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Chasing Amy Page #12
- R
- Year:
- 1997
- 113 min
- 910 Views
Holden stares at Alyssa. She stares back. Then she gets
out of the car.
HOLDEN:
Was it something I said?
EXT ROADSIDE - NIGHT
Holden gets out of the car. It's raining pretty hard
now. Alyssa's hitching up the road. Holden reaches her.
HOLDEN:
What are you doing?
ALYSSA:
Get back in the car and get out of
here.
HOLDEN:
You're going to hitch to New York?
ALYSSA:
Y'ep.
HOLDEN:
Aren't you at least going to comment?
ALYSSA:
Here's my comment f*** you.
HOLDEN:
Why?
ALYSSA:
That was so unfair. You know how
unfair that was.
HOLDEN:
It's unfair that I'm in love with you?
ALYSSA:
No, it's unfortunate that you're in
love with me. It's unfair that you
felt the f***ing need to unburden your
soul about it. Do you remember for a
f***ing second who I am?
HOLDEN:
So? People change.
ALYSSA:
Oh, it's that simple? You fall in
love with me and want a romantic
relationship, nothing changes for you
with the exception of feeling hunky-
dorey all the time. But what about-
me? It's not that simple, is it? I
can't just get into a relationship
with you without throwing my whole
f***ing world into upheaval!
HOLDEN:
But that's every relationship!
There's always going to be a period of
adjustment.
ALYSSA:
Period of adjustment?!?
(hitting him)
THERE'S NO 'PERIOD OF ADJUSTMENT'
HOLDEN! I'M F***ING GAY! THAT'S WHO
I AM! AND YOU ASSUME I CAN TURN THAT
AROUND JUST BECAUSE YOU'VE GOT A
CRUSH?!?
HOLDEN:
If this is a crush... then I don't
know if I could take the real thing if
it ever happens.
She looks at him, rain drenching the pair. She shakes
her head ruefully.
ALYSSA:
Go home, Holden.
She walks away. Holden stands there, at a loss. Then he
turns and heads back to his car.
As he reaches the door and turns to look back at her,
Alyssa pounces on him, grabs his face and locks lips with
him, big time. He drops his keys and embraces her.
And there they stand, by the side of the road, drenched
kissing.
EXT STUDIO - DAY
Banky carries a bag in one arm and pulls out his keys
with the other. He jams them into the lock, opening the
door. He picks up the mail on the floor.
INT STUDIO - DAY
He closes the door behind him and shuffles to the
kitchenette, passing by the blanket-covered, slumbering
forms of Holden and Alyssa, who are out cold in each
other's arms. The place looks a mess - Like a couple of
people were engaged in some tremendous f***ing. Banky is
oblivious. He sets the bag down on the counter and pulls
out a chocolate milk. He opens it, sticks a straw into
the top, and begins sipping and sifting through the mail.
He comes to mail that's Holden's and tosses it onto the
couch, near Holden's head. He looks down at the sleeping
couple, then back at the mail for a couple of beats.
Then he freezes. He looks down again, and drops his jaw
and his carton of choco. It hits the floor with a pop.
Holden and Alyssa shoot straight up, eyes struggling to
focus. They look at one another, then at the
flabbergasted Banky. Banky blinks. Then he shuffles
toward the door again and lets himself out.
ALYSSA:
(off Holden's reaction)
I take it that's not good.
HOLDEN:
(getting up)
Stay here.
(he kisses her and exits)
EXT STREET - DAY
Banky sits on a curb, staring into the distance, Holden
saunters up and sits beside him. He follows Banky's
gaze.
BANKY:
Catholic school girls.
Across the street, the Catholic High School is letting
out. Teenage girls clad in uniforms and tight sweaters
smoke, frolic, wait for their bus.
BANKY:
The uniform is what does it for me. I
wish I'd have went with more Catholic
school girls when I was a kid. As it
stands. I have no "...and then she
unzipped her jumper..." stories.
HOLDEN:
You looked weirded out back there.
BANKY:
That's my couch you were f***ing on.
HOLDEN:
Sorry.
BANKY:
I wanted to watch some TV. Hard to do
when your best friend's wrapped around
a naked rug-muncher on your couch.
HOLDEN:
She had boxers on.
Banky shoots him a glare. He goes back to staring at the
OC girls.
BANKY:
This is all going to end badly.
HOLDEN:
You don't know that.
BANKY:
I know you. You're way too
conservative for that girl. She's
been around and seen things we've only
read about in books.
HOLDEN:
But we have read about them. So we're
prepared.
BANKY:
There's no 'we' here. You're going to
have to go through this alone. And
it's one thing to read about sh*t, and
something different when you're forced
to deal with it on a regular basis.
When you guys are walking in the mall
and both your heads turn at a really
nice looking chick, it's going to eat
you up inside. You'll spend most of
your time wondering when the other
shoe's going to drop. Because for
you, this isn't about cool weird sex
stuff, it's about love.
HOLDEN:
Maybe it is for her as well.
BANKY:
Somehow I doubt it.
HOLDEN:
Everyone's not out to get someone in
life. Bank.
BANKY:
Everybody has an agenda. Everyone.
HOLDEN:
Yourself?
BANKY:
My agenda is to watch your back.
HOLDEN:
To what end?
BANKY:
To insure that all this time we've
spent together, building something,
wasn't wasted.
HOLDEN:
She's not going to ruin the comic.
BANKY:
I wasn't talking about the comic.
(gets up)
I'm going to gel a bagel. Clean off
my f***ing couch so I can watch TV.
Banky walks away. Holden shakes his head.
INT ALYSSA'S LIVING ROOM - NIGHT
An all-girl gathering. TORY. NICA, DALIA and JANE help
Alyssa finish an issue of 'Idiosyncratic Routine'. Tory
letters a page. Nica and Dalia lay-out the artwork.
Dalia drinks wine. Alyssa paints the cover.
DALIA:
From what I understand, when you sign
with a publisher, someone else does
all this work for you, and you just
sit back and collect.
ALYSSA:
And miss these last minute cram
sessions with my nearest and dearest?
Never.
TORY:
I don't know what she's bitching
about. All she's done since we got
here is pound Merlot.
DALIA:
I'm sorry weren't you the one who
misspelled 'receipt' on page eighteen?
Yeah, you're a real help.
NICA:
What I'd like to know is why we're
here at all when we haven't seen
Princess funny-Book in a month.
JANE:
Yeah Alyssa - who've you been shacking
up with?
ALYSSA:
'Shacking up!' Please.
(stops painting; smiles wide)
I'm so in love!
Everyone aww's. Alyssa buries her face, giggling.
ALYSSA:
I know. I know -I feel like such a
goon. But I can't help it - we have
such a great time together.
DALIA:
Who is it? Don't even tell me it's
Ms. Thing from the C.D. place. I'll
kill you.
ALYSSA:
It's not her. It's someone you guys
don't know.
NICA:
That chick you left the restaurant
with that night?
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