American Hustle Page #6
MORT PAPIERMAN/RICHIE DIMASO (CONT’D)
Zurich? You got an office in
Zurich? Paris? I can call Paris?
IRVING ROSENFELD
If you could excuse me for one
second?
MORT PAPIERMAN/RICHIE DIMASO
Yeah, take your time. Do whatever
you need to do. Go ahead, take your
time.
HE HEADS TO THE REAR EXIT WHILE SYD MOVES TO ANOTHER -- IRV
OPENS THE DOOR - BAM -- A WARRANT IS HELD UP TO HIS FACE BY
STOCKY FBI AGENT SCHMIDT IN A SUIT - HE WALKS IRV BACK INTO
THE OFFICE --
AS Edith OPENS A SIDE DOOR -- BANG - FEDERAL AGENT STOCK
WALKS HER BACK INTO THE OFFICE WITH A WARRANT.
IRVING ROSENFELD
You got the wrong office, you’re
gonna be embarrassed.
31.
THE AGENTS START PUTTING EDITH IN CUFFS IMMEDIATELY.
IRVING ROSENFELD (CONT’D)
HEY, HEY, HEY! GO EASY ON HER.
MORT PAPIERMAN/RICHIE DIMASO
I may not have you, Irving, but I
have her on fraud. Impersonating
another individual.
IRVING ROSENFELD
Fraud?! Fraud? What is that?
Identity fraud?
AGENTS SCHMIDT AND STOCK IMMEDIATELY START TAKING BOXES OF
FILES FROM DRAWERS, IMPOUNDING EVIDENCE.
MORT PAPIERMAN/RICHIE DIMASO
You may be from England, Edith, but
you’re not royal and you have no
banking connections and that’s a
felony. How long is that? That’s 3
5 years I think.
EDITH GREENSLY:
(about the handcuffs)
Hey! Not so tight!
IRVING ROSENFELD
Oh really? That’s interesting. I
don’t even know your real name.
Richie pulls out a badge and shoves it in Irving’s face.
RICHIE DIMASO:
Richie Dimaso, FBI. Nice to meet
you.
Richie looks at Edith with concern and points at Irving.
RICHIE DIMASO (CONT’D)
You gotta get away from this guy.
Agents take boxes of files out of the office- Irv standing
alone in center of room- shell-shocked.
64 INT. FBI HOLDING OFFICES - DAY. 64
SYDNEY IS LED INTO A HOLDING CELL BY AN FBI AGENT.
32.
IRVING ROSENFELD (V.O.)
He wouldn’t let me see her for
three days. He even managed todelay a lawyer.
65
Dim cell, lit only from small high barred window, no lights
on. Edith looks like she’s coming apart -- circles under hereyes, a shadow of her confident self -- pale, scared, hair
flat, stringy, unglamourous, pacing, rocking.
IRVING ROSENFELD (V.O.)
She couldn't handle it. 65
66 INT. FBI HOLDING CELL - NIGHT 66
FLUORESCENT LIGHTS COME ON IN THE CELL -- Edith squints. Cellis unlocked by Richie Dimaso WHO enters with a cup and saucerof tea. He stands near her with the tea.
RICHIE DIMASO:
(to the other side of thetwo-way mirror)
Joe, how come the fluorescents are
on? Can we kill that, please? (toSyd) Jesus I put this lamp here foryou 'cause I thought it'd be betterfor you. There's a wire here.
They're scared because people hangthemselves but I know you’re too
smart for that. Where’s the table
and chair? There's no bed here?
It’s like a f***ing asylum. Joe, iseverybody off today? Jesus Christit’s scary. Maybe I wanted to scareyou. I don’t know. Maybe it was my
idea. Maybe i’m a little off the
beaten path you know? I don’t know.
You look dehydrated. Here, want totry some tea? Oh yeah, your lipsare all chapped. (re: tea) It’s
herbal. My favorite.
Richie bends down to Edith who is sitting on the floor in thecorner and hands her the cup and saucer. She lifts the cupbut her hand is shaking almost violently as she raises thecup to her lips.
RICHIE DIMASO (CONT’D)
I know you think -- look at me.
Hey. Edith.
(MORE)
33.
RICHIE DIMASO (CONT’D)
I know you think Irv loves you. I
know you think you know him -- that
he sees the world as a cold, dark
place, and he cares about nobody
but very few people on his short
list:
his son, his father, Rosalyn,and you. And you think you’re at
the top of that list. But what if
you’re not. What if you’re not even
on the list at all? He’d be in
here right now if he took the
check.
She thinks about this. She trembles.
RICHIE DIMASO (CONT’D)
He'd be in here right now if he
took the check. But no, you did.
God, it's, it's so clear to me.
It's so crazy -- it's clear to me,
but it's not clear to you. He uses
you, Edith, to protect himself. To
protect his son and his wife in
Long Island. No? Yes. He put a
ring on her finger, he adopted her
son. They have huge house, they
have two cars. What does she do all
day? I'll tell you what she does --
she plays with her nails, she
watches T.V., and she spends your
money, the money that you make.
Edith stares at Richie, taking this in.
RICHIE DIMASO (CONT’D)
I don't like that you're in jail
while he's going free. I don't
like any of that. I want to help
you. All the razzle-dazzle that he
does, it's not good. It's not real.
It's fake. It's not real. Who you
are is who you are, between you and
God. You and your soul. That's what
matters. That's what counts.
That's what I'm about. And that's
what I see in you. Tell me you
didn't feel it the first time we
saw each other. Am I crazy? I don't
think so. I'm not supposed to be
talking like this, but I don't
care, I break the rules.
Edith looks at Richie in silence as she thinks about what
he’s saying.
34.
RICHIE DIMASO (CONT’D)
Okay, Edith? Edith. I want to help
you. I like you. (whispers) I like
you. (dead serious) I like you.
67 INT. FBI OFFICE, FEDERAL OFFICE BUILDING, NY - DAY 67
Irv stands alone on the other side of the glass staring at
Sydney.
RICHIE DIMASO:
Been in there three days. Hasn’t
been so good for her.
Irv continues to stare at Sydney.
RICHIE DIMASO (CONT’D)
How does that make you feel her in
there? That check was for you,
right? But you knew somethin' was
off. That's 'cause you're good.
You're, like, the best at what you
do in the whole country, aren't
you?
Irv looks at him.
RICHIE DIMASO (CONT’D)
But you know what? If the country
were run by people like you, Irving
Rosenfeld we'd be living in Eastern
Europe or Guatemala. You ever been
in Guatemala? You ever been in jail
in Guatemala? You ever try to get a
telephone or a permit or anything
in Guatemala? That's what this
country would be like if we let
people, let the liars like you, run
this country.
IRVING ROSENFELD
Who made you god and judge?
RICHIE DIMASO:
My grandmother lived to be ninety-
three years old. Never lied in her
life.
IRVING ROSENFELD
Congratulations.
35.
RICHIE DIMASO:
Thank you. I'm proud of that, too.
Does that make her not a good
person? Is that not something to
strive for?
IRVING ROSENFELD
Why you breaking my balls? Get to
the point.
RICHIE DIMASO:
I see something in you, Irving. I
get very excited. I think that we
have a lot of potential here. Now,
look. I came up with the idea.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"American Hustle" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/american_hustle_55>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In