Carnal Knowledge Page #7

Synopsis: The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in relation to the respective women who end up in their lives. Their story begins in the late 1940s when they are roommates attending Amherst College together. Both virgins, they discuss the type of woman they would each like to end up with. Sandy, the more sensitive of the two, meets Susan at a mixer, she who he believes is going to be the one to who he will lose his virginity. Sandy goes through the process methodically, taking into account what he thinks Susan wants, but without much true passion or romance. Jonathan, the more sexually aggressive of the two, ends up losing his virginity first to "Myrtle", who ends up being a steady but hidden girlfriend. Based on what each knows of the other's relationship, both Jonathan and Sandy strive for a little more of what the other has. These relationships also set
Genre: Drama
Director(s): Mike Nichols
Production: Twentieth Century Fox Home Entertainment
  Nominated for 1 Oscar. Another 2 wins & 4 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
89%
R
Year:
1971
98 min
1,045 Views


Here's a 16-year-old

I gave 20 bucks to

one night in the village

when I was drunk.

Maybe you

know her, Jennifer.

She gave me a dose.

( imitating Porky Pig )

Th-th-th-that's all, folks.

What are

you crying for?

It's not

a Lassie movie.

Sorry about that.

Or something.

So, what else is new?

To tell you the truth,

I don't see

anybody anymore.

Neither do we.

Well, you've

got each other.

I thought she was

your daughter

when you first

came in.

In a lot of ways,

she's older

than I am.

Yeah.

She knows worlds

I can't even begin

to touch yet.

Sandy, please.

I found out

who I am.

You're in big trouble.

Same old Jonathan.

Indubitably.

Let me talk to her

about you, John.

Talk to her about me?

I'm 40, she's nine.

You just don't

get it, do you?

Oh, I get it,

all right.

I've been getting it

for a long time.

What's the point?

Sandy, you found

a good piece of ass.

God bless you.

You're my friend,

I'm happy for you.

As long as it lasts,

I'm happy for you.

You deserve to be happy.

I mean it.

Why fight? Okay?

All those games.

Jesus Christ!

You don't need those

games, Jonathan.

I know. I've played

more games than anyone.

The obedient son game.

The bright student game.

- The cocksman's game.

- Some cocksman.

The respectable

husband game.

The good father game.

- The specialist game.

- Good father?

Games don't

impress Jennifer.

Just life, just love.

Yeah, well,

I don't want

to argue

with you, Sandy.

So let's just agree

to disagree, okay?

Don't make me mad, okay?

Jennifer knows

more at 18

than Susan knows

to this day.

You found yourself

a real jewel, okay?

She's my love teacher.

Finally got it

up, huh?

You give off

such bad vibrations.

Bad vibrations?

Sandy, I love you,

but you're a schmuck.

You were always

young, Sandy, open.

You were schmucky

a lot of the time,

but maybe schmuckiness

is what you need

to stay young

and open.

Listen...

don't listen to me.

You're doing great,

and I'm making money.

You can find what

I found, Jonathan.

Don't make me

insult you.

Women...

All ball-busters, right?

You know it.

When you think of

some of the things

he has to dip into,

any guy with a conscience

has a right to turn soft.

Am I right, Louise?

You're always

right, lover.

I don't think

we're going to have

any trouble tonight.

- You don't?

- No, I don't.

Are you sure?

You wanna bet?

How much?

The sky's the limit.

God damn it!

What did I do?

You're doing it

all wrong.

I'm doing it

like always.

You never said

that before.

- Said what?

- "Sky's the limit."

Sure, I...

Never.

What do I say?

You forgot, didn't you?

A hundred.

I say a hundred.

Okay.

It just came out.

I just want it right,

that's all.

I don't think

we're going to have

any trouble tonight.

- You don't?

- No, I don't.

Are you sure?

You wanna bet?

How much?

A hundred?

You sound pretty sure.

You're a kind of man...

why shouldn't I be sure?

What kind of man am I?

A real man.

A kind man.

I'm not kind.

I don't mean weak kind,

the way so many men are.

I mean the kindness

that comes

from an enormous strength,

from an inner power

so strong that every act,

no matter what,

is more proof

of that power.

That's what

all women resent.

That's why they try

to cut you down.

Because your knowledge

of yourself and them

is so right, so true

that it exposes

the lies which they,

every scheming

one of them, live by.

It takes a true

woman to understand

that the purest

form of love

is to love a man who

denies himself to her.

A man who inspires worship,

because he has

no need for any woman,

because he has himself.

And who is better,

more beautiful,

more powerful,

more perfect.

You're getting hard.

More strong, more masculine,

more extraordinary,

more robust...

It's rising.

It's rising.

More virile,

domineering.

More irresistible...

It's up...

in the air.

( Indian music playing )

( organ playing )

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Jules Feiffer

Jules Ralph Feiffer (born January 26, 1929) is an American syndicated cartoonist and author, who was considered the most widely read satirist in the country. He won the Pulitzer Prize in 1986 as America's leading editorial cartoonist, and in 2004 he was inducted into the Comic Book Hall of Fame. He wrote the animated short Munro, which won an Academy Award for Best Animated Short Film in 1961. The Library of Congress has recognized his "remarkable legacy", from 1946 to the present, as a cartoonist, playwright, screenwriter, adult and children's book author, illustrator, and art instructor.When Feiffer was 17 (in the mid-1940s) he became assistant to cartoonist Will Eisner. There he helped Eisner write and illustrate his comic strips, including The Spirit. He then became a staff cartoonist at The Village Voice beginning in 1956, where he produced the weekly comic strip titled Feiffer until 1997. His cartoons became nationally syndicated in 1959 and then appeared regularly in publications including the Los Angeles Times, the London Observer, The New Yorker, Playboy, Esquire, and The Nation. In 1997 he created the first op-ed page comic strip for the New York Times, which ran monthly until 2000. He has written more than 35 books, plays and screenplays. His first of many collections of satirical cartoons, Sick, Sick, Sick, was published in 1958, and his first novel, Harry, the Rat With Women, in 1963. He wrote The Great Comic Book Heroes in 1965: the first history of the comic-book superheroes of the late 1930s and early 1940s and a tribute to their creators. In 1979 Feiffer created his first graphic novel, Tantrum. By 1993 he began writing and illustrating books aimed at young readers, with several of them winning awards. Feiffer began writing for the theater and film in 1961, with plays including Little Murders (1967), Feiffer's People (1969), and Knock Knock (1976). He wrote the screenplay for Carnal Knowledge (1971), directed by Mike Nichols, and Popeye (1980), directed by Robert Altman. Besides writing, he is currently an instructor with the MFA program at Stony Brook Southampton. more…

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Submitted on August 05, 2018

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    "Carnal Knowledge" Scripts.com. STANDS4 LLC, 2024. Web. 4 Nov. 2024. <https://www.scripts.com/script/carnal_knowledge_5090>.

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