Catfight Page #7

Synopsis: In this dark, gritty, mean-spirited, but well-made comedy-drama, Veronica (Sandra Oh) is an superficial, entitled housewife dealing with her home life. Ashley (Anne Heche) is a self-obsessed, misanthropic, artist dealing with her career and her life partner Lisa (Alicia Silverstone) who wants to raise a baby. Veronica and Ashely's paths cross at a party hosted by Veronica's husband, which the two cynical woman's long-buried rivalry comes to the surface which leads to a brutal cat-fight where Veronica ends up in the hospital in a coma. After two years, Veronica emerges from her coma to learn that both her husband and teenage son are dead, and she is broke with no friends or family. On the other hand, Ashley has become a successful and wealthy artist now married to Lisa. Veronica blames Ashley for her downfall, and after another confrontation which leads to another savage cat-fight in a vacant lot, Ashley is the one to end up in a coma and is revived after two years to find her own world
 
IMDB:
5.8
Metacritic:
66
NOT RATED
Year:
2016
95 min
532 Views


and I thought,

"oh yeah, Ashley's here.

I'll stop by."

And that's when you woke up.

- Wait.

You wrote a comic book.

- Yeah.

Can you believe it?

It's a big success.

People all over the world

are reading it.

They're even adapting it

into a Hollywood movie.

You know, Ron Howard

wants to direct it

but I really want David lynch.

- Veronica!

Veronica!

Veronica!

Veronica!

- Hey, I'm here.

- Are they here?

- No, aunt Charlie.

Not yet.

- They're coming.

I can feel it.

- I know.

- The tentacles are going

to rise up from the earth

and they're going to

destroy all the wretched

souls in this place.

- I know, aunt Charlie,

but the tentacles

aren't here yet.

- If I go before they come.

You know what you're

supposed to do, Veronica.

- I know.

- Tell me, so I know.

- I'm going to bury you

in the garden.

- Bury me in the garden.

- I will.

- That way,

Gia can consume me,

and then I'll be recycled

into the earth,

and I can be born again

as something else.

- Oh yes.

Our good friend Gia.

- The tentacles are coming.

They're coming.

- Oh.

- That's it.

See, you're doing great.

Just put one foot

in front of the other.

- Oh, is that how you walk?

- Put one foot

in front of the other.

- You remind me of someone

who was here a few years ago.

- Oh, my legs

feel like Linguini.

- I love Linguini.

You're doing great.

This is great.

- Okay.

- Alright, just a little...

Um...

- That's enough.

- Okay, you can't quit.

- I'm not quitting.

I'll do it again tomorrow.

- You won't be here

tomorrow, Ashley.

We've got to get you

walking out of here today.

- What are you... why?

- Because this is

a for-profit hospital,

not a charity.

So come on.

Al dente.

- Oh god.

- Hey mom.

Uh, it's me.

And I started drawing again.

I do think

creativity is important.

There's a lot of artists

in this town

and I love it here.

- Wow, this is a nice place.

- Yeah, it's pretty small.

I'm thinking of buying

a place in bushwick.

- Yeah?

You make that much money

on a comic book, huh?

- Well, yeah.

I mean, I sold the

rights to Hollywood.

I got really lucky.

- I appreciate you

letting me stay here.

- I feel so bad about

what happened to you.

But you can paint in my studio,

and you'll be back on

your feet in no time.

- You have a studio?

- Yeah, it's the same

studio that you used.

- Huh.

- Do you want some water?

- Do you want something to eat?

- No. No. No.

Thanks. No.

- Do you want some milk?

- I'm good.

- Do you want a cheese sandwich?

- I just want a little sleep.

- This is Sam.

- You name your tree?

- Yeah, of course.

This is Veronica, my niece.

Say "hello" to Sam.

- Hello, Sam.

- She's nice.

Oh, you're so beautiful.

Isn't it a beautiful day?

He's a good tree.

That's Bernie, he's an oak.

Sweet and grounded.

That's hilary.

Strong but

a little untrustworthy.

Ah, that's Donald.

He's an a**hole.

- Ashley, it's just nerves.

- Oh yeah, I'm sure.

- You just need to ease

your way back into it.

- Yep.

- Maybe you could help me

draw my comic in the meantime.

- Oh, I don't think so.

