Carry on England Page #4

Synopsis: Captain S. Melly takes over as the new Commanding Officer at an experimental mixed sex air defence base. It's 1940 and England is under heavy bombardment, but the crew seem more interested in each other than the enemy planes above. Captain Melly plans to put a stop to all this, and becomes the target of a campaign to abandon his separatist ideals...
 
IMDB:
3.6
NOT RATED
Year:
1976
89 min
286 Views


Ear muffs? Trophy of war?

Captured from one of them German ATS

during the retreat from Dunkirk, sir.

It says "Made in England".

Atishoo!

Who's that sneezing up in the loft?

- Him, sir.

- It couldn't have been. I've seen you talking.

- Yeah.

- He was talking and then... then he sneezed, sir.

I didn't see him.

No, sir. I would never sneeze

in the presence of an officer.

So, he sort of...

He threw his sneeze up... up into the loft.

- Didn't you, Ready?

- Yes, Sergeant.

- Are you a ventriloquist?

- Oh, no, sir. Church of England.

Do you pursue the ventriloquial art?

- In an amateurish sort of way, yes, sir.

- Do it again.

Er... again.

You mean, you want me to...

throw my voice and sneeze up in the loft again?

- Sir!

- Yes.

- Atishoo!

- I saw your lips move!

- I didn't.

- I did distinctly.

I should give it up, if I were you.

You're not very good at it.

The state of this hut's not very good either.

In fact, it's horrible.

In the time it takes me to shower,

you shower will clean this place up.

I want this floor polished from wall to wall.

Under the beds. Round the stove.

Polish it everywhere!

I want it so that I can see my face in it.

You heard what the officer said! Get on with it!

No. No. No. Something has got to be done.

- I know what he wants.

- What does he want?

He wants us to polish the floor, sarge.

Phoooorrr!

He's in it again.

You...

You... you... aarrgghhhhh!

What has happened?

He went through so fast,

I think he might have been taken short again.

Yes. A nasty friction burn you've got there.

What have you been doing? Arsing about?

A drop of calamine

will soon get to the bottom of this one.

- I will cancel the route march, sir.

- You'll do no such thing!

- No choice, sir. Your uniforms is at the cleaners.

- I know that. Arrghh!

You cannot go on a route march in your

underpants and with a burnt bum to boot.

Get me a battledress, Sergeant Major,

from battalion stores, you fool.

I've already rung the stores

and there's nothing in your size, sir.

This is a bit near the ground, Melly.

Get me a battledress, Sergeant Major.

I don't care how, but get it!

Sir.

What does he expect me to do? Knit him one?

The short arse...

That's it. Short arse.

Little Gunner Shorthouse. Hee-hee hee-hee!

My best battledress, Sergeant Major?

Do not bandy words with me, lovely boy.

Or I will raise my right leg six inches

from the ground,

place my No.10 firmly on the top of your head,

and press you straight through the floorboards!

Nice.

Best walking-out battledress, short arse, please.

What if he wants to go walking out,

Sergeant Major?

Then he will just have to stay in!

Oh, flippin' heck.

Only one man round here allowed to use bad

language, Gunner, and you is looking at him.

Get it out, lovely boy. Get it out.

- Pardon?

- The battledress. Get it out!

Sergeant Major.

I do not know about walking out in it.

It looks like you've been sleeping out in it.

Press it like it's never been worn,

stick three pips on,

bring it over the battery office in ten min-u-ets!

By the way, the whole of the mixed section

will parade at 0900 hours.

You is going walkies.

OFFICERS:
Walkies?

- A route march! Hee-hee hee-hee.

I is looking forward to seeing you off

on them 12 foot-blistering miles.

I cannot wait to wish you luck,

as you wave me goodbye. Hee-hee hee-hee.

12 miles!

So you see, Tilly, I wanted to ask your advice.

I mean, you being a woman and all that.

- Oh, so you've noticed.

- Yes.

- A couple of times.

- Not now, Leonard.

We're on duty.

