Bean Page #5
- PG-13
- Year:
- 1997
- 89 min
- 872 Views
Bean's old G.P.O. phone has one on its dial.
BEAN looks across to his TEDDY, who is lounging on a miniature chair,
inside an up-sided cardboard box. The box is sits on an armchair. A
hand-written sign, taped to its roof reads: 'TEDDY HOTEL' followed by
three stars.
19
A smaller sign informs us that the hotel is: 'FULL'. BEAN is just
about to leave but stops to consider. Taking a felt tipped pen, he
adds two more stars on the hotel hoarding, as a treat.
He then, slightly, incomprehensibly, begins to tie string it around
various objects in the flat. The fridge - the corner of a chair, a
couch leg.
CUT TO:
INT. MR. BEAN'S RESIDENCE'S HALLWAY ~ DAY
BEAN leaves his flat. lee notice a large official sign stuck on the
door saying 'NO SMOKING". He now turns his attention to the pieces of
string hanging out the letter box in his door. Grabbing the bunch of
them, he pulls.
CUT TO back inside the flat. we now understand the string - as all the
furniture starts to move across the flat. It works incredibly neatly
the chair reaches the door
20
BEAN acts fast. He takes the cigar - and quickly dunks it in the old
woman's cup of tea.
He sits there, guiltlessly, as the Grand Man returns. Simultaneously,
the man tries to suck the wet cigar, and the Old woman drinks the
disgusting tea. A horrid experience for both.
CUT TO:
INT. AEROPLANE - DAY.
Boarding time. BEAN enters the plane and turns right, into the body of
the plane. After walking right down the plane, he is directed by a
hostess back up to first. As he walks back, we notice the' ridiculous
contrast, from totally cramped accommodation with hundreds of children
and muzak, to the elegance, and space of First class.
BEAN couldn't be more thrilled. There follows a sequence of short
moments from this nightmare flight.
1/ The Old Tea-Drinking Lady is being helped with her ,luggage. A
hostess slides it into the compartment above her head.
OLD LADY:
Be careful. It's for my Grand-daughter.
The next instant BEAN comes up with his case. He opens the same
locker, and tries to fit his case in. Doesn't quite go - so he pushes
it violently. We hear crunching cracking sounds. Finally, it's almost
there - BEAN slams the locker door. One final definitive, though
muffled, smash. The OLD LADY looks at BEAN suspiciously.
2/ BEAN sits down - and who should be his next door neighbour? The
Grand Man, whose name is REYNOLDS. BEAN smiles merrily. The affection
is not mutual.
Champagne comes round instantly. BEAN takes it, along with a small
bowl of nuts, and clinks glasses with his unsmiling partner. BEAN
tries to impress him by throwing nuts up into the air and catching them
in his mouth (a well practised art). No response.
BEAN then switches on the noisy overhead air blower. Then can't turn
it down again. It's very stuck. He manages however to push it away
from his face - straight into REYNOLDS' . REYNOLDS looks annoyed, BEAN
guiltless.
21
Then 'BEAN has an idea. He takes a tissue out of his pocket, puts in
his mouth, chews it into a spitball
And rams it into the blower. Both of them are relieved. REYNOLDS
picks up his champagne to have his first proper sip. And whapp! The
spitball, under high pressure, shoots
into it, sending champagne spraying all over REYNOLDS. Not a good
start.
3/--BEAN is reading the in-flight magazine. There's an annoying sound.
He looks sideways - it is the headphones of the YOUNG BOY in the seat
across the aisle. He's fallen asleep with his headphones on. BEAN
looks annoyed. Then suddenly decides to cut his fingernails with a
little pair of scissors he carries. He holds out his hand to snip the
nail - and accidentally on purpose simply cuts the wire of the boy's
headset. That's better.
4/ Night. Wide shot of the plane - everyone is asleep except one pool
of light. It's Mr BEAN still up, reading.
But even he is wilting. His eyes close, and his body starts to waver
towards sleep. Next to him, REYNOLDS is in a total lying position -
and unfortunately, as BEAN slowly tips over, his mouth comes into
direct contact with REYNOLDS' flies.
From across the compartment, a hostess sees what's happening. She's
shocked, comes over and taps BEAN on the ,,shoulder. He shoots up, and
nearly strangles her in shock. She calms him down, shows him how to
put his chair back - and leaves him to sleep. CUT ON....
5/ REYNOLDS still asleep. With BEAN asleep completely on top of him.
Completely. His hand is spread on REYNOLDS' face. REYNOLDS' eyes
open. He sees what's happened. His arm goes up and rings for the
Hostess.
6/ Morning has broken. REYNOLDS is still trying to sleep - BEAN is
wide awake. The Hostess approaches, and the MOTHER of the YOUNG BOY
says her son isn't very well.
BEAN decides to cheer him up. He mimes an aeroplane which makes the
boy feel more ill. Then does a rather good lizard impersonation by
sticking bits of paper to his tongue and eye-lids and fluttering them.
He then brings out a scrunched up bag of Dolly Mixtures and does his
trick of throwing a sweet in the air and catching it in his mouth. The
boy is too ill to be impressed.
BEAN tries to cheer him up with his imaginary gun pretending to be a
cowboy and then a tough American Cop. Nothing. Then he has an
extremely fun idea. He empties the Dolly Mixtures from the paper bag
and pockets them.
22
He then blows up the empty bag and is about to pop it to wake REYNOLDS,
when he sees it's got a hole in it. No fun.
Meanwhile, the Boy has taken out his sick-bag. BEAN is delighted -
yes, that's perfect. He turns away for a split second to scrunch up
the useless bag, while, unseen to him, the boy vomits into his bag.
BEAN turns, grabs the bag from him - blows into it, puts it right into
REYNOLDS' face at arms length, and smacks his hands together. CUT at
just the right moment.
CUT TO:
INT. AMERICAN AIRPORT. ARRIVALS - NIGHT
The traditional exit area. A random bunch of people are waiting -
relatives, limousine drivers - and, rather strangely, three 30 year old
women dressed in curly red wigs from the musical, 'Annie'.
The LEARYS are at the barrier. KEVIN has a cardboard sign with 'MR.
BEAN' written on it. People are streaming out of the Arrivals gate.
ALISON is not happy. Actually no one is. JENNIFER looks particularly
fed up.
DAVID:
For all you know, he may be a very attractive young man.
JENNIFER:
Oh come on - the guy's going to be a creep. All Englishmen are ugly.
DAVID:
What makes you say that?
JENNIFER:
All the guys they claim are English to and good-looking like Dan Day-
Lewis and Liam Neeson, turn out to be Irish. Even Anthony Hopkins is
welsh. Prince Charles is so ugly they pay him two million bucks a year
to stay indoors.
DAVID:
Richard Burton was very good-looking.
JENNIFER:
Welsh.
DAVID:
Sean Connery.
23
ALISON:
Scottish.
DAVID:
Tom Jones?
JENNIFER:
Welsh again.
DAVID:
Okay, so the guy's gonna look like Meatloaf's backside. No-one's
asking you to go to bed with him.
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