Bringing Down the House Page #3

Synopsis: Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client.
Genre: Comedy
Director(s): Adam Shankman
Production: Touchstone Pictures
  4 wins & 13 nominations.
 
IMDB:
5.6
Metacritic:
39
Rotten Tomatoes:
34%
PG-13
Year:
2003
105 min
Website
3,091 Views


I don't like school.

Well, nobody likes school,

but there must be something|you like about it.

He got into a fight|the other day.

Why?|Why'd you get in a fight?

Some kids called me a baby|'cause of the way I read.

Some of the greatest minds of|all time had trouble learning,

like Edgar Allan Poe|and Albert Einstein

and, uh, Ozzy Osbourne.

Ozzy rules.

Ozzy rules. Okay.

Dad, what's goin' on?

You two wait here.|I'll be right back.

Hey!

Whoa, whoa. Where you think|you're goin', milk?

This here's|a charitable event.

You wants to get in,|you gots to make a donation.

Trust me, it is|off the hook in there.

Off the what?|I live here.

I don't care|if you're Halle Berry, man.

No donation, no entry.

How 'bout|if I call the police?

Have a nice time.

Oh, yeah.

Yeah, baby, show me.

Hey! What the hell|is going on here?

Oh, yo, P., it's cool.

See, I hit up my homegirl

'cause I had to get my hair|done, as we both know.

And then she called a friend.|They holler to other friends.

Before you know it,|we got us a house par-ty.

I want everyone|out of here now!

People!

People!

Loosen your panties, Grandma.

Look, you lock me out,|no money, no place to go.

I mean, a girl got to get|her cheese on.

- Seven.

This is insane!

My boss' sister lives|across the street.

I can't have all these peop...

Hey!

Give me a hard seven, baby.

Hey, hey, hey, hey.

She doesn't even have|her driver's permit.

Dad.

Do not go...

Roll! Uh!

Come on.

Don't inhale.

All right, now. Go on|and toss them bones, lil' man.

Hey! Give me...

I'm on a roll, Dad.

- Get out.

I want you and your dogs|to go back to the pound now.

What?

Well, it was the dogs?

Because she said dogs,|and then I said dogs,

so I assumed|that would be okay.

Huh?

- Whoo!

Tsk.

Ohh.

Bye, Tamika.|Y'all be good, now.

Bye.

Hey, hey.|Y'all got to go.

- A'ight.|- That's a'ight.

Hey, baby, gonna go.

Oh, bye, Bear.|Thank you so much.

Party's over.|Okay. Thanks for coming.

But that's it. It's over.

If I see Widow around,|I'm gonna tell him you're out.

You know|he wants to know that.

I don't know about that.|I'll see you.

- Okay. Bye, baby.|- Bye-bye.

It's like this.

Hey.

- How you doin', neighbor?|- What's up?

What are you still doing here?

- What was all that, Dad?|- Dad, who's this?

This is no one.

Tsk! What's up, lil' Romeo?

My name is Charlene.|What's your name?

I'm Georgey.

You cannot meet|a nonexistent person.

Can Charlene come to the club?

Club? What club?

We're not going to a club,|remember?

We're going to Hawaii,|remember?

Okay, you know the routine.|Outski!

- Out! Let's go.|- Come on, man!

Sarah, get the door.|Come on. Out.

Out, out, out!

- Wait!|- What?

Give me my money, lil' boy.

That money should go|to charity!

Ohh!

What did...

Hey, I live here.

Yeah!

What?

Okay, you guys.

You know, you order hot dogs,|and you splash and frolic

and just put everything on|my account and just have fun.

Didn't you bring|your bathing suit?

Oh, no.|I'm having tea with a client.

But I will be right back.

Whatever you say.

Want to go swimming?

With you?

Forget you.

Ow!

How's it looking?

Well, I was up all night|proofing.

It's absolutely brilliant.

And you've got the cleanest|background check I've ever seen.

That background check|cost me a lot of fun in my life.

- I don't know, honey.

Don't say anything.|She could hear you.

What's crackin', ma?

I'm lookin'|for the Sanderson table.

