Anything Else Page #3

Synopsis: Jerry Falk and David Dobel, who meet at a business meeting, become fast friends. Their commonality is that they are both fledgling New York based comedy writers, largely writing material for stand-ups, are Jewish (although David is an atheist), and are each of bundle of different neuroses. Their big difference is that Jerry is twenty-one, while David is sixty, with forty more years worth of life experience, knowledge and neuroses. While Jerry writes full time - he also working on a novel - David has kept his day job as a public school teacher just in case. In their relationship, David becomes somewhat of Jerry's mentor, providing advice on Jerry's life issues, most which revolve around the fact that Jerry is a product of inertia, he having trouble leaving anyone. That's why Jerry's still with the one and only manager he's ever had, Harvey Wexler. Jerry not only being Harvey's only client (which is a testament to his effectiveness in the job), Harvey also has a 25% take as stipulated in
Genre: Comedy, Romance
Director(s): Woody Allen
Production: DreamWorks SKG
 
IMDB:
6.4
Metacritic:
43
Rotten Tomatoes:
40%
R
Year:
2003
108 min
$3,135,535
Website
1,018 Views


Brandeis. But l dropped out.

One of her professors

fell in love with her.

lt was terrible.

He was married.

lt was way too much pressure

for all of us. His poor wife.

ln addition to acting,

she's a very good singer.

l try to sing, but then l hear someone

like Billie Holiday, and forget about it.

She's your favorite.

But you can't listen to the CD's, right?

They sterilize the sound.

Didn't l say that?

l absolutely agree with you.

lt totally sterilizes...

that's so funny.

Actually, someone told me

about this seedy record store

that has all of her old recordings

on 78s and 33s.

l'd love to know about it.

She is amazing.

lt's early.

Let's go to the Village Vanguard.

Diana Krall is playing.

lt should be a great show.

l'll get so discouraged,

but l am dying to see her.

- Great.

- You get up so early to write.

Yeah, but l did most of my stuff

for tomorrow, so...

- Should we? What do you...

- Yeah, sure.

Hide your heart from sight

Lock your dreams at night

lt could happen to you

Don't count stars

Or you might stumble

Someone drops a sigh

And down you tumble

Keep an eye on spring

Run when church bells ring

lt could happen to you

She's so moving.

l agree. She's totally moving.

Absolutely.

You've captured her.

[applause]

What was l saying?

l'd love to take one of those boats

down the Amazon.

lt's supposed to be so beautiful.

Not tonight?

Of course not tonight.

l was... that's funny.

But how thrilling that would be.

That would be so thrilling.

You hate heat.

You hate mosquitoes.

l hate malaria. lt's malaria, remember?

l don't hate all mosquitoes.

l want to see the parrots

and the giant butterflies.

l've seen pictures in National Geographic.

They're gorgeous.

Giant, huge...

And wild monkeys would be...

Monkeys?

How much have you had to drink?

Do you like snakes?

Do l like snakes?

Some people get queasy around them,

but l think they're beautiful.

The way they move...

it's so sensual.

So sen... l love snakes.

Cobras, for example.

- Pythons.

- Naturally. Pythons.

Garters. Rattlesnakes.

l love them all.

- l cannot believe l'm hearing this.

- Oh, please.

l've often said, often, that there's

nothing like a dense jungle in the rain.

- l've said this.

- [Brooke:
] You're drunk.

- That's not true.

- Speaking of rain,

there's supposed to be

a hurricane tonight.

We should rent a car

and drive to the Hamptons.

- We could walk on the beach...

- He hates the Hamptons.

Nobody hates the ocean.

She's up for anything.

lt's too late for me. l can't.

Don't you have an audition tomorrow?

''My candle burns at both ends,

it will not last the night.''

Millay. Edna Millay.

She's my favorite poet.

Don't l quote her all the time?

Edna Millay...

Amanda's pretty, isn't she?

- She's okay, l suppose.

- You're drunk.

l was looking at her face

in the candlelight

and she has this offbeat sexual quality.

Yeah, l guess.

lf, uh, you know,

if you find that crippling sense

of passionate heat

behind those big eyes sexy.

- Huh?

- Hmm?

- Nothing.

