A Life Less Ordinary Page #5

Synopsis: Ewan McGregor stars as a cleaning man in L.A. who takes his boss' daughter hostage after being fired and replaced by a robot. Two "angels" who are in charge of human relationships on earth, offer some unsolicited help to bring this unlikely couple together.
Genre: Comedy, Crime, Fantasy
Director(s): Danny Boyle
Production: Twentieth Century Fox Home Entertainment
  1 win & 3 nominations.
 
IMDB:
6.4
Metacritic:
35
Rotten Tomatoes:
39%
R
Year:
1997
103 min
746 Views


That's understood, Mr. Naville.

NAVILLE:
Good.

And when this is over,

I want this back.

CELINE:

Bradley was nice, you know?

Extremely wealthy.

Honorable, amusing.

ROBERT:
And?

CELINE:

Well, eighty-seven years old.

- Ha ha. Pity.

- Yeah.

CELINE:
Then there was Jake.

He was nice.

Very rich.

Just so conventional.

ROBERT:
You see?

Rich guys. Conventional.

It's a problem.

Then there was Angelo.

Twenty-five years old...

handsome, healthy...

exciting...

sophisticated.

Considerate.

[Air horns blow]

ROBERT:
So?

Well, I think

that we just sort of, um...

grew apart as people.

The aerobics instructor?

[Laughing loudly]

CELINE:
Like I said...

it's a common scenario.

[Robert chuckles]

ROBERT:
So who was next?

CELINE:
Then I started getting

problems with my teeth.

ROBERT:
With your teeth?

CELINE:
Yeah, my teeth.

[Brakes screech]

MAN:
Hey, want a ride?

Hi, thanks for stopping, guys.

Uh, we're not stealing it,

we're just borrowing it.

ROBERT:

Had that dream again last night.

CELINE:
What dream?

ROBERT:
We were

on that game show Perfect Love.

- Mmm. Fascinating.

- And my life was in danger.

CELINE:
On a game show?

ROBERT:
I know.

It's difficult to explain.

Strange things were happening.

CELINE:
Mmm. So it would appear.

ROBERT:

But my life was in danger...

and you saved it.

My heart was beating so fast...

and then it stopped.

And I was just about to die...

and you saved it.

You saved my life.

JACKSON:

Well, what are we waiting for?

You want to get on with this

or not?

ROBERT:
Sure!

JACKSON:
You send the girl over.

ROBERT:
Ha ha. First the money.

That was the deal.

JACKSON:

Are you OK, Miss Naville?

CELINE:
Yes, I'm OK.

I'm just a little frightened.

JACKSON:

Now, don't you worry, miss.

Everything'll be all right.

CELINE:
Well?

ROBERT:
Whew. It's here.

JACKSON:
OK? Send the girl over.

ROBERT:
OK, go on.

JACKSON:
Ohh, damn.

Aah! Aah!

CELINE:
Aah! Aah! Help!

JACKSON:
Get down! Get down!

ROBERT:
Yes.

CELINE:
They tied me up! Ohh!

ROBERT:
Ha ha!

[Truck engine starts]

[Truck door closes]

O'REILLY:

Don't move a f***ing muscle.

Mmm.

What took you?

JACKSON:
He shot up the car!

O'REILLY:
You shot up our car.

Now, what did you do that for?

ROBERT:

I was trying to make a getaway.

O'REILLY:
You were trying

to make a getaway?

[Labored breathing]

O'REILLY:
How is she?

JACKSON:
I don't know.

But I don't think it's worked.

They're not... you know?

O'REILLY:
Jeopardy.

Jeopardy, Jackson...

always works.

JACKSON:
OK.

This is far enough.

ROBERT:
Are you... are you going

to kill me?

JACKSON:
Yeah.

[Robert sobs]

ROBERT:
Well, then I don't see

why I should dig.

JACKSON:
If you dig...

I promise you

when the time comes...

I'll shoot you through the head.

[Robert sobs]

JACKSON:

Now, look, you don't like that?

I can just shoot you through

the testicles right now.

You can bleed to death.

I'll dig the grave.

It's up to you.

[Robert sobbing]

Can you cut me free?

Please?

It's sore.

What's he going to do with him?

Shoot him in the back

of the head.

Right.

Would that be a problem for you?

[Robert groans]

JACKSON:
Ever felt like

you're not in control of events?

ROBERT:
Yes.

JACKSON:
No, I mean...

something is...

destined to happen...

and it doesn't?

Like, what happens

when the forces of destiny...

are no longer in control?

ROBERT:
I don't know.

JACKSON:
The truth is...

I don't think even he knows

what's going on down here...

the chaos, the...

