Boo 2! A Madea Halloween Page #7

Synopsis: Madea, Bam, and Hattie venture to a haunted campground and the group must run for their lives when monsters, goblins, and the boogeyman are unleashed.
Genre: Comedy, Horror
Director(s): Tyler Perry
Production: Lionsgate
  1 win & 2 nominations.
 
IMDB:
3.6
Metacritic:
17
Rotten Tomatoes:
6%
PG-13
Year:
2017
101 min
$46,649,659
Website
3,711 Views


- Yeah, I know. It's all right.

This little thing right here. How about that?

- This party:
Rockin'.

- Yeah.

But the weak ones are about to leave

because they're scared of

the sheriff comin' out here.

Wait, we're not even supposed to be here?

Oh, come on!

This is an underground party, baby.

Well, the music is pretty loud.

Well, we're a long way from town.

[LAUGHING]

Damn, habibi, you look good!

- Thank you, thank you.

- [DINO] All right, all right.

Abe Lincoln, shots to the dome.

Who's doin' 'em?

Uh, no, no, no. I don't do shots, okay?

I'm a Christian.

Well, you know, Jesus,

he turned water into wine, right?

Don't you dare bring Jesus into this.

We should all bring Jesus into our hearts.

- [LEAH] That's true.

- Hey, ladies.

Hi, Horse. Do you remember me?

Of course I remember you.

What's goin' on?

You tell me.

Well, the DJ's killin' it.

Let's go get a drink.

Yeah, but we're outta ice.

I'll take care of that. Hey, yo, pledgee!

Can you get us some ice?

- Yes, sir.

- [LAUGHING]

See, I did that.

[LAUGHING] Let's go.

[GULF COAST BALLA, "WERK" PLAYING]

# Work, you better work, you better work #

# Why you think you got high? You better #

# Work, you better work #

I'm tired of gettin' ice, man.

Need to get their own damn ice.

[SCREAMING]

[CHAINSAWS WHIRRING]

[SCREAMS]

# Kill it, zip it, flip it #

# Can't nobody beat us, hey #

[SONG STOPS]

Is it me?

It's always you.

[JOE] No. It seems like we've been

in this car for a long time.

Is it me or we going a long way?

Joe, you're right.

We have been in this car a long time.

- Right.

- [BAM] Mabel...

Why are we not goin' home?

How you know this ain't the way home?

Mabel, this ain't the way to the house.

No, we ain't goin' home.

We goin' up there to Lake Derrick

to look after that little girl.

- What?

- [HATTIE] The hell you be...

Yes, we are.

What the hell we goin' up there for?

Madea, why?

So we can go get that girl.

- [BAM] What?

- Yes, we goin' to get her.

- What the hell?

- [BAM] Mabel.

She shouldn't have lied to her daddy.

She might be up there

in trouble or somethin'.

Look here.

Her daddy didn't care if she was goin'.

I don't give a damn if she goin'.

Put this chick in reverse.

Let's go back to the house.

Joe, shut your mouth. We goin'.

Mabel, people got dead up there for real.

This ain't like that last time

when we was playin' around.

That man named Derrick,

Mabel, he killed all them children up there

for trespassing on his land.

We can't go up there.

Please don't forget about Mr. Wilson.

You know Mr. Wilson up there

done killed all them children.

He dangerous.

I sure hope Wilson is there,

so he can take your ass away.

Hattie, shut up.

There ain't no Wilson up there.

They were playin' around with you.

Right.

And why you gotta sit so damn close to me?

Ma, you let me out this dang car

right now, and I mean it.

You sure you wanna get out right now?

- Let me out right now!

- Okay.

[JOE] Get on out.

[HATTIE] I "shanged" my mind.

I don't wanna go out there.

You did what?

I "shanged" my mind.

What the hell is she saying?

She's "shanged" her mind?

Changed her mind.

[JOE] Say "changed your mind."

And girl, put your teeth in.

You ain't goin' to work tonight.

[HATTIE] I ain't goin' out there

with them woods and things.

You know I don't like the woods

and things out there.

You don't like woods,

but I sure love a nice bush.

Then sit there and shut the hell up, Hattie.

- Mabel...

- What?

Why you didn't go up here by yourself?

Yeah, Ma, go on, answer that.

- Go ahead, Ma.

- Shut up.

Y'all was in my car, that's why.

I didn't wanna drop y'all off at home

and then come up here by myself.

So I had all y'all to ride with me.

That is a lie. Mabel, you scared.

- Sure are.

- I ain't scared of nothin', okay?

Mabel, you are scared.

You know you are scared.

