A Night at the Roxbury Page #17
- PG-13
- Year:
- 1998
- 82 min
- 1,039 Views
ELLEN DEGENERES:
Now that I've met you, I'm more
sure than I've ever been.
Ellen walks away.
CRAIG:
That was a...
(makes alien hand
signal and sounds)
... close encounter.
DOUG:
She'll be back. Just playing hard
to get.
CRAIG:
I am having a hell of a time!
Wooo!
CUT TO:
INT. BUTABI DINING ROOM - NIGHT
Filled with the entire Butabi and Anderson family,
including old folks. This is the pre-wedding rehearsal
dinner.
MRS. BUTABI
And the hors d'oeuvers are hummus
dip and babaganoush...
MABEL:
Who's going to eat that? You
should have pigs in the blanket
and chicken fingers.
Steve is sticking a spoon on his nose. Mr. Butabi takes
it and taps his glass, standing up.
MR. BUTABI
Okay. A toast to Steve and Emily,
who after tommorow will be Mr. and
Mrs. Steve Butabi.
EMILY:
Emily Anderson-Butabi.
MR. BUTABI
Really. Okay. Well... to whoever
they turn out to be.
FRED:
(standing up)
I would also like to thank
everyone for flying in to join us.
My brother and his wife from
Chicago. My parents who came in
all the way from Maine despite
Mom's sciatica. And the Butabis
who came all the way in from Yee-
men.
MR. BUTABI
(correcting him)
Yemen.
FRED:
Wherever the hell that is. I'm
just kidding. And that's not the
From what I understand, we got a
new lamp/plant store.
MR. BUTABI
That's plant/lamp store. Ha
ha... that's a joke. But,
seriously, I think it sounds
better.
EMILY:
Steve, don't you want to make a
toast?
STEVE:
No, that's alright.
EMILY:
(pushing him up)
All the men are doing it?
STEVE:
(standing)
So, okay, uh... I just want to
say... what's up... Grandpa,
Grandma, and those other two old
people.
Steve sits. Emily quickly stands.
EMILY:
I think what Steve means, is that,
we're just thrilled with the way
this family is coming together.
And I'd like to share with you
some of our business plans for
after the merger.
(to Grandma)
Can you pass these out?
Emily hands out business plan folders.
MR. BUTABI
I will get more wine.
Mr. Butabi is looking through a wine rack. Steve enters.
STEVE:
Hey, Dad, do you think maybe we
could cancel this whole thing?
MR. BUTABI
Yes, sure...
(turns to Doug)
... Nooo!
STEVE:
Dad, that's so funny. But I
really don't want to get married.
MR. BUTABI
You are serious? All these people
are here and you are serious?
STEVE:
Dad, it's like, Emily had turned
into this whole different person.
I mean, at first, she was this
girl that I really liked to have
sex with. Then she turned into
this other girl who I really don't
want to marry -- although I don't
mind having sex with her.
MR. BUTABI
Look, the catering is paid for.
The tents are all set up. Your
grandparents flew half way around
the world. Besides, all men go
through the same thing the night
before their wedding.
STEVE:
You mean, all guys feel sort of
nervous and anxious, and kind of
hope a train hits her and she eats
a can of botulism or maybe she
could hang out with a deer, and a
hunter accidently shoots her or
you know, when she's sleeping and
she makes that nose whistle sound
and you shake her to make it quiet
but what you'd really like to do
is take her stupid red toothbrush
and ram it up her nostril into her
skull.
Mr. Butabi stares at him for a beat.
MR. BUTABI
perfectly normal.
CUT TO:
INT. BUTABI GUEST COTTAGE - MIDDLE OF NIGHT
Doug looking out the window.
DOUG'S POV
Wedding chairs. Tents. Flowers. Suddenly, we hear a
KNOCK at the door.
BACK TO SCENE:
Doug ducks away.
CUT TO:
EXT. BUTABI GUEST COTTAGE - MIDDLE OF NIGHT
Steve, in his pajamas, knocks at the door.
STEVE:
Doug? Doug? You there?
Steve pulls put his cell phone, dials.
CUT TO:
Doug's CELL RINGS, he picks up and makes believe he's a
machine.
DOUG:
You've reached Doug Butabi. I'm
not home right now -- because
I'm...
CUT TO:
EXT. COTTAGE
Steve listening.
DOUG (V.O.)
... out living it up, unlike my
pussywhipped brother who's busy
throwing his life away and will
spend the rest of his years
selling silk plants for
Emillyyy...
(making beeping sound)
... Beeeep.
STEVE:
(assuming it's real)
Doug, sorry I missed you. I guess
tommorow. I was just wondering if
you wanted to be my best man. See
ya.
Steve exits. Doug peels through the window at him.
CUT TO:
Beautiful wedding layout.
Guests mill about. Craig is lifting an ice sculpture off
it's base. Steve is next to him.
STEVE:
Craig, I know you can lift it.
Now can you just listen to me?
CRAIG:
(putting down
sculpture)
I got it. I walk down the aisle.
I stand next to you. And I settle
any inter-wedding party
skirmishes.
STEVE:
No, you're the best man. Not the
wedding bouncer. You just gotta
back me up.
CRAIG:
Oh, you mean like spotting you?
STEVE:
Exactly.
CRAIG:
Now, I get it. If things get too
heavy, I step in. Like a
relationship spotter.
(overwhelmed)
Thank you, man. I won't let you
down.
FATHER WILLIAMS, a grey-haired priest, Phil Donahue-type,
walks over.
FATHER WILLIAMS:
Okay, boys, we're about ready to
start. You look very nice,
Steven.
STEVE:
Thank you, Father. I love what
you're wearing also.
He's in regular black priest garb. He exits, confused.
Steve walks up to Mr. Butabi, who is waiting with the
procession. WEDDING MARCH BEGINS.
STEVE:
You know, Dad, I've been thinking.
I didn't really have time to have
pretty important part of the
marriage experience. So, we may
wedding a couple of hours so we
can go to a strip club or
something.
MR. BUTABI
Sh! We're starting.
WEDDING AISLE:
Richard Grieco, in tux, walks down the aisle with a
frumpy BRIDESMAID.
BRIDESMAID:
Richard Grieco? How do you know
Steve?
RICHARD GRIECO:
Look, I just don't want to be
sued.
Craig, the best man, begins walking down with the maid of
honor.
CRAIG:
(to maid of honor)
Alright... it's a long walk...
pace yourself.
Craig takes pulse, looks at his watch. Grandma and
Grandma Butabi walk down the aisle. As they approach
Craig...
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"A Night at the Roxbury" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/a_night_at_the_roxbury_710>.
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