- Bob's crazy about her.

l got the whole story while you were

in the men's room throwing up.

l'm fine.

Believe me, l'm okay.

She moved in with him

and l get the feeling

he is dying to marry her.

- Oh, yeah?

- They make a nice couple.

He's charming and very attractive.

Are you okay?

Yeah.

Amanda? Hey, it's Jerry Falk.

Good, good. You?

Listen, l was just about to go to

this old record store l found out about.

l know you were interested

in picking up some Billie Holiday.

l'm actually vaguely near your house,

so l thought that, um...

l mean, if you and Bob are busy...

Right. Of course. He would be at work.

What was l thinking?

l could be there pretty soon.

Maybe, say, three minutes?

Great. l'll meet you in front

of your place. Bye.

These are great.

Let me get you this Diana Krall record

as a present

since l know how big of a fan you are.

- Wasn't she great the other night?

- So great.

l love that you appreciate old songs.

They're so pretty.

l'd love to hear you sing sometime.

l can't sing publicly.

l'm too fat.

- Fat? l'm sorry. Did you say fat?

- But l have these great diet pills.

They take away your appetite,

but increase your sexual drive.

ls that how you met Bob?

From his record company?

No. He picked me up

in Central Park, actually.

Oh, how funny.

And you guys got...

seriously involved?

No. He'd like to, but...

l can't commit.

l have a problem with commitment.

l dream of meeting someone

who l'll want to give myself over to,

where l'd be the one

hurt in the end.

But it hasn't happened yet. You?

Me neither.

Um, unfortunately, same here.

Brooke and l are in

the last stages, basically.

- Really?

- Oh, yeah.

- She didn't give me that impression.

- She didn't?

Well, that's strange, because that's

the only impression to give, really.

Oh. Look at this, uh, record.

Cole Porter.

This is a fantas...

really pretty songs on here.

Let me get you this as a little present.

Can l do that?

l was actually listening to this last night,

and l thought of you.

You were listening to Cole Porter

and thought of me?

You must really have a crush on me.

l do?

l'd say it's fatal.

l'm sorry.

l, uh... l couldn't resist.

Don't apologize.

l wanted you to.

You did?

Yes. l've had a crush on you

since we met.

Couldn't you tell,

the way l was ignoring you?

Well, there was something

compelling about your apathy.

l thought you were sweet

and sensitive and vulnerable.

And l could tell you liked me, too.

l can't believe

l'm in love with a smoker.

l don't want anyone to get hurt.

Where were you?

lt's 10:
00.

Where?

Well, um, l had a meeting to go to.

- You smell from alcohol.

- l do?

My God, your tongue is black.

lt is? Well, um...

that's because l had some wine.

Wine? Why?

lt's not Passover.

No. Uh, to celebrate.

Uh, the deal.

What deal?

l have to tell you, um, it looks like

l have a great opportunity

to work for, for, um, a very,

very funny, uh, puppet.

lt's, uh... remember l...

ls this a woman's hair?

ls this...

is this a woman's hair?

l mean, it could be...

l suppose.

Possibly from, uh, the taxi.

lt was... l mean, l think, you know,

all the people in and out,

l probably sat up in...

l guess, the woman's hair.

l am exhausted.

She asked me if l still love her.

What could l say?

Why can't l tell her the truth?

l'm in love with Amanda.

Why can't l tell her it's over?

Why can't l leave people?

Tell me about your dream.

The Cleveland lndians gotjobs

at Toys R Us?

Yeah. So what can it possibly mean?

Look, l can't keep wasting my hour here

describing lunatic dreams.

l have a date with Amanda.

l can't keep running around town

on the sly and live like this.

Amanda can handle it,

but l need help.

What do l do? l have to

extricate myself from Brooke.

lt'll break her heart.

She wants to marry me.

The guy will not talk.

l've been with him for three years.

Rate this script:2.0 / 2 votes

Woody Allen

Heywood "Woody" Allen is an American actor, comedian, filmmaker, and playwright, whose career spans more than six decades. more…

All Woody Allen scripts | Woody Allen Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Anything Else" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/anything_else_3000>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Anything Else

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "MacGuffin" in screenwriting?
    A A type of camera shot
    B A character's inner monologue
    C A subplot
    D An object or goal that drives the plot