Being Julia Page #8
That was acting.
If I-- if I truly felt
all the emotions I was representing,
I'd be a wreck.
You have a performance for everyone.
For the servants, for
daddy, for everybody.
And I don't think you really exist.
Roger!
Once you told me something.
I don't remember exactly what,
but the exact same night
you said the same line on the stage.
Even the things you say are second hand.
All I want is for you to be happy.
You should talk this
over with your father.
Mmm, daddy's worse than you are.
But he only acts one part, thank God,
and that's the
handsomest man in England.
Then talk it over with
someone of your own age, then.
Tom, for instance.
Tom?
No, I didn't like him at all.
You've dropped him, haven't you?
I...
I suppose I have, more or less.
Good. He wasn't worthy of you.
Roger, do you think I'm getting old?
No, not you.
Mmm, Tom's little tart's
in your play, I hear.
By the way,
she's having a fling with daddy.
[Nasalized] "How's
your cousin Millicent?"
and I said you were well.
He wanted to
know-- Michael,
I'm not happy
sitting beside her on the bench.
After all, it's miss Crichton's scene,
I think I'm too dominant here.
Well, move if you want to, but where?
There, on the stool, with
my back to the audience.
All I am is a feed in this scene
and it-- it
feels wrong
to be on equal footing
with miss Crichton.
I don't mind, really, miss Lambert.
No, no, no, no,
I'm uncomfortable. It feels ungenerous.
Michael, what if I'm discovered there
when the scene starts?
(Julia) I could sit facing the swing.
Then I don't have to move.
I can stay here
right until miss Crichton's exit.
(Julia) to thunderous
applause, I've no doubt. Hmm?
Well, I'm-- I'm quite
happy to try it.
Go from the top.
[Singing]
(Julia) How was your
interview with sir Philip?
[Laughs]
Oh!
It was like a scene out of dickens.
[Gasps] He had
the most dread--
You see? It's much better
with me here, isn't it?
Well, yes, it is,
as long as you don't mind being
stuck down there for 10 minutes.
Mind? Why should I mind? I suggested it.
(Stagehand) Lower. Lower.
That's right.
[Singing]
[Exclaims]
It was like a scene out of dickens.
[Gasps]
He had the most dreadful cold.
(Avice) So I said,
"Should I come back another time?
And he said:
[Laughs]
[Nasalized] "No, no, no, no, no, no."
[All chattering]
(Michael) Thank you,
and then give me all
the light you've got.
Can't do comedy in the dark.
Dolly, darling.
(Dolly) How's it all going?
Splendid. How was--
how was France?
Splendid. How's Julia?
Splendid. And the new girl?
- We're ready, Mr. Gosselyn.
- Thank you, Mr. Turnbull.
Dolly, have a seat.
(Turnbull) Thank you, uh, miss Lambert,
Mr. Dexter, miss Crichton on the stage.
(Turnbull) Hold the banging.
(Julia) Michael.
I say, that's awfully plain, Julia.
Precisely. But I want it for 2 reasons.
Firstly, it's awfully
good for the quick change,
just hooks up the back.
Second, I simply don't want in any way
to distract from miss Crichton.
(Michael) All right. Happy, Archie?
Trousers need shortening a bit,
but that's all.
And miss Crichton?
I don't think it fits her properly.
Especially at the waist.
And she's got such a pretty figure,
in at least half an inch.
I don't like it.
Julia's being far too angelic.
["Bei mir bist du schon" by
Andrews Sisters playing]
Of all the boys I've
known, and I've known some
until I first met you I was lonesome
and when you came in sight, dear
old world seemed new to me
you're really swell I have to admit
you deserve expressions
that really fit you.
' "Nowadays" from J. L.'
and the date. Very nice.
Here's the list. Can
you wrap each separately
and have them sent round to the theatre
no later than 5:
00 this evening?Of course, miss Lambert.
I'm so looking forward
to seeing the play.
(Salesman) It will
make a beautiful gift.
Yeah.
T- O-M.
Julia.
Are you getting engaged to Avice?
Oh, this. Oh, no. No,
it's a first-night gift.
She doesn't want to get engaged.
Wants her freedom.
Doesn't want anything to
interfere with her career.
Her what?
Oh, yes, I-- I
see what you mean.
I'm going to be there tonight.
Michael's given me a box.
(Salesman) Will that be all, sir?
Yes.
At your place. For old times' sake.
Why not?
- Give Avice this.
- Hmm?
It may bring her luck.
[Door closing]
[People chattering]
[Car honking]
(Chamberlain) I have in my
hand, this piece of paper
signed by me, Herr
Hitler, and Benito Macaroni
in Munich.
It is for peace in our time.
However, if there is a war,
then their majesties, the king and queen
Elizabeth and Margaret rose
and me and the entire cabinet
will set sail immediately for Canada!
You will stay here!
[Laughs]
Break a leg.
(Michael) you're going
to be a sensation.
Terribly sorry.
[Laughing]
[All laughing]
Same from me, Julia.
And you're coming to the
party tonight, aren't you?
Of course, wouldn't
miss it. Thank you both.
Yes.
You don't have a whisky handy?
No, no, no, not here. I've
got all that set up in the bar.
Darling, we'll see you later.
Dolly, I'll do the other dressing
rooms and I'll see you in the foyer.
Uh, bring our distinguished
author with you, will you?
(Dolly) Yes, of course.
(Gibbs) Are-- are
we leaving?
Half an hour, miss Lambert.
[Both exclaiming]
So-- so-- so sorry.
[Laughing]
(Call boy) hello, Mr. Dexter.
[Knocking on door]
(Michael) It's me.
[Door closes]
[Knocking]
(Call boy) Half an hour
please, miss Crichton.
Oh, Michael.
Thank you for everything, Michael.
Here's your first-night present.
I'm putting you under contract.
[Gasping]
- Oh, Michael!
- Here it is.
Sign on the front.
Here you are.
Oh, thank you.
[People chattering]
Good evening, Mrs. De Vries.
[All chattering]
Good evening, Roger.
Charles.
Aunt Dolly.
Sweetheart, don't call me aunty.
Oh, yes.
I'm nervous. I'm going to get a drink.
It's that way. It's that way.
Join us upstairs. Got your ticket?
[Audience chattering]
(Michael) The first stage, come on.
(Usher) Sir.
(Michael) Thank you.
No, no, no, no, no, no.
[Door thudding]
(Julia) He did have the
most beautiful appearance.
[Audience applauding]
No, no, no, no, no, no. no, no, no.
No, that one, you silly cow. Quickly.
What are you up to?
[Objects thudding]
Well, give it.
[Audience applauding]
[Applause stops]
[Avice singing]
How was your interview with sir Philip?
[Exclaiming]
It was like a scene out of dickens.
[Gasps]
He had the most dreadful cold.
He was in-- in
bed, inhaling.
So I--
so I said,
"Should I come back another time?"
And he said:
[Julia laughing]
(Avice) "No, no."
[Audience laughing]
(Julia) I used to do that as a child.
I was very prone to colds.
In my nose. I sneezed a good deal.
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