A Passage to India Page #8

Synopsis: Circa 1920, during the Indian British rule, Dr. Aziz H. Ahmed was born and brought up in India. He is proficient in English, and wears Western style clothing. He meets an old lady, Mrs. Moore, at a mosque, who asks him to accompany her and her companion, Adela Quested, for sight-seeing around some caves. Thereafter the organized life of Aziz is turned upside down when Adela accuses him of molesting her in a cave. Aziz is arrested and brought before the courts, where he learns that the entire British administration is against him, and would like to see him found guilty and punished severely, to teach all native Indians what it means to molest a British citizen. Aziz is all set to witness the "fairness" of the British system, whose unofficial motto is "guilty until proved innocent."
Director(s): David Lean
Production: Sony Pictures Entertainment
  Won 2 Oscars. Another 19 wins & 26 nominations.
 
IMDB:
7.4
Rotten Tomatoes:
81%
PG
Year:
1984
164 min
875 Views


collapsed in her chair.

- Are you with me?

- Yes.

Did she offer any explanation?

She said she was upset by the echo

and that she was tired.

Taking advantage of her fatigue, prisoner

instructed the servants to remain behind,

and took you off alone with the guide.

Yes. But it was

at Mrs Moore's suggestion.

I don't quite follow.

She'd been worried by the crowd

and the stuffiness.

And was concerned that you might be

subjected to the same ordeal.

No. She wanted us

to enjoy ourselves. She said so.

She likes Dr Aziz.

Yes, I think I understand the situation.

Yesterday, Mr Fielding said that

Mrs Moore was "charmed" by him.

It was more than that. She liked him.

Nevertheless, you'd only met him on two

occasions before the day of the crime.

So it might possibly have been

a rather impetuous assessment.

Possibly. She's like that.

Miss Quested, you heard this morning the

slur cast on British justice by the defence.

It is most important that you tell the court

the absolute truth of what took place.

- I was brought up to tell the truth.

- Of course.

I'm sorry.

That's quite all right.

Now, Miss Quested, you went off up

the slope with the prisoner and the guide.

Yes.

Take your time and cast your mind back.

Miss Quested?

Miss Quested,

we were going up the slope.

ls something wrong?

I think it may have partly been my fault.

- Why?

- We'd stopped to look out over the plain.

I could hardly see Chandrapore

except through Mr Heaslop's binoculars.

I asked Dr Aziz if he loved his wife

when he married her.

I shouldn't have done that.

Then why did you do it?

I was thinking of my own marriage.

Mr Heaslop and I

had only just become engaged.

Seeing Chandrapore so far away,

I realised I didn't love him.

(murmuring)

Quiet, please. Quiet.

Miss Quested, you and the prisoner

continued up to the caves?

- Yes.

- Where was the guide?

- He'd gone on ahead.

- Sent on ahead?

No, he was waiting for us

further along the ledge.

But when you reached the caves, prisoner

left you and went to speak to the guide?

- I don't know if he spoke to him or not.

- But he went off in his direction.

Yes.

- And what did you do?

- I waited.

(Das) You said just now

"I think it may have been partly my fault."

- WhY?

- I had asked him about love.

And had thereby introduced

a feeling of intimacY?

That is what I meant.

Thank you.

Mr McBryde.

Please tell the court

exactly what happened.

I lit a match.

(Aziz) Miss Quested!

Miss Quested!

Miss Quested?

- And the prisoner followed you?

- (rumble)

Miss Quested, the prisoner

followed you, didn't he?

Could I please have a minute

before I reply to that, Mr McBryde?

Certainly.

I'm not...

I'm not quite sure.

(murmuring)

I beg your pardon?

You are in the cave,

and the prisoner followed you.

What do you mean, please?

- No.

- What is that? What are you saying?

- I'm afraid I've made a mistake.

- What nature of mistake?

Dr Aziz never followed me into the cave.

Now, let us go on. I will read you

the deposition which you signed.

(Das) Mr McBryde, you cannot go on.

