Carry On Sergeant Page #6

Synopsis: Sergeant Grimshaw wants to retire in the flush of success by winning the Star Squad prize with his very last platoon of newly called-up National Servicemen. But what a motley bunch they turn out to be, and it's up to Grimshaw to put the no-hopers through their paces.
Genre: Comedy, War
Director(s): Gerald Thomas
Production: Lionsgate
 
IMDB:
6.3
APPROVED
Year:
1958
84 min
314 Views


I'm ill. I've got to take a pill.

Oh, no, it's not a pill that you need, my darling.

It's me.

Oh, imagine the bliss of having someone

to love you, someone to take care of you.

Please! Someone might hear you.

Oh, let the whole world hear!

But we must give ourselves time

to get to know each other.

Say about um...haIf an hour?

Wh...

- What's your name?

- Oh! Oh, at last!

It's Nora.

- Nora.

- Mm.

Good night! (Whimpers)

Oh, Horace! Come back!

Ah, there's nothing to it.

With his background,

Heywood will be an absolute cakewalk for...

- (Yelps hysterically)

- Hey! That man!

Horace! Horace, come back! Horace!

Well, I'm glad he's useful at something.

Left, right! Party, halt!

- Private Heywood, sir.

- Ah, Heywood.

I've asked Sergeant Grimshawe

to keep an eye on you.

He has, and so have l.

Despite certain unfortunate incidents

in which you were involved, you're here.

Yes, sir. Why, sir?

- Can't you guess?

- I haven't the faintest idea, sir.

Modest. Honest.

I think we're right about this man, Sergeant.

Thank you, sir.

Fill this in, Heywood.

I don't have to, do l, sir?

What? Well, l...

It's not an order, Heywood, but er...surely...

Oh, well, that's all right, then, sir.

I don't want to be an officer, sir.

The principle of heredity shattered. Explain.

Well, sir, what were your father,

grandfather and uncle?

Oh.

Potts, Potts and Potts. Porcelain manufacturers.

- And you're in the army.

- Of course. The army's my whole life.

Principle of heredity shattered, sir. Just like me.

My people are senior officers, sir, but er...

general plus air commodore plus rear admiral

equals me, I'm afraid.

Just an ordinary National Serviceman.

I'm just not a leader of men. Sorry, sir.

Dismissed.

Carry on, Sergeant.

Yes, sir.

Party, left turn. Quick march!

Left, right, left, right, left, right.

- Morning.

- Morning.

- What's wrong?

- Stomach.

- Too often?

- Not enough.

- Number nines.

- Complications.

- Give them time.

- See you tomorrow.

Dismissed.

Button undone.

That man!

- Take your hands out of your pockets!

- l beg your pardon?

Take your hands out of your pockets.

Oh, I'm so sorry, Sergeant.

Get your hair cut in the morning.

(Laughs raucously)

I've seen better.

'Ere, didn't he say pierce the tin?

- I heard what he said!

- On your feet!

Well, there's one job

you couldn't make a mess of, eh?

Well, it's not too bad. Hope for you yet.

Perseverance plus common sense equals...

- Morning, Strong.

- It's my scalp.

- I've got a kind of nervous itch.

- Oh, really?

Look.

- Aren't you even gonna examine me?

- No.

I'm taking you for a ride.

Eh?

Come on, then.

SERGEANT GRlMSHAWE:

Platoon! Platoon, attention!

Stand them at ease, please, Sergeant.

Platoon, stand at ease!

Well, this is your last day of training.

Tomorrow you'll get proficiency tests

and a passing-out parade.

And you'll finish

the worst of all the platoons here.

Someone's got to be bottom.

Get that cut in the morning. You.

Someone's got to be bottom,

but this is absolute extremism.

Utter disgrace.

Platoon's a shambles.

Worst we've ever had here at Heathercrest.

Glad to see the back of you!

Clumsy fools plus innate idleness...equals you!

All of you!

Carry on, Sergeant.

Well, you heard!

Gentlemen, this is the case in question.

Gentlemen, this is the case in question.

Private Horace Strong.

He has reported sick every day for ten weeks.

His ailments are varied and elusive,

so far as l, a mere GP, can diagnose.

You gentlemen are specialists.

I thank you for agreeing to help

by means of a thorough examination.

He's all yours.

Oh, l... l do apologise, ma'am. l...

I've misjudged you.

