Bringing Down the House Page #2

Synopsis: Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client.
Genre: Comedy
Director(s): Adam Shankman
Production: Touchstone Pictures
  4 wins & 13 nominations.
 
IMDB:
5.6
Metacritic:
39
Rotten Tomatoes:
34%
PG-13
Year:
2003
105 min
Website
2,912 Views


and trust me,|you are not in it.

Move, move, move.|Let me do it.

See?

There I am.

Sorry you got it|twisted, dog.

I don't get a lot of|photo ops where I been.

Where exactly have you been?

I got a rumble in the jungle.|We still having dinner or what?

I asked you a question.

Rolex.

Rolex?

I did time, baby,|but I ain't do the crime.

You're a convict?

Bump that.

Shoot,|Roscoe cracked that door.

I kicked it off the heezy|and bounced.

For real, though.

What did you just say?

What, don't you hear good?

All right.

Let's see.|How can I put this?

I was recently liberated|from a correctional facility...

All right. I get it.

You're in the big house, and|you get someone to type for you,

and you get on the Internet,|and you misrepresent yourself.

It happens, and I'm a sucker,

but now you have to go,|because this is over.

Unh-unh. No, no, no.

Biscuit,|you misrepresented yourself.

Boyishly light... please.

Gray.

You said you was|a criminal lawyer.

I pulled your file.

You're just some sorry-ass|tax attorney.

A tax lawyer is|a criminal lawyer.

Oh, yeah?

Well, good,|'cause that's why I'm here.

Well, do tell.

Well,|I want to reopen my case.

And what did you do, smoke|some homies on a drive-by?

Smoke? Homies?

Well, you a regular|gangster, huh?

No, man. I was in for armed|robbery, but I didn't do it.

Yeah, nobody did it.

I can't be having|this conversation

because you're a criminal-type.

If I was a criminal,|I would have shanked you

when I had|that knife in my hand.

The fact that you even said that|is a problem for me.

- But I didn't think that.|- It's just time to go.

Please, just listen to me.|Just give me one second.

No, I don't have a second.

Okay, can I just|say something, please?

What?

I didn't do the crime.

You rude mother...

I ain't goin'.

It's your baby,|Peter, and don't you deny it!

That DNA test told on you!

You lie, Peter!

You know lil' Kareem is yours!

Why?!

How you gonna do me|like that, Peter?!

You told me I was your|beautiful African Queen.

And I loved you|for that, Peter!

I didn't care if your|little thing was curved.

And lil' Kareem don't want|your child support.

He just want a relationship|with his white daddy.

A little|chocolate/vanilla swirl

from that magical night|at the crackhouse.

Oh!

Come on.|Just be quiet!

Wait just a second.|My shoes.

- Mr. Sanderson?|- Whoa!

Is everything okay?

I thought I heard Negro.

- No. No Negro spoken here.

Oh.

Well... good night, then.

Oh, uh...

good night.

Come on!

Come on, come on!

You stay. You stay.|You wait right there.

Who you callin'?

- The police.

Police department.|Sergeant Panella. Please hold.

What's that?

It's all of our e-mails.

You think anybody at Tobias,|Kline, and Barnes

would be interested|in hearing

about you looking for Boom-boom|in the federal pen?

And I'll send a photo.

Thanks for holding.|Can I help you?

Now, this is just|for tonight, understand?

A'ight.

I can work with this.

But, uh, look,|don't be gettin' no ideas

about sneakin' up in here|and hittin' this ass,

'cause you blew your chance|with this fine sister.

Dare to dream.

Please.

Oh, my God! A bed!

Oh, a nice, big, cushy bed.

Ohh, no roommates,|no cellmates.

Charlene?

Charlene.

Charlene! Come on,|you're not fooling anybody.

Who that? Who there?

Who want it with Lene?

I put some bagels outside.

I thought|we could discuss your case.

Ahh!

What up, dog?|Where 'em bagels at?

Hey, guess what, girlfriend?|Your game is up.

Because I burned|all those e-mails,

including the second set hidden|in the lining of your coat.

And I deleted everything|off my computer.

So I never met you,|and you never met me.

Don't even try, girlfriend,|because it's locked.

And now I am going to go|get my kids,

as in innocent young persons

who will never even know|you were here.

So now just go.

Go, go, go, go,|go, go, go, go!

And locky locky!

So ta-ta.

And watch out.|The gate closes automatically.

Well, what about my stuff?

Oh, it's right there|on the street.

You put my stuff|on the trash?

Oh Well, you know what?

I wish you well.|I really do.

And you know what?|I had a great, great time.

It was really fun.

So, oh, well.

I guess I'll just see you|in my next life.

Bye!

I'll see you|when you get home.

So I said to him,

"Just 'cause you whisked me|to Paris on your private jet

doesn't mean|I'm gonna sleep with you."

What does he think I am?|A hooker?

Can Aunt Ashley|edit herself, please?

You stayed in|the same room with him.

What did you expect?

Hello. It was a suite...|plenty of floor space.

Sweetiepie, have a wonderful|time. I love you.

Please be good to your brother|and help him with his reading.

- I will.|- Thank you.

Is he still having problems?

Oh, he struggles every day,|but he's improving.

- Dad's here.

Thank you, sweetiepie.

Don't worry, sweetie.

Daddy's stupid, too,|and he became a lawyer.

Ashley!

I'm not stupid.

- That's right.|- No, no, no. Of course not.

Hey, Dad's here.

Speak of the dummy.

Hey, how's my little girl|doin', huh?

Hi, Dad.

Hey, how's it goin', big guy?

Ahhh, here you go.

Hi, Kate.

Hi.

Oh, Ashley, I didn't realize|you were gonna be here.

What a pleasant surprise.

Peter,|you're almost aging well.

Okay, I thought we'd go down|to the club and take a swim.

Ooh, that sounds|much more fun than Maui.

You know, Ashley,|not all of us earn our living

by milking rich geriatrics|out of their money.

Some of us have to work|for a living.

You sound much more intelligent|with your mouth shut.

Let's not start this.|I don't have time.

Kids, go get your stuff.

All right, fine.

But I warned you

about marrying the first|jerk-off you met out of college.

Now, if you'll excuse me,|I have a date.

Don't be good.

What morgue did you find|this one at?

Stop being so childish.

Hey.

Wow.|You look beautiful.

Thank you.

Uh, hi.

Uh, Peter, this is Glen.

Hey.

Hey, Mr. Sanderson.|Nice to see you.

Yeah, nice to meet you.

Uh, what do you say|we get this road on the show?

Okay.

I will meet you outside.

Okay.

Road on the show.

Just don't.

How old is he?

Younger.

- What does he do?|- Golf instructor.

- How do you know that?|- What?

Well, you think|you know somebody,

and then one day you wake up|in Thailand missing a kidney.

He could have made up|this whole golf identity.

He caddied for you|when he was 14.

That's little Glenny?

Does that bother you?

Not at all.

Go have fun|on your statutory weekend.

This does too bother you.|I know you.

Do you want to talk|about it?

Well, it just looks|a little silly.

- Hang on.

Hello?

Some things never change.

I can't talk right now.

Well, put him on.

Hi.

You promised us|you'd take us snorkeling.

Things come up.|That's life.

I know.|I'm really, really sorry.

But now it's over. It's new.|We're gonna have a lot of fun.

Now, what's new?|What's new with you?

Well, I got the female lead|in the school play "Oklahoma!"

Hey, that's great.|Congratulations.

And how 'bout you, big guy?|How's school?

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Jason Filardi

Jason Filardi is an American screenwriter from Mystic, Connecticut. more…

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Submitted on August 05, 2018

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