Chasing Christmas Page #4

Synopsis: In a world where the holidays are run by the efficient Bureau of Yuletide Affairs, a bitter and burned-out Ghost of Christmas Past decides to go AWOL while on a "mission" and leave his "target" stranded in 1965.
Genre: Comedy, Fantasy
Director(s): Ron Oliver
Production: Lionsgate
  1 nomination.
 
IMDB:
5.4
PG
Year:
2005
120 min
57 Views


the entire universe.

I've always wanted

to see the past.

Oh, one more thing.

I need to see your spectral.

Okay.

What did you do that for?

Past is human now.

So in order to catch him,

you'll have to be human, too.

Good luck, Present.

And if I don't see you again,

Happy Holidays.

[sighs]

What is going on?

Whoa.

It's me.

Why are you tied up?

You can see me?

Who are you?

I don't even know where

to begin to answer that.

Are you Santa Claus?

Huh?

Why are you tied up,

Santa Claus?

- I'm not Santa Claus.

- Are you one of his helpers?

My mom told me the man

at the department store

is one of his helpers.

Are you one of his helpers?

Yeah, I'm one of his helpers.

Why are you tied up?

You should go back to bed.

Did Santa tie you up?

Yeah, Santa tied me up.

Why?

Because I ate some of

his milk and cookies.

I asked Mom if we could leave

some milk and cookies,

and she said Santa

was already too fat.

She used to say

stuff like that a lot.

That's why

I have food issues.

[floorboards creak]

- Who's that?

- Oh, I think I know.

- Untie me.

- I don't know, mister.

I'll make you waffles.

I know you love waffles

with powdered sugar.

Come on, untie me.

Okay, yeah, looking good.

I got this. Okay, son,

go hide, hide, hide, hide.

Go hide, hide.

- Urrgh!

- Aah!

[Young Jack]

Who are you?

Oh.

This isn't good.

Are you Santa Claus?

No.

I'm, uh, the Tooth Fairy.

So