOT:
Give me another one.

Here we go, baby.

Ay-yi-yi-yi-yaah!

Give it to me hot.

You look lovely.

CELINE:
Thank you.

[Both laughing]

ELLIOT:
Give me the Bambi, baby.

That's it.

God!

OK, turn over. Turn over.

- What?

- Turn over, darling.

ELLIOT:
Turn...

There you go.

Flash me the tush.

One heel.

[Takes picture]

Excellent.

[Celine giggling]

ELLIOT:
Mmm.

Robbie!

Hey, how are you? Come on.

Join the party.

Come on.

Do you want some champagne?

How rude of me. Excuse me, love.

[Chuckles]

Oh, wait.

Here you go.

Here. Look at that.

So, I understand that you're...

Here, please.

I understand that

you're something of a fugitive.

Don't be shocked.

We go back a long way.

ROBERT:

Oh, I see. You're her dentist.

ELLIOT:
Yup. That's right.

We met over that particularly

fine set of ivories.

In fact...

I gave her her first filling.

Ohh!

F***.

Oh, I wish

you hadn't done that.

Now I have to hurt you...

which is inconvenient

and undignified.

ROBERT:
Ohh!

[Gasping]

ELLIOT:
F***er.

Get up!

Leave him alone, Elliot.

ELLIOT:
Why don't you

stay out of this?

[Robert groans]

Are you all right?

Uhh!

Gaah!

ROBERT:
Uhh! Aah!

CELINE:

You want to explain to me...

exactly what you were trying

to achieve back there?

ROBERT:
How about you

do some explaining to me?

CELINE:
I didn't want you

bleeding to death...

and I think I saved your life.

ROBERT:
I'd rather have died

than have witnessed that.

CELINE:

Witnessed what, exactly?

ROBERT:
You and Elliot in

an advanced state of foreplay.

CELINE:
He would've passed out

drunk in five minutes...

if you hadn't come along.

ROBERT:
Yeah, sure.

CELINE:
Even if we were

about to get physical...

what's it got to do with you

anyway?

ROBERT:
Aah.

CELINE:

You thought we had something?

ROBERT:
It's possible.

CELINE:
But why?

Why do we

have to have something?

We were getting along just fine.

Having something

ruins everything.

What will you do now,

ask me to marry you?

ROBERT:
Of course I'm not.

- You thought about it.

- Don't be absurd.

It never even occurred to you?

Well, it wouldn't be so bad.

You see what I mean?

Just forget it.

Consider it forgotten.

Where do you want to go?

Don't care.

Do you want to get out

of the car?

- Are you asking me to get out?

- No. I'm asking if you want to.

- It's the same thing.

- It's not the same thing.

One is a request,

the other is a question.

ROBERT:
Fine. If that's what

you want, then I'll get out.

CELINE:
If that's what you want,

go right ahead.

And don't even ask

where I'm going!

Don't even imagine that I care.

Exactly the problem!

[Starts car engine]

FAITHLESS SINGING:

Where's the love gone to?

Don't leave

BACKUP SINGERS:

Yeah, yeah, yeah

LEAD SINGER:

You got me hurtin'

Don't leave

BACKUP SINGERS:

Yeah, yeah

Yeah, yeah

LEAD SINGER:

You know it's never been easy

To love someone like me

BACKGROUND SINGERS:

Oh, oh

LEAD SINGER:
Don't leave

BACKUP SINGERS:

Yeah, yeah

CELINE:
F***.

LEAD SINGER:

Where did all the love go?

Where's the love gone to?

Stop hovering over me.

I can't concentrate.

O'REILLY:

Have you written anything yet?

JACKSON:
I... I...

What am I supposed to write?

O'REILLY:
Love letters, Jackson,

deal with the subject of love.

JACKSON:
I need time to think.

O'REILLY:
We don't have time.

Every day they spend apart...

the more difficult

it's going to be.

And if Naville finds our boy...

he's just meat.

ELVIS PRESLEY SINGING:

Maybe I didn't treat you...

O'REILLY:
So, think, Jackson...

have you ever done this before?

Back when I was alive,

there was a girl.

You wrote to some girl?

A long time ago.

You never told me about this.

JACKSON:

It never came to nothing.

Her father

did not approve our match.

It was just young love,

but I wrote...

many times...

with passion...

and despair.

ELVIS PRESLEY:

You were always on my mind

Maybe I didn't hold you

I never knew

you had a romantic soul.

ELVIS PRESLEY:

All those lonely, lonely nights

I often wonder

what became of that girl...

sweet Eliza.

Eliza...

Gray.

Her father was a colonel.

O'REILLY:

Jackson, you're qualified.

You can write this letter.

That's the problem, see?

I wrote to her, sure,

but I didn't write letters.

O'REILLY:
Well, what, then?

As a matter of fact...

I...

wrote...

love poems.

ELVIS PRESLEY:

Tell me that your sweet love

ELVIS PRESLEY:

Tell me that your sweet love

Hasn't died

Give me

Give me one more chance

To keep you satisfied

MOTHER:
Remember, my dear...

they only want one thing.

Maybe they want it

more than once...

but it's still

only one thing.

ELVIS PRESLEY:

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John Hodge

John Hodge is a British screenwriter and dramatist, most noted for his adaptation of Irvine Welsh's novel Trainspotting into the script for the film of the same title. His first play Collaborators won the 2012 Olivier Award for Best New Play. more…

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Submitted on August 05, 2018

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