You've got a reaI feeling for the sick.

Oh, I can't tell you how much l appreciate...

All right, turn around.

Now, breathe deeply.

In, out.

- Say 99.

- 99. (Coughs)

- Oh!

- Something's wrong, eh?

Congratulations.

You have a perfect heart and lungs.

Wh...? No, Doctor.

My heart hangs by a thread.

- By a rope, my boy.

- Rope?

What's he mean?

- He doesn't understand. My heart...

- Lie down.

Ooh!

- (Groans)

- Good.

- How's that?

- (Groans)

Remarkable! Stand up.

- Stand still.

- (Giggles)

- Cough.

- (Coughs weakly)

- Aha!

- Aha! You see?

- Fantastic.

- What is?

Your stomach's a model. You've got

a digestive system like an incinerator.

No sign of hernia, pulse normal. Next cubicle.

Pulse normal?

But, Doctor, I'm in a state of nervous tension.

All the more remarkable.

Sit down. Roll up your sleeve.

- Sphygmomanometer's ready, Dr Clark.

- Good.

- Sphymom-?

- Relax, Strong, relax.

Now we'lI see something, ma'am.

Only your blood pressure.

- 1 20.

- That's high!

- 80.

- That's low!

1 20 over 80.

Textbook reading. It's quite normal.

But, Doctor! Please!

- The blood's singing in my ears!

- I'm not surprised. lt should be very happy.

Stand there.

(Yelps)

- Ever been a blood donor?

- Who'd want that?

Everybody. Haemoglobin is a hundred per cent.

I'm getting out of here.

They're just a bunch of vets!

Ah, splendid. Open up here, please.

Come along here.

That's fine. Hands on hips.

Good Lord! Gentlemen, you must look!

Strong.

Gentlemen, look at this!

Superb!

- What a rib cage!

- Magnificent!

If only it were in colour.

Oh, Doctor, please!

No, the machine's all wrong!

Look, my ribs are all short and they're sharp.

l live in constant dread

of 'em puncturing my lungs!

Out of the question.

Your bones are in perfect proportion.

Besides,

your lungs have the texture of asbestos.

No. I'm ill.

I'm ill, I tell you!

Gentlemen,

there's only one avenue left open to us.

- Psychiatry.

- Psychiatry!

Oh, Doctor! You'll understand.

Yes, yes, of course. Lie down.

Relax.

- What's the first thing you remember?

- My mother.

- What was she doing?

- Sneezing.

I see. Now, association test.

Say whatever comes into your mind

after what I say.

- Mother.

- Cold.

- Cold.

- Sneezing.

- Sneezing.

- Me.

- You.

- Pills.

- Pills.

- Water.

- Water.

- Wet.

- Again. Water.

- Washing up.

- Washing up.

- Nappy.

- Nappy.

- Nora.

Nora.

Cor! Nora!

Hi, baby.

Come 'ere!

Whatever's the matter with you, Horace?

Are you ill or something?

lll? What, me?

Your marbles must be loose.

Ooh, whatever's happened to you, Horace?

You answer the questions, kid!

Wanna be my doll?

Doll?

Yeah. But not the sort that goes "Mama"

when l squeeze her.

- OK?

- I'lI have to have time to think about it.

OK. Think.

- Time's up. Through there. Move.

- Ooh!

Ooh, Horace!

What a right bunch they turned out to be.

Oh, just luck. Rotten bad luck.

I must have stood under a ladder

and kicked 1 3 black cats some time or other.

Well, don't worry, sarge,

it'll all be behind you this time tomorrow.

Your last day in the army.

I wish it had turned out the way you wanted it.

You know.

You at the head of a Champion Platoon.

Yes. lt isn't given to every man to achieve

his life's ambition. Certainly not to me.

Rate this script:0.0 / 0 votes

Norman Hudis

Norman Hudis (27 July 1922 – 8 February 2016) was an English writer for film, theatre and television, and is most closely associated with the first six of the Carry On... film series, for which he wrote the screenplays until he was replaced by Talbot Rothwell. more…

All Norman Hudis scripts | Norman Hudis Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Carry On Sergeant" Scripts.com. STANDS4 LLC, 2024. Web. 29 Dec. 2024. <https://www.scripts.com/script/carry_on_sergeant_5131>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Carry On Sergeant

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A The beginning of the screenplay
    B A transition between scenes
    C The end of the screenplay
    D A camera movement