You see, the little perisher

is going to wear this on the march.

- Him?

- No, no. Not him. Him.

- Captain flippin' S Melly.

- Oh, Smelly himself.

So, with all your knowledge

of erm... sewing and that,

what can we do to sabotage

Shorty's walking-outs?

I don't want anybody sabotaging my walking-out.

A- a-a-a-a!

It's either your walking-outs or our feet.

Well, Till?

(Sighs) I don't know.

I just don't know.

- Built to withstand all the rigours of wars, these.

- But what are we going to do?

Wait a minute...

I'm waiting.

Anti-gas bleach.

- Anti-gas bleach.

- Anti-gas bleach?

Oh, Leonard. Get me some.

Ready, get me some.

- Have you got a match?

- Yeah. Your...

This'll make him hop a bit.

(Able chuckles)

Parade!

Right heel!

(Squeaking)

Parade, ready for route march, sir!

Thank you, Sergeant Major.

Mixed section, move to the left in column abrupt!

Left turn!

By the left, quick march!

Mixed section, halt!

(Squeaking)

What the devil do you think you're doing,

Sergeant Major?

Seeing you off, sir.

Somebody has to hold the fort.

A fort with only a wooden gun...

...doesn't need holding. Fall in at the rear.

With respect, sir.

I cannot do route marches with my feet.

Well, you certainly can't do one without them.

Hee-hee hee-hee.

- Fall in.

- Sir!

(Squeaking)

Mixed section and Sergeant Major...

...quick march!

(Laughter)

(Peals of laughter)

You seems to have come apart at the seams,

sir.

Mixed section, halt!

(Squeaking)

Left turn!

- Sergeant Major!

- Sir!

- Put them all on a charge...

- Hah!

- Every man, jack and woman of 'em!

- Sir!

You is all on a charge!

Er, what is the charge, sir?

Laughing...

on duty!

Left, right! Left, right! Left, right! Left!

Defaulters, halt!

Hats off!

- March them in, Sergeant Major.

- One at a time, sir?

They're all on the same charge.

I'll see them all together.

Sir! Defaulters, opposite sex first.

Single file. Double march!

Left, right! Left, right! Move yourselves!

Left, right! Left, right! Mark time!

Left, right. Left, right. Move yourselves!

Left, right! Left, right!

Halt!

Where are you, sir?

(Gasps) Over here, Sergeant Major.

Can't see you, sir. Raise your hand, sir.

Will you kindly remove your?

I can't. I'm squashed.

Take a deep breath, Ffoukes... Ffoukes Sharpe.

Oh, never mind where I am, Sergeant Major.

Read the charge.

Hargh! Defaulters did, whilst on duty,

indulge in unauthorised laughter

in contravention of King's regulations

and War Office instructions, sir.

(Muffled reply)

I'm sorry, sir. We couldn't er...

We couldn't quite catch that.

Will you kindly remove those things from my?

I said you're all confined to camp for two weeks.

Carry on, Sergeant Major!

Sir! About turn!

Double march! Left, right! Left, right!

Move yourselves! Move yourselves!

Sergeant Major. Shut the door.

That'll teach 'em.

What are you shaking your head for?

- They will not mind being confined to camp, sir.

- Nonsense.

Every soldier minds being confined to camp.

Not when half of 'em is women, sir.

- They is happy here.

- Happy?

It has always been my proud boast, sir,

in all my time as a sergeant major,

in all my camps there has never been

a single sign of happiness... till now.

Why, man? Why?

- This lot have got everything they want here, sir.

- Such as?

A bit of this. A bit of that. A lot of that, actually.

A lot of what?

You know, sir. That.

Rate this script:0.0 / 0 votes

David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

All David Pursall scripts | David Pursall Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Carry on England" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/carry_on_england_5120>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Carry on England

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriter won an Academy Award for "Good Will Hunting"?
    A Quentin Tarantino
    B Eric Roth
    C Steven Zaillian
    D Matt Damon and Ben Affleck