Blank Check Page #2

Synopsis: After committing check fraud, Preston Waters begins to live out his 12 year old fantasies by spending a million dollars in six days. But when it came to being an adult, he quickly realized that he didn't quite fit the bill. Miguel Ferrer and Brian Bonsall star in this 1994 kid classic that will leave you asking the question "why didn't this kid get grounded?"
Genre: Comedy, Crime, Family
Director(s): Rupert Wainwright
Production: Buena Vista
 
IMDB:
5.2
Rotten Tomatoes:
11%
PG
Year:
1994
93 min
2,021 Views


Let's call it 1:
00.

Come on. Walk me out.|Show a little respect.

Whoa.

I know how you feel.

- Hi.|- Hi. Can you see okay?

Oh, yeah.|Oh, yeah, sure.

I would like to open|an account, please.

Eleven dollars.

Do you have any other money|you'd like to deposit, Mr Waters?

Oh, uh, I could,

but it's sort of hard to save|around my house; that's why I'm here.

I'm afraid we have|a minimum balance. It's $200.

Two hundred dollars?

That could take|a million years.

Well, whenever you're ready,|please come back and see me.

My name's Shay Stanley.

- Ask for me.|- Okay, I'll do that.

- Thanks.|- Bye-bye.

- I-I'll see you next time.|- I hope it's not in a million years.

B-Bye-bye.

[Biderman]|Excuse me. Carl, Carl!

Here. You can use these cheques.|They're temporary.

- Thank you, Edward.|- Like our relationship.

- Sucker!|- Give me that!

- [Laughing]|- Give it to me!

Butch, give it to me!

- Preston, come on!|- Butch!

- Give it back! Whoa!|- If you can catch me!

Come on, Butch!

[Control Panel Dings, Engine Revs]

[Preston Screams]

- [Screaming]|- [Tyres Screeching]

Perfect.

What the hell do you|think you're doing?

L... l...

- Huh?|- [Butch] I saw the whole thing.

- I can be a witness|if the price is decent.|- Get outta here.

He's perfectly all right,|aren't you? Aren't you?

- Yes.|- Good. Get that thing out|from underneath my car.

What about my bike?

- Kid, was I the one that parked there...|- Oh, my word!

- Are you all right?|- He's fine. It was just|a little accident. He's okay.

- I think this guy's been drinking vodka.|- I have not been drink...

[Laughs] I don't drink at all.|Seriously, seriously.

Kid, talk to me.|How much you want for the bike?

- A thousand bucks.|- I'm not talking to you!

Bye, kid.|Go on. Walk away.

What do you want, kid?|Name a figure, we'll discuss it.

Give this to your dad. He'll know|what to do with it. I gotta go.

[Tyres Screeching]

[Tyre Squeaking]

Oh, man.

I thought we understood about|taking care of our valuables.

Valuable?|It was a piece of junk.

If that's how you feel|about a gift from your parents,

I don't see giving you|a new one for your birthday.

I don't want a new bike.|I want my own room.

I'm warning you. You're on thin ice|as it is about the bike.

You know what I want?

What I want|is my own house.

My rules, my money.

Listen, young man,|until further notice, you're grounded.

What'd I do wrong?

[Sighs]|Fred.

Hmm.

It's a blank cheque.

"[Computer Start-Up Tone]

Preston Waters.

Two hundred.

Hmm.

A thousand.

Hmm.

One million dollars.

Cash.

Whoa!

One million dollars.

[Electronic Zooming]

Hey, sonny.

Cashin' a big one today?

Uh, sort of.

Yoo-hoo.|Over here, young man.

- Well?|- I-I-I'd like to...

cash this cheque, please.

Oh, a comedian.|[Laughing]

- N-No, ma'am.|- Okay, then we better take it|to Mr Biderman. Come on!

- [Ticking]|- [Door Opening]

Excuse me, Mr Biderman.|We have a little problem here.

What is it, Mrs Udowitz?

- Someone thinks this is|some kind of game.|- What?

Let me see that.

I see.

Is there much of a line|out there, Mrs Udowitz?

- Yes, we're swamped.|- Then what are you doing here?

Please.

[Door Closes]

- Juice?|- No, thanks, I'm not thirsty.

Not thirsty.

Mr Quigley give you|this cheque?

He did.

He did.

How did you|run into Mr Quigley?

I didn't.|He ran into me.

Aha.

[Snickering]

[Laughing]|Brilliant. Brilliant!

- [Groans]|- I suppose you want big bills.

Actually, regular size|would be okay.

Regular.|Hmm.

That's cute.

Put your backpack|on the table.

Hey, hey.

I assume you know|what to do with this.

- Uh-huh. Yeah.|- Uh-huh.

Next!