This hatred, this violence.

ROBERT:
Who...

Who are you talking about?

O'REILLY:
Jeopardy, Jackson...

always works.

JACKSON:
Dig.

[Robert laughs]

What are they doing in there?

Should've shot him myself.

CELINE:
Yeah, well, you can't

trust them to do anything.

O'REILLY:
I take it you're not

in a love situation.

CELINE:
What?

O'REILLY:

I mean you're not in love.

What's it to you?

O'REILLY:
Nothing.

Just asking.

REM SINGING:

I like it like that

And I know it

JACKSON:

That's OK. You can stop now.

ROBERT:
No.

JACKSON:

I've waited long enough.

ROBERT:
No.

JACKSON:
Give me that. Lie down.

ROBERT:
No, no. No!

JACKSON:

Give it to me! Give it to me!

ROBERT:
Please!

- Please.

- Shh.

ROBERT:
Aah!

[Robert sobbing]

[Jackson c*cks gun]

REM:

Leave it all behind

JACKSON:

I commit you to his mercy.

ROBERT:
Please. Please. Please.

CELINE:
Aah!

Aah! Aah!

Aah!

Aah!

CELINE:
No! No!

Get up!

Robert, get off!

ROBERT:
Who are they?

CELINE:
Come on!

REM:

That's what keeps me

That's what keeps me

That's what keeps me down

O'REILLY:
Aah!

ROBERT:
Ohh.

Just for a minute there,

I thought we were in trouble.

I told you don't get caught.

Don't get out of the car.

Don't ever go into the woods

with a stranger.

- I know. You're right.

- I'm always right, OK?

CELINE:

You might like to remember that.

ROBERT:
Have you got the money?

- Aah!

- Aah!

[O'Reilly laughs]

ROBERT:
No! Jesus!

O'REILLY:
I'm going to get you.

[Both yelling]

ROBERT:
Aah!

[Tires squeal]

O'REILLY:
Ohh!

CELINE:
Sh*t.

[Robert panting]

- Oh, sh*t.

- Where is she?

ROBERT:
Oh, sh*t.

Drive!

[Tires squeal]

ROBERT:
Ohh!

Ohh!

[O'Reilly laughing]

Jesus!

- Jump!

- What?

CELINE:
Jump!

ROBERT:
Aah!

CELINE:
Aah!

O'REILLY:
Aah!

Aah!

[Scratches]

WOMAN:
If the card's no good,

I'm authorized to destroy it.

CELINE:
It's my card, lady.

Listen, you don't understand.

- Is there a problem?

- I'm sorry about this, ma'am.

ROBERT:

Don't worry. Don't worry.

I've got some cash, OK?

WOMAN:
Thirty dollars, sir.

Thank you.

CELINE:
How could he

do a thing like that?

ROBERT:
Stay calm, OK?

CELINE:
My own father.

He canceled my credit card.

I've never been so humiliated

in all my life.

- I know exactly how you feel.

- You couldn't possibly know.

Only the exceptionally rich

can know how I feel right now.

Don't take it personally.

CELINE:
Is he trying to say

I'll find my own natural level?

Sink to the bottom like her?

ROBERT:
Like who?

Who are you talking about?

Pull over.

ROBERT:
Oh, no.

ROBERT:
Oh, no, no, no.

CELINE:
Live a little.

ROBERT:
This is insane.

CELINE:
Stop worrying so much.

It'll be my first time, too.

ROBERT:

That's what I'm worrying about.

CELINE:
Trust me.

I know what I'm doing.

Next.

CELINE:
Hello.

I'd like to make a withdrawal.

ROBERT:
I thought we agreed...

no clichs.

CELINE:
Fill the bag.

TELLER:

Oh, my God, she's got a gun!

[Whistling]

WOMAN:
Leave my daughter alone.

Please, leave her alone!

- Don't be silly.

- She's going to kill her!

ROBERT:
She's not going to kill

your daughter.

- Yes, I am.

- What?

CELINE:
Shut up.

ROBERT:
Christ, no!

CELINE:
Everybody calm down...,

or this girl's brains

will splatter the wall.

- Fill the bag!

- Celine!

CELINE:
You shut up especially.

ROBERT:

You can't hold the girl hostage.

What?

WOMAN:
Oh, no!

CELINE:

You didn't find it difficult.

- That was different.

- Was it?

CELINE:
Didn't feel different.

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John Hodge

John Hodge is a British screenwriter and dramatist, most noted for his adaptation of Irvine Welsh's novel Trainspotting into the script for the film of the same title. His first play Collaborators won the 2012 Olivier Award for Best New Play. more…

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Submitted on August 05, 2018

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