And the Same to You Page #3

Synopsis: Stuck with the name "Dickie Dreadnought," Rix feels he has no choice but to pursue a career as a boxer. To mollify his uncle, Rix pretends to be the soul of religiosity, while his tough-talking manager William Hartnell poses as a Man of the Cloth.
 
IMDB:
5.3
NOT RATED
Year:
1960
70 min
52 Views


- We don't f*** together any more.

- Where do you want us to do it?

Think of something.

Want me to sign a contract?

"A f*** a day seven days a week?"

- Get lost!

- l will.

No, Romi, stay here, please.

Can't you make up your mind for once?

What are you crying about?

Can't understand a word.

Can't understand a thing.

l'm always the arsehole.

- lt's aIways me.

You cry and I'm the swine,

it's aIways the same.

Don't touch me!

- You don't love me!

- l do!

- You don't love me!

- l do, l love you !

l'm hungry.

So am l.

Coward, coward, coward, coward.

Come on over here, coward.

Be quiet!

Do you find that funny? We've been

waiting for you all day, Thomas.

- l forgot.

-What are you doing?

You know that Father takes the day

off on your birthday.

What have you been getting up to?

Is that a normal way to behave?

You could have telephoned at least.

- I told you, I forgot.

- How did you get in? Oh, never mind.

What a sight you are!

Come and sit down.

Wash your hands.

You could at least have dressed decently

on your birthday.

Dirtiness has nothing to do with freedom.

You don't look well.

Don't you ever eat a warm meal?

l told you before,

always have a warm meal.

Come and sit down.

Aren't you well? Here!

Do you need any money?

Happy birthday.

Don't tell your father.

Right.

Now it s off to ltaly.

And then?

We ll visit the old couple.

And then?

We'll find out their secret.

And then?

Then we ll know.

And then?

And then ...

l don't know.

And then?

Then we ll separate.

You're so stupid.

Right ...

Here?

Why not?

l don't know.

- Don't you feel like it ?

- Oh, yes. It's so sandy.

Don't be afraid, he won't hurt you.

Come on. Here!

What's that?

l found it in my saxophone.

Just a minute!

l'm off to ltaly.

Come and help me nstead.

You don't understand a thing.

l'll go aIone, then.

That s the corpus delicti, understand?

- What's that?

- The evidence.

Do you have your passport?

- Am l your ideal man?

- No.

Too small, eh?

You're a weakling.

l think you're lovely, too.

What?

What d d you say?

Do you still want to leave me?

We'll see. Not now, l m too tired.

l'm no hero.

Do you think it's silly,

still being together?

What makes you say that?

You'd be in New York now if it

wasn't for your whodunit.

l'll go tomorrow.

And l'll go to Moscow and marry

a Russian.

A Russian?

Do you find the Swiss ugly?

All they think of is sex.

My new girl fr end shall be as

scurrilous as you, but love me more.

l love you more.

Why do you want to leave me?

Because you're such an diot.

WeIl?

Well what?

Are you staying here tonight?

l m ght as well.

Wake up!

We have to go. Come on!

Wake up!

- I'll get a divorce.

- Go ahead.

We have to find the fiIm. You'll

get the knitting machine. Nuisance.

- Screw your knitting machine.

- Screw it then.

Decide wheter you want the

knitting machine or not.

- l don't want one.

- You're always talking about it.

l don't want one any more.

Here are some porno magazines,

Hope you enjoy them.

Thanks,

they're more entertaining than you.

You always have to have the last word.

What w ll you do without me?

Excuse me.

They're kidnapping my girlfriend.

Yes or no?

- Do you find me erotic?

- Yes!

- l don't believe you!

- Damn sh*t!

you ve said it so often.

Prove t to me!

lt's always the same!

Go away, l ve had enough.

You haven't paid!

Are you carrying on?

What the hell!

The nice thing about you

ls that you're so stupid.

Really.

I'll never find such a crazy

boyfriend again.

Plty, realy.

Lovable idiot.

Romi, do you think you' ever

grow up?

Where's the film?

Young man

with the car

number plate B - R 5431

You are blocking an entrance.

- Oh, I see.

- Driving licence, please.

Hands up.

Help! Let me out!

Be quiet!

Help! Police!

Having it off n the middle of town!

- Where shall we split up?

Here.

Now.

What'll your next girlfriend look like?

My next one will be tall and blond.

- l know.

- A tall, blond Moroccan.

Your next friend w lI be blond,

a little fat,

sort of fleshy.

Your girIfriend will be small and fat

with a speech impediment, like you.

Come here.

Attent on please! May l have

your attention, please. All aboard.

Put on your safety belts.

Seduce me.

What?

You never have.

l have.

- When?

- Can't remember.

You see?

You seduce me.

I can't. You haven't got your thing in,

the diagram.

- Diaphragm.

- That's what l said.

You see, you'l have to seduce me.

The best is when I'm asleep.

lt's impossible if you're seeping.

Try

How do you expect it to work?

Perfectly normaly.

What if you don't wake up?

Never mind.

Then I might as well f*** a corpse.

A lot of people do.

Romi, stop it!

Wil you do lt?

What?

Ravish me in my sleep.

We'll see. l feel so tired.

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John Paddy Carstairs

John Paddy Carstairs (born John Keys, 11 May 1910 in London – 12 December 1970 in London) was a prolific British film director (1933–62) and television director (1962–64), usually of light-hearted subject matter. He was also a comic novelist and painter. more…

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Submitted on August 05, 2018

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