I don't think I could do that.

- Sure you could.

- Your line work

is really... precise.

I don't think

i could do that anymore.

- There's no mustard in this.

Aw, they forgot the mustard?

I don't like to eat Turkey

without mustard.

In my comic book, the happy

blue bunnies love mustard.

- That's f***in'...

That's... that's so cute.

- Did you get a chance

to read it yet?

- Oh... I...

I want to so bad.

- Ashley,

will you do me a favor?

- Will you run out

and get me some mustard?

- Aunt Charlie,

I made you an omelette.

Aunt Charlie?

It's time to wake up.

Charlie?

Charlie, get up.

Wake up.

Wake up--

there you are.

You can sleep through anything.

- Why do you do that?

It's so jarring.

- You were lying so still,

I just wanted to make

sure you weren't dead.

- Of course my body is still.

What do you expect me

to do when I'm sleeping?

Calisthenics?

- Well, it's a beautiful day.

We should go outside.

- Rest is good for the body.

What are you

trying to do, kill me?

- Of course not, aunt Charlie.

I just...

- Then why are you

trying to get me up?

I'm trying to sleep.

- It's just that I realized

today is kip's birthday.

- Are you okay?

- I need some air.

- Can you get me

a seltzer when you're out?

- F***.

F***ing seltzer.

F***ing sh*t.

Ah, sh*t.

Wow.

- Sally told me you were here.

I can't believe it.

- I can't believe it's you.

Wow.

Whoa.

Is that yours?

- He is, yeah.

He is.

His name's Ben.

- Hey, Ben.

Wow. He's a really,

really beautiful... baby.

Whoo.

- I'm sorry, Ashley.

I didn't know if you

were ever going to wake up.

- Yeah.

Yeah, I know.

- And I didn't have any money

and I still don't have

any money but...

- I met someone.

- Oh, good,

- good, that's good.

So, what's she like?

- He's nice.

- Oh.

- I brought this for you.

Yeah, I know.

You want to go home, I know.

- What is it?

- It's just some things I saved.

- Anyway,

it was nice to see you.

I've got to go.

I'm glad you're okay.

I know, baby.

I know.

- Why the hell did he join?

- I don't know.

He believed he was

making a difference.

- So naive.

They think they're

fighting for a cause

and they're really fighting

for the defense industry.

Young people...

They're so stupid.

- Oh my god,

i love this one.

- Oh.

- His glasses.

- We live in a society

that doesn't value life,

the earth.

Just money.

Adults are so stupid.

- Okay, well, if the young

people are stupid

and the adults are stupid,

who are we supposed

to turn to?

The babies?

- Yes, the babies.

Exactly.

- You're not serious.

Of course, you're serious.

- You know why?

Because babies,

as soon as they're conceived,

all they are

concerned with is life.

Like the earth, like kudzu.

Developing... growing.

- Kudzu is a parasite.

- Ashley.

Ashley.

Wake up.

It's time to wake up.

- Can I just... can I just

sleep a little bit longer?

- But you've been

sleeping so much.

I'm getting worried about you.

- No, no, no, no.

I'm just tired, that's all.

- Do you want to go

to my bed and sleep?

- No.

- I don't know.

Why?

Am I in the way?

- No, no, you're not.

Just make yourself at home.

Um... but, I have to go

to the studio, so...

Well, I have a lot

of work to do.

Um, but I'll see you

when I get back.

- Sally.

- Yeah.

- I'm sorry for

how I treated you.

- Oh, you don't need

to apologize.

- No, I was a real b*tch.

- Well, sometimes.

But it actually motivated me.

- Really?

- Yeah.

- I mean, humiliation

can cripple some people

- but it made me work harder.

- Mmm.

- So, you didn't hate me.

- Of course.

But, sometimes,

the best revenge is success.

- So, why are you

helping me then.

- I'm not.

I'm taking great joy

in seeing you like this.

I mean, your life is over.

You can't paint.

You lost your girlfriend.

You lost your baby.

- Ugh.

- What are you doing here?

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Onur Tukel

Onur Tukel (born August 5, 1972) is a Turkish-American actor, painter, and filmmaker. A notable figure in the New York City independent film community, Tukel's films often deal with issues of gender and relationships. more…

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Submitted on August 05, 2018

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