Ball of Fire Page #10

Synopsis: Sexy, wisecracking nightclub singer Sugarpuss O'Shea is a hot tomato who needs to be kept on ice: mobster boyfriend Joe Lilac is suspected of murder and Sugarpuss' testimony could put him away. Naive Professor Bertram Potts meets Miss O'Shea while researching an article on slang and in true romantic comedy fashion the two worlds collide. When Miss O'Shea hides out with Potts and his fellow professors, everyone learns something new: the professors how to cha-cha and Potts the meaning of "yum-yum"!
Genre: Comedy, Romance
Director(s): Howard Hawks
Production: MGM
  Nominated for 4 Oscars. Another 1 win.
 
IMDB:
7.8
Rotten Tomatoes:
100%
APPROVED
Year:
1941
111 min
1,491 Views


One, two.

810

00:
43:18,362 -- 00:43:20,159

Professor Oddly, please stand up.

811

00:
43:20,230 -- 00:43:21,458

I beg your pardon.

812

00:
43:21,532 -- 00:43:25,093

- One, two, three. Humph, humph.

- Just one.

813

00:
43:26,170 -- 00:43:28,934

- The expert is here. We need you.

- What's the trouble?

814

00:
43:29,006 -- 00:43:30,837

Well, that dance you showed us last night.

815

00:
43:30,908 -- 00:43:32,637

- Yeah?

- Yes, maybe we're not very bright.

816

00:
43:32,710 -- 00:43:36,510

Professor Gurkakoff has been trying

to reconstruct it by compound fractions.

817

00:
43:36,580 -- 00:43:38,912

- You'd better relax, lover.

- Who, me? Thank you.

818

00:
43:38,983 -- 00:43:42,942

I can't find the common denominator

between the steps and the music.

819

00:
43:43,020 -- 00:43:45,716

You bet you can't, you're playing

a polka, and I taught you a conga.

820

00:
43:45,789 -- 00:43:48,417

How about some light in here? Come on.

821

00:
43:49,226 -- 00:43:51,126

Look, kids, this is the tempo.

822

00:
43:51,228 -- 00:43:52,786

(SUGARPUSS HUMMING

CONGA TEMPO)

823

00:
43:52,863 -- 00:43:54,694

(EVERYONE HUMMING TEMPO)

824

00:
43:54,765 -- 00:43:55,993

Got it?

825

00:
44:00,037 -- 00:44:02,369

- That's right, hit it.

- Hit what?

826

00:
44:02,439 -- 00:44:04,066

That's what I told you.

827

00:
44:04,475 -- 00:44:08,434

- One, two, three...

- Attaboy, Gurky! You're wonderful!

828

00:
44:10,247 -- 00:44:12,943

Wing it, Professor. Hang on.

829

00:
44:14,184 -- 00:44:15,651

Good afternoon.

830

00:
44:17,921 -- 00:44:19,183

How do you like the new suit?

831

00:
44:19,256 -- 00:44:21,383

What the well-dressed professor will wear.

832

00:
44:21,458 -- 00:44:23,892

A young lady chased me all the way up

Fifth Avenue.

833

00:
44:23,961 -- 00:44:25,929

Probably to tell you

to take the price tag off.

834

00:
44:25,996 -- 00:44:27,964

Did you... Did you get the records?

835

00:
44:28,032 -- 00:44:30,466

Well, they were all out of

Beat Me Daddy, Eight to the Bar.

836

00:
44:30,534 -- 00:44:32,434

- Oh, dear, oh, dear.

- But I got Chicka Chicka Boom Boom

837

00:
44:32,503 -- 00:44:36,200

- and Shoot the Sherbet to Me Herbert.

- Now watch us go.

838

00:
44:38,709 -- 00:44:39,903

Thank you very much, gentlemen.

839

00:
44:39,977 -- 00:44:42,036

The same time tomorrow,

all of you who can.

840

00:
44:42,112 -- 00:44:44,080

- Okay, coach, so long.

- Goodbye.

841

00:
44:44,148 -- 00:44:47,049

This has given me

a new interest in life, Doc.

842

00:
44:47,117 -- 00:44:48,141

Me, too.

843

00:
44:48,218 -- 00:44:50,584

I'm gonna use some of those

two-dollar words hollering my papers.

844

00:
44:50,654 -- 00:44:54,613

Park Avenue bigamy scandal,

most illuminating, most illuminating!

845

00:
44:54,692 -- 00:44:56,956

- So long, Prof.

- And thank you very much.

846

00:
44:57,027 -- 00:44:58,324

That's all right.

847

00:
44:58,395 -- 00:45:00,192

Excuse me for talking shop,

848

00:
45:00,264 -- 00:45:03,131

but your garbage certainly

has cheered up these days.

849

00:
45:03,200 -- 00:45:07,899

Flowers, candy boxes, perfume wrappings

and an empty of that sweet French liqueur.

850

00:
45:07,971 -- 00:45:10,872

(STUTTERING) Why, that's not our garbage,

I'm sure.

851

00:
45:10,941 -- 00:45:13,000

Maybe it wasn't, but it was in your pail.