Look here, sweetheart.|Mmm, you're lookin' kind of good there.

You got your pearls|and everything on.

Hate for something|to have to happen to 'em.

Look here,|my name is Juice...

and I got something right here,|and I wondered...

if you'd be so kind enough|as to cash it for me.

What do you want?|A million bucks?

Well, as a matter of fact,|I do.

[Sighs]|Go see Biderman.

Mm-mm.|Oh, my goodness gracious.

Here we go.|Here we go.

You tell Mr Quigley that|he hasn't lost his touch.

- Uh-huh.|- All right. You can go now.

Hey, kid!

- Stay away from the racetrack.|- Yes, sir.

Good one, man.|Looking good.

Mmm. Oh!|Excuse me, sweetie.

[Gasps]

- What's wrong with you, little boy?|- [Preston] I'm sorry.

Don't be messin' up a view|as good as all that.

- I-I'm sorry.|- What you doin'|out of school anyway, huh?

You know you oughta|be in school.

Go on and get up outta here|before I start to get upset.

Hurry up.

How, uh...|How may I help you, sir?

I'm big Juice, man.|Quigley sent me.

Everything is fine.

- Not to worry.|- Uh-huh.

Yeah!

- The Eagle has landed.|- Hmm?

The horse is in the barn.

The chicken...|is in the pot.

Look here, man, I don't know nothin'|about no eagles landin' and all of that.

I don't know nothin'|about no horse runnin' through the barn.

And I certainly don't know nothin'|about no... chickens bein' in the pot.

You understand?

But if you do me a favour...

as to be so kind as to cash|this cheque right there,

- I could be on my way.|- Wait.

- Quigley sent you?|- That's right.

- What about the kid?|- What kid? Man...

The kid! The kid|with the backpack!

Look here, man.|I'm tired of tellin' you this.

But if you don't give me|the money for that cheque,

I guarantee there's a bullet|with your name on it in this chamber.

[Moaning]|The kid with the backpack.

The kid with the backpack!|The backpack!

The backpack!|Sh*t! Oh, my god!

[Quigley]|150 grand, cash.

- It's my last offer, guys.|- [Woman] You're our Realtor.

You tell us. This offer is so|much less than our asking price.

Well, Mrs Appleton,|it really is a buyer's market.

Do you mind if we take a minute|to think about it?

Listen, I got all the time|in the world, sweetheart.

Too bad I can't say|the same for you two.

Applesauce, what's|with the long face, my man?

I bought your pad. You've got some cash.|It's a beautiful thing.

Su casa is soon to be mi casa.|You know what I'm saying?

- Groovin' thing, man.|- Yeah, well...

[Dial Tone]

- " [Start-Up Tone]|- [Sighs]

[Phone Ringing]

- Hello.|- [Computer] Good afternoon.

...your house.|- [Computer Beeps]

I'd like to make|a cash offer on your house.

Someone else|wants to make an offer.

What?|On this dump?

- Uh, hello, sir. Can you hear me?|- Who is this yo-yo?

[Typing]

- [Computer] One-sixty.|- What kind of hustle is this?

And what's with|your voice, pal?

Sore throat-itis.|[Computer Coughs]

Yeah. I'll tell you what. One-seventy|right now, cash, and I walk away.

- You take it or leave it right now.|- Ask the box.

One-eighty,|plus closing costs.

- One-eighty,|- [Preston] Top that, sucker.

Plus closing costs.

- One-ninety, darlin'. Top that.|- Preston, honey?

I have a few errands to run.|I'll be back by 2:00.

Okay. Bye, Mom.

- [Computer] Two hundred.|- Two-ten.

- Just to be safe, make that 3:00.|- [Laughs]

- Three hundred?|- Ma, you're killin' me on this deal.

Rate this script:0.0 / 0 votes

Blake Snyder

Blake Snyder (October 3, 1957 – August 4, 2009) was an American screenwriter, consultant, author and educator based in Los Angeles who, through his Save The Cat trilogy of books on screenwriting and story structures, became one of the most popular writing mentors in the film industry. Snyder led international seminars and workshops for writers in various disciplines, as well as consultation sessions for some of Hollywood's largest studios. Snyder died unexpectedly August 4, 2009, of what was characterized as either a pulmonary embolism or cardiac arrest, with a public memorial being held at the Writers Guild of America, West on September 29, 2009. more…

All Blake Snyder scripts | Blake Snyder Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Blank Check" Scripts.com. STANDS4 LLC, 2024. Web. 4 Jul 2024. <https://www.scripts.com/script/blank_check_4242>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Blank Check

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "denouement" in screenwriting?
    A The final resolution of the story
    B The opening scene of the story
    C The rising action of the story
    D The climax of the story