If Brian don't wanna

look after his own child,

then we gonna have to look out after her.

Bruh, you better take me home.

And me too.

You know when them children

be having parties,

they have all kind of drugs up here.

[MADEA] That's right.

That's why we need to go up there.

This girl might be out there

strung out on that Ever C.

Hold the hell on. Hold the hell on.

Y'all say somethin' about drugs?

Yeah, they be havin' all kind

of drugs up there, Joe.

Wait, we goin' where the drugs at?

- All kinds of good things.

- Come on, let's ride.

What the hell are you slowin' down for?

Speed up! Let's hurry up and get there, girl.

Yeah, hurry up and get over there

before all the good-good is gone.

I don't know why everyone

thinks this place is so creepy.

I think it's kind of romantic.

Romantic?

[TIFFANY] Yeah.

You're kind of out there, aren't you?

- I can be.

- [JONATHAN LAUGHS]

- Hey...

- Back up, frat.

This one here belongs to me.

Hey, relax. She does not belong to anyone.

[LAUGHING]

She's jealous. You see that?

Hey, you don't gotta be jealous.

You got Dino.

- That's capital D, capital [SING-SONG] O!

- [CHUCKLES]

[MOCKINGLY] Oh... No.

Not interested, thanks.

Does she ever stop dancing?

No, clearly not.

Guys, get up. Let's dance.

There's no music.

So what?

Okay, I really think we need to leave.

Whoa, whoa, whoa. Wait, why?

You leaving, Panda?

- Yeah.

- All right, then. I'll see you.

- Have a good one.

- Yeah.

Bye.

That is like the 20th couple

I've seen leave tonight.

- We need to get outta here.

- [JONATHAN] So? We're not scared!

We're gonna ride this out through the night!

- [WHOOPS]

- I heard that.

No one is riding anything, okay?

We gotta get outta here.

Why is everybody leaving?

This happens all the time. People get scared.

They got curfews and their parents.

And you know what? It's usually the girls.

Yeah, but don't worry. We're here for you.

[JONATHAN] We work out,

like, three times a week.

We can protect [SING-SONG] you!

Yeah, and if there's no DJ, I'm here.

All right? I got my eye on you.

And I'm gonna get your number

before you leave.

- No.

- [HORSE] You're pretty sexy.

We can make our own music.

I don't care.

All right, well, come sit down, then.

[GABRIELLA] She's annihilated.

How much have you drank, Leah?

Not enough.

Speakin' of that...

- Where's the ice?

- Yeah.

[DINO] Yeah, where the hell is Kevin?

I sent him for ice, like, a while ago.

All right, Dino, go check.

Hey, Horse, find Kevin.

I sent him for ice, like, a while ago.

What? He just told you to do that.

Yeah, and I told you.

It's like telephone. Like, pick it up.

"Hello, Horse, go get the ice."

Fine.

But only if you come with me.

Giddy-up, Horsey.

Attaboy.

[JONATHAN] How many girls is he talking to?

I know. He's talking to two

at once right now.

All right.

Looks like there's only one

thing left for us to do.

Oh, yeah? What's that?

Two words.

What?

Bang.

[LAUGHING]

- That's not funny. You're disgusting.

- Listen...

Look, look, you got them two.

You got Jonathan and Tiffany.

Then do the numbers,

Rate this script:3.1 / 16 votes

Tyler Perry

Tyler Perry (born Emmitt Perry Jr.; September 13, 1969) is an American actor, playwright, and filmmaker. In 2011, Forbes listed him as the highest paid man in entertainment, earning $130 million USD between May 2010 and 2011.Perry created and performs the Madea character, a tough elderly black woman. Perry's films vary in style from orthodox filmmaking techniques to filmed productions of live stage plays. Perry is estimated to have earned around US$75 million by 2008. Many of Perry's stage-play films have been subsequently adapted as films. Perry wrote and produced many stage plays during the 1990s and early 2000s. Perry has developed several television series, most notably Tyler Perry's House of Payne, which ran for eight seasons on TBS from June 21, 2006, to August 10, 2012. On October 2, 2012, Perry struck an exclusive multi-year partnership with Oprah Winfrey and her Oprah Winfrey Network. The partnership was largely for the sake of bringing scripted television to the OWN, based on Perry's previous success in this area. Perry has created multiple scripted series for the network, The Haves and the Have Nots being its most successful. The Haves and the Have Nots has given OWN its highest ratings to date as of 2014, with the series also referred to as "one of OWN's biggest success stories with its weekly dose of soapy fun, filled with the typical betrayals, affairs, and manipulations." more…

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Submitted on August 05, 2018

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