852

00:
45:13,077 -- 00:45:14,066

(DOOR OPENING)

853

00:
45:16,113 -- 00:45:17,944

I'm leaving, sister.

854

00:
45:18,949 -- 00:45:20,780

(CONGA MUSIC PLAYING)

855

00:
45:21,285 -- 00:45:22,684

Miss Bragg.

856

00:
45:22,753 -- 00:45:24,152

May I have a word with you,

Professor Potts?

857

00:
45:24,221 -- 00:45:25,620

That music, is it coming from next door?

858

00:
45:25,689 -- 00:45:28,123

From this door, and that's what

I want to talk to you about.

859

00:
45:28,192 -- 00:45:29,819

Either she goes or I go.

860

00:
45:29,893 -- 00:45:33,090

- You're speaking of Miss O'Shea?

- I am, Professor Potts.

861

00:
45:33,163 -- 00:45:37,463

That is the kind of woman

that makes whole civilizations topple.

862

00:
45:37,534 -- 00:45:41,664

It's always been my pride to scrupulously,

untiringly, efficiently...

863

00:
45:41,739 -- 00:45:44,105

Now, now, Miss Bragg,

you've split that infinitive three times.

864

00:
45:44,174 -- 00:45:46,472

I repeat, either she goes or I go.

865

00:
45:46,543 -- 00:45:49,376

I don't like ultimata, Miss Bragg,

but I shall look into the matter.

866

00:
45:49,446 -- 00:45:52,643

Don't look into the matter,

look into the library.

867

00:
45:57,721 -- 00:45:59,154

(PROFESSOR WHOOPING)

868

00:
46:00,290 -- 00:46:02,520

(LOUD MUSIC PLAYING)

869

00:
46:08,932 -- 00:46:11,264

Hiya, Pottsy, come on, hook on!

870

00:
46:11,335 -- 00:46:12,962

I feel so abandoned.

871

00:
46:22,246 -- 00:46:23,907

Hey, what's the big idea?

872

00:
46:23,981 -- 00:46:27,348

As soon as you gentlemen get your breath,

we had better have a conference.

873

00:
46:27,417 -- 00:46:28,907

Will you please leave the room,

Miss O'Shea?

874

00:
46:28,986 -- 00:46:32,945

- But we've only just started.

- Lf you please, Miss O'Shea.

875

00:
46:33,023 -- 00:46:34,957

Loose-tooth again.

876

00:
46:35,025 -- 00:46:36,890

Now, if you gentlemen will be kind enough

877

00:
46:38,562 -- 00:46:40,427

to get together all that you've written

in the last three days...

878

00:
46:40,497 -- 00:46:41,828

(TAPPING AT DOOR)

879

00:
46:48,639 -- 00:46:49,765

Well, it's about time.

880

00:
46:49,840 -- 00:46:51,740

I thought you two had amnesia

and forgot where you parked me.

881

00:
46:51,809 -- 00:46:52,833

Hold the phone, Sugie.

882

00:
46:52,910 -- 00:46:55,208

Dropping me on the doorstep

like a throwaway for a credit dentist.

883

00:
46:55,279 -- 00:46:57,304

- You said it was for one night.

- Sugie, for snap's sake.

884

00:
46:57,381 -- 00:46:59,611

You're as hot as a pistol.

The DA's got 100 men on the job.

885

00:
46:59,683 -- 00:47:02,311

Why, they're squeezing this town

through a sieve, borough by borough.

886

00:
47:02,386 -- 00:47:03,614

You tell her, Pastrami.

887

00:
47:03,687 -- 00:47:06,349

They're tailing us, Sugie. Took us

three hours to get here from 48th Street.

888

00:
47:06,423 -- 00:47:08,220

Detoured through Jamaica, Long Island

to shake them off.

889

00:
47:08,292 -- 00:47:09,350

Okay, you wait here.

890

00:
47:09,426 -- 00:47:10,825

I'll get my things together

in two seconds flat.

891

00:
47:10,894 -- 00:47:12,293

Hey, wait a minute, Sugie.

892

00:
47:12,362 -- 00:47:16,025

- We got a surprise for you.

- You ain't leaving, not right yet.

893

00:
47:16,099 -- 00:47:17,361

I'm not? Joe's out, isn't he?

894

00:
47:17,434 -- 00:47:20,403

Yeah, but for how long? They're laying

for you so they can get him back.

895

00:
47:20,470 -- 00:47:21,494

That's the surprise.

896

00:
47:21,572 -- 00:47:24,302

I'm supposed to stay in this old mans'

home till the moths eat holes in me?

Rate this script:0.0 / 0 votes

Charles Brackett

Charles William Brackett (November 26, 1892 – March 9, 1969) was an American novelist, screenwriter, and film producer, best known for his long collaboration with Billy Wilder. more…

All Charles Brackett scripts | Charles Brackett Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Ball of Fire" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/ball_of_fire_3506>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Ball of Fire

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "The Godfather"?
    A Robert Towne
    B Mario Puzo and Francis Ford Coppola
    C William Goldman
    D Oliver Stone