We old college buddies.

O-O-Okay.|He's i-in the dining room.

L-I'll show you.

Oh, no, no, no, no, no.

I tell you what...|I'll surprise him.

No, you're in great shape.|I'm gonna take off.

All right, you're right.|Nothing could go wrong.

I've done this a million times|with important clients,

so I'm fine.

- Shazam.|- What?

Oh, no.

Oh, swing it,|you cocoa goddess.

Cocoa Goddess? That's the rude|shock I was telling you about.

That's Charlene?

Did she see me?

Okay, okay, okay, police.

Uh, no.|Won't get here fast enough.

Uh, security.

No, she could probably|take him.

Uh, money.

She'll take money.

Hi, hi. Here, just...|Here's whatever.

And there's more where that came|from if you just leave now.

No. Unh-unh, boyfriend.|We got business.

Boyfriend?

Oh, didn't I tell you?|We're dating now.

It's some kind of street talk.

It's street for|"I'm not going nowhere

until you help my problem|go away."

Look, Mrs. Arness,|a very important client,

is due here any minute.

Good afternoon.

Good afternoon.|Mr. Sanderson?

Oh, yes.|He's in the dining room.

Thank you.

Charlene, how 'bout you and I

havin' a smart cocktail|down by the pool?

Who is this fool?

That's a good idea.|Just put it on my bill.

I don't want no smart cocktail.|I need your help.

Miss.

Another martini.

Oh, hell, no.|I know she ain't talkin' to me.

Ashley,|she doesn't work here.

If she isn't here to work,|then what is she here for?

Oh, hells no, Miss Thing.|You best pump your brakes.

She's my ex-wife's sister.

I would have killed her|myself years ago.

It's Mrs. Arness!

Mmm. Old Iron Ass|be lookin' mean.

Yes. You have to go.

You like raw oysters,|Charlene?

Yeah. I guess|I can hang out for a bit.

They got any hot wings|around here?

All right.|Whatever you want. Yes.

- You give me a place to stay?|- Yes.

- And you work on my case?|- Around the clock.

I'll leave|when you expunge my record.

Consider it expunged.

All right.|I'd like a key, please.

Mr. Sanderson?

Mrs. Arness.

Who is your associate?

This is Howie Rottman,|the attorney I told you about.

A great pleasure|to meet you, Mrs. Arness.

I meant her.

Oh.

Her?

Her?

Her is... her...

She is our... our nanny.

Dad, I'm bored.

Kids, how good to see you.

Don't we just love|our nanny, Charlene?

Uh... um...

Y-yeah.

Don't you just love being|our nanny, Charlene?

Yessir.

Now I'm gonna go on down|to the pool with the child'n.

Maybe we make fun of the white|folks again, huh, kids?

Ooh-hoo!

Oh, the kids just love her.

- What a sense of humor.|- Yeah.

Peter, I'm going to hang|by the pool.

If you need me,|that's where I'll be.

Mrs. Arness.

Uh, right this way,|Mrs. Arness.

Come, William.

You have the papers?

Oh, yes, yes, I do.

Strange clothes for a nanny.

Well, it's a fashion to kids.

- Ow!|- William, mind.

Hello, Sanderson family!

Georgey,|don't forget poker night!

I won't.

How could I forget|poker night?

I propose a toast.

Okay.

To us.

May we always...

- Sorry. It's mine.

Oh, you're not gonna|answer that, are you?

Well, it might be...|might be one of my kids.

Just one minute.

Sorry.

Hello?

Hey, it's me.

Oh, hi, Ashley.|Everything okay?

I don't know.

I saw Peter hanging out|at the club today.

He was mingling with|a large black woman.

What? What are you|talking about?

He said it was his nanny.

She didn't look like any nanny|I'd ever seen.

She was all...|tattooed and welfarish.

- It was...

Oh, is that funny to you?|Is that funny?

Am I funny to you?

No, no.|That's not funny.

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Jason Filardi

Jason Filardi is an American screenwriter from Mystic, Connecticut. more…

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Submitted on August 05, 2018

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