I was speaking to the witness.

And the public will be silent!

Miss Quested,

address your remarks to me.

And remember - you speak on oath,

Miss Quested.

Dr Aziz...

I stop these proceedings

on medical grounds!

Quiet! Please, sit down!

You withdraw the accusation,

Miss Quested?

Answer me.

I withdraw everything.

Order! Order!

The prisoner is released

without one stain on his character!

Dr Aziz is free!

Are you mad?

No.

(rumble)

(banging and screaming)

(chanting) Dr Aziz! Dr Aziz!

B*tch.

We won!

What do you think you've been doing?

Miss Quested!

- Where are you going?

- I don't know.

You can't wander about like this.

- Who did you come with?

- I shall walk.

What madness.

This could turn into a riot.

We'll find my carriage. It's closed.

Richard!

Richard!

- I'm coming back.

- Stay with him, please.

I can't leave you here.

Anything could happen.

- There we are.

- Congratulations, sir!

Thank you. Thank you very much.

Make way, please. Thank you.

- Where shall he take you?

- I don't know.

What do you mean?

Get in.

(cheering)

That was Mr Fielding!

- And Mrs Moore!

- Mrs Moore!

Why did you make such a charge

if you were going to withdraw it?

- I ought to feel grateful to you, I suppose.

- I don't expect gratitude.

Did you do it out of pity?

My echo's gone.

I call the noise in my head my echo.

I've had it since the cave.

Might the whole thing

have been an hallucination?

I have a hunch that

poor old McBryde exorcised you.

He took you back,

step by logical step, into that cave,

and you broke down quite suddenly.

- I thought you meant I'd seen a ghost.

- No, no.

- Mrs Moore believes in ghosts.

- Well, she's an old lady.

No, I only meant that

it's difficult, as we get older,

not to believe that the dead live again.

Because the dead don't live again.

I fear not.

So do I.

(Fielding) Ranjit!

He must have gone to the tamasha,

but I can make some tea.

Oh, forgive me a moment.

Oh, dear.

"Annie Blair, fellow passenger."

I shall never see her again.

- Ah, Godbole.

- The boys said you were back.

Yes.

I'm leaving for Kashmir tomorrow

morning to take up my duties

as minister of education.

I came to say goodbye.

Yes? Er... come in.

Thank you. Thank you.

Miss Quested.

Please, I want to give you my address

and extend an open invitation

for you to visit me.

Have you seen the Himalayas,

Mr Fielding?

No.

- Miss Quested has had some bad news.

- Oh, I am sorry.

- Mrs Moore.

- Yes.

- Addressed to you.

- Yes.

- Why did this lady send to you?

- I don't know.

Mr Fielding,

I would venture to remark...

Under the circumstances, I don't think

we should pursue the matter further.

I'm sorry, Godbole,

but Miss Quested is extremely upset.

Of course, of course. Nevertheless...

I presumably came up

in a casual shipboard conversation.

No doubt Heaslop

will be hearing from the company.

- I see.

- I shan't tell Aziz until tomorrow.

Hamidullah's bound to be putting on

a celebration, and it'll only upset him.

Oh, and have you heard

about the damages?

- Damages?

- Amritrao is asking 20,000 rupees from...

20,000?

And costs.

Who could have foretold that Aziz

would be saved by his enemy?

What now, Mr Fielding?

- Aziz!

- Come in.

Well, what a wonderful day for you.

I am an lndian at last.

Where did you take her?

I took her back to the college.

Why?

After this morning,

she'd nowhere else to go.

- No?

- Heaslop? The Turtons?

She had the entire British Raj

behind her pushing her on.

But when she saw she was wrong, she

stopped and sent it all to smithereens.

I wouldn't have had the courage.

(shouts in Urdu)

Do you mind if I sit?

Please.

What will you do now?

Hamidullah's giving me a victory party

with fireworks and music.

Good. But I meant later.

Now this dreadful business is over.

I shall look for another job.

Hundreds of miles from here

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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