A Night at the Roxbury Page #7
- PG-13
- Year:
- 1998
- 82 min
- 1,039 Views
STEVE:
You know it. How do I look?
DOUG:
Robust and attractive. I gotta
tell you -- tonight, I can taste
it.
Steve doesn't respond and suddenly SLAMS the BRAKES.
Doug gets thrown forward.
STEVE:
(completely losing
it)
I can't taste it, Doug! I can't!
I'm so scared right now I don't
know what to do!
DOUG:
(calming him down)
Bro, you're mad cowing on me.
Relax.
STEVE:
I'm nervous, man. We've put all
this pressure on ourselves to get
into the Roxbury, and I don't know
if we can deliver!
DOUG:
You gotta take control of yourself.
STEVE:
No, you gotta take control! I am
barely hanging on here!... You...
Steve starts crying. Doug cradles him.
DOUG:
Whoa... settle down... relax...
think puppies and candy canes...
easy...
Doug notices two girls walking by the van.
DOUG:
What's up?
STEVE:
(completely
recovered)
How you doing, little lady?
From O.S., a beer BOTTLE flies INTO FRAME at them and
SMASHES on the van.
DOUG:
STEVE:
Doug, I see your Roxbury balloon, and
I hate to be the one to burst it. I
just don't think our names are on
that list.
DOUG:
Steve, get real. The bouncer isn't
checking a list. He's checking us.
Man, I can't believe all this time,
that's what you thought.
STEVE:
So, why didn't we ever get in before?
DOUG:
We were kids. We were completely
immature.
STEVE:
But that was last night. And now we
don't even have our car.
DOUG:
Perfect. Rites of passage. Like
that Africa show on P.B.S. When it's
time for a boy to become a man, they
send him to the jungle with nothing
but a spear to hunt the lion
The van is our spear and the Roxbury is
our lion. And when the hunt is over,
we shall be men.
STEVE:
Does the bouncer know about this?
DOUG:
Look, Steve, what really matters
is that at the end of the night --
when all is said and done and all
hotties have been hit upon -- if
either of us has just one girl's
number, just one, then we'll know,
for the first time in our lives,
The guys pull up -- get out. Steve tosses Doug the keys.
Doug tosses the keys to the valet -- who ignores them.
Keys fall to the ground. Doug runs over, picks up keys
-- hands them to the valet. Walks back to Steve.
DOUG:
Storm the castle.
STEVE:
Take no prisoners.
Doug and Steve try to walk/bop up to the Bouncer. They
wave to people who aren't there, trying to act cool, and
attempt to walk in. Bouncer stops them.
DOUG:
Hey, my good hombre, remember us
from last night?
BOUNCER:
No.
STEVE:
Doug and Steve Butabi.
BOUNCER:
You're brothers?
DOUG/STEVE
No... Yes!
STEVE:
Works every time.
They laugh hysterically.
BOUNCER:
Now, I remember. You can't come in.
A flashy guy walks past them, in SLOW MOTION, slapping a
fifty dollar bill into the Bouncer's hand and entering.
DOUG:
(aside to Steve)
Okay, it's time to play a little
softball.
DOUG:
Hello, my good man. How's it going
tonight?
BOUNCER:
Good. You're still not getting in.
DOUG:
Well, that's not what a good
friends of mine told me. Maybe you
know him? His name is Abraham.
Doug drops a five dollar bill on the Bouncer's clipboard.
The Bouncer doesn't move.
DOUG:
You don't know him?
STEVE:
How 'bout his two friends? George
Washington and... George
Washington?
Steve drops two one-dollar bills. The Bouncer doesn't
move.
DOUG:
Let's not forget the other boy in
the band, Mr. Hamilton. He's a
little lonely, wants to join his
buddies.
DOUG holds out a ten. He waves it up and down, sideways,
drops it, but the Bouncer still doesn't respond.
STEVE:
Wait up, look what we got here...
Steve reaches into his pocket, pulls out some change,
starts dropping coins.
STEVE:
Mr. Jefferson, Jefferson,
Lincoln...
DOUG:
...Roosevelt, Roosevelt,
Roosevelt, Roosevelt, and a
commemorative coin -- '84
Olympics -- what a proud chapter
in Angelino history.
The Bouncer looks down and turns his clipboard over,
dropping all the money to the ground. OFF guys'
reaction...
CUT TO:
The van stops and starts as they look out the window.
DOUG:
There's one!
Steve stops. They look out.
STEVE:
That's not an A.T.M. That's where
you drop off your videos.
DOUG:
Wait, there's one!
Steve stops short. They look out.
CUT TO:
We see a yellow FERRARI BARREL into the back of the
flower van.
CUT TO:
INT. VAN - CONTINUOUS ACTION
The guys are thrown forward. All the plants are thrown
on top of them.
CUT TO:
Richard Grieco is driving the other car, BLONDE MODEL
with him.
RICHARD GRIECO:
Oh, sh*t! The car.
BLONDE MODEL:
Car? What about me?
RICHARD GRIECO:
No, this car is illegal. All I
need is a police report.
BLONDE:
What do you mean?
RICHARD GRIECO:
It's a racing car. I imported it
illegally.
The guys slowly get out of their van, dazed, dragging
plants as they get out.
STEVE:
You okay?
DOUG:
Let me see...
Doug slowly bops his head, feeling if there's anything
loose.
RICHARD GRIECO:
Ah, great. They're starting in
with the neck injuries. I'm
screwed.
Both guys check if their heads still work. Grieco comes
over.
RICHARD GRIECO:
DOUG:
No way. Richard Grieco!
STEVE:
Remember, we saw you last night?
Grieco nods, unsure, but agreeable.
DOUG:
(To Richard)
Like Walt Disney says, my man,
'It's a small world after it all.'
RICHARD GRIECO:
So, are you guys alright?
STEVE:
My neck hurts.
RICHARD GRIECO:
(re:
cars)Right, so, what do you want to do?
DOUG:
We were just going to the Roxbury
again.
STEVE:
But we couldn't get in.
RICHARD GRIECO:
Hey, you guys want me to get you
in the Roxbury?
DOUG/STEVE
Yeah!
RICHARD GRIECO:
Great. Follow me.
Grieco goes back to his car.
STEVE:
This is amazing.
DOUG:
See? It all comes from within.
And he felt it. Because he's an
actor and he's very sensitive.
The guys get back in the van.
INT. VAN
DOUG:
Put in 'D' and blast me.
Steve shoots Binaca spray into Doug's mouth and shifts.
GRIECO'S CAR (MOVING)
Grieco is driving.
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"A Night at the Roxbury" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/a_night_at_the_roxbury_710>.
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