And the Same to You Page #2

Synopsis: Stuck with the name "Dickie Dreadnought," Rix feels he has no choice but to pursue a career as a boxer. To mollify his uncle, Rix pretends to be the soul of religiosity, while his tough-talking manager William Hartnell poses as a Man of the Cloth.
 
IMDB:
5.3
NOT RATED
Year:
1960
70 min
51 Views


felt a wound

But, soft!

What light through yonder

window breaks?

lt is the east, and Juliet is the sun.

lt is my lady; Oh, t is my love!

Oh that she knew

she were!

See how she leans her cheek

upon her hand!

Bright angel ...

Julia, you're standing on my foot!

l'm up here!

Get down!

Champagne!

Murderers! Murderers!

Murderers! Stop!

Murderers!

Murderers!

Champagne!

lt wasn't us at all.

Try telling them that.

Why did you touch that knife?

Come on!

Boring living with me, isn't it?

Keep on swimming

... joking apart, we've just recieved

an important police announcement.

A murder was committed tonight

at a golden wedding

annlversary party.

l can't do it like that.

What are you gaping at? Get lost, voyeur!

What's the matter?

Hello, police? One of your men's

standing outside our house.

lt wasn't us.

lt wasn't us,

we didn't kill the corpse.

Hold on, we're connecting you.

- What did she say?

- Wait a minute.

Good day, pease

hold on, we're connecting you.

Can l help you?

Lehmann. I'm calling

about the murder in Grunewald.

Hello? lt's like this.

What they said on the radio ...

An hour ago a corpse was found

lying dead on my foot.

The lights went out shortly

beforehand. I just wanted to say ...

l didn't kill her!

- We know who the murderer is

- Yes, describe him.

Your name?

Thomas Hostettler. l m Swiss

and l live with my parents in Berlin.

D'you think you're the only one to

ring up tonight with some crazy story?

A man rang to say that the neighbour's

dog had murdered his goldfish.

Before that someone claimed that the

Pope had tried to assassinate him.

A woman said that her husband tried

to strange her wlth a condom.

Not to mention the school children.

Try golng less to the cinema.

You may not agree, but

this ls not what we're paid for.

Don't joke around with the polce.

No money left.

What about the 100 marks l gave you?

- Which 100 marks?

- Which 100 marks?

Have you gone mad?

Oh, yes, ..... l put it in

the bread-bin.

Well done! Why didn't you bring

it along, you diot!

Because l thought we were

getting paid tonight.

How could l guess that a corpse

would be lying on my foot.

ln the brothel!

l knew l'd seen her before.

Who?

The corpse!

l was there, understand!

- Where?

- ln the brothel!

What were you doing in a brothel?

Are you listening?

l want to marry you.

What's up? What shall l do?

l always thought ...

I don't know, l ...

l thought ... yes

Shall I kill myself out of sheer

passion for you? Okay!

When I say "now", reverse backwards.

No! Please, don't move, stay where

you are. Be sensible, please

-- Now! --

He doesn't mean it!

l want to marry you. Do you hear?

I want to marry you. l love you.

l don't want you to go off with

another man. l love you !

They still have that tingl ng feeling.

A feeling of excitement, every day.

Who are you looking for?

An old couple, name of Graf.

- Do you know them?

- No.

We don't know them.

My name s Fischer.

Come upstalrs at oncel

He's mad, he's been doing that

for 1 0 days now.

- Excuse me ....

- Yes?

Can you tell me whether ...

Leave the washing up!

Get lost, you stupid cow!

Graf, here it s.

Go on, then.

Good morning.

Who is t?

Don't know them. What do you want?

Hannelore, turn the record over.

- l think we're ...

- So do l.

Excuse me, do you happen to know

f an old couple lives in this house?

Funny people here.

What are we whispering for?

Yes, what for?

lt's a perfectly normal house.

Look, Graf! Here.

Do you love me?

Truly?

Don't keep on asking.

Then l love you too.

Stay here!

Let me out of here!

What's that?

The key s on top of the exit sign.

Are you still there?

Thank you.

l wanted to commit suicide.

l threw the key out of the window

and sa d to myself, that s it.

Then l sit down at my typewriter,

write a farewelI letter.

l write and write and l

can't stop writing.

At first l really want to end t all,

and then l change my m nd

but l'm Iocked in.

Oskar and Marlene ...

They're in love, those two.

They loved their life.

The whole time, the whole life.

They loved children

and the children loved them.

But people d dn t like that. The

children wanted to be as happy

at home as they were with the Grafs.

Then two men came along in a car.

Put them in a home for old people.

- They can't do that.

- Just like that.

- They can.

- l don't understand.

- And now they're in a home?

- Far from t!

l don't get it.

Disappeared. Without trace.

How do you mean?

Lying low.

Do you know where?

l not only know, l helped them.

ltaly.

Are they really as much in love

as on the day they were married?

Come on, we're off to ltaly.

What for?

To find the old couple.

You are a one!

- What of it?

How s lly.

ln the dark?

The pol ce are completely in the dark.

lt cannot be ruled out

that actually ...

the senator, should have been the

victim ...

.... seems to have been

m nutely planned ...

.... carried out by several .....

lt is presumed ....

terrorist organisations

could be responsible.

You can play those games at home.

We re only here in Berlin for

a few days.

That doesn't stop you buying

a t cket.

Your papers, please.

Just a moment!

And the young lady?

She's a patient at the psychiatric

clinic in Zrich. l'm responsible

for her. Unfortunately l ve left

her papers at the cl nic.

- Happy birthday.

- Thank you.

Travell ng without a ticket,

2 persons, 80 marks.

But l have a ticket.

Here it is.

lt's not stamped.

What's she grinning at?

- don't smile, okay?

- lsn't t funny?

lt's not funny at aIl, is it?

That ll be 80 marks.

Why it only has to be stamped

at the end of the journey.

- Who told you that?

That s what someone told me.

l always do it.

I used to live in London,

you pay at the end there, too.

Are you trying to tell me that

you always pa d on the way out?

Of course. Every time.

That's why someone

sits up there to check.

But ... but that s rubbish.

That s how they do it in London.

Doesn't one pay afterwards here?

No, one doesn t.

l've always done it.

You could have saved yourself the

trouble.

Nice of you to admit that so openly.

But that means l was n danger

of being caught

by you every time,

like now.

- Exactly.

- But that s terrible.

Don't cry Heidi. don't cry.

Make sure you are better informed

next time.

Ticket, please.

Hey, he wants to pay n dollars.

lt won't work, young man. Come on.

You'd never believe the stor es

people think up. Unbelievable!

l can well imagine.

Come on!

Julia, come on!

- Happy birthday.

- They're after us!

- Happy birthday.

- Thank you.

What's the matter?

All you think about is your whodunit.

Do you still find me erotic?

- Does that matter now?

-Do you find me erotic?

- Does it really matter?

- Yes or no?

Yes, dammit, l find you erot c.

lt doesn't sound like it.

l don't want to have to prove it

to you 5 million times a day.

Because it's not true!

Exactly.

The love has gone, l can feel it.

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John Paddy Carstairs

John Paddy Carstairs (born John Keys, 11 May 1910 in London – 12 December 1970 in London) was a prolific British film director (1933–62) and television director (1962–64), usually of light-hearted subject matter. He was also a comic novelist and painter. more…

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Submitted on August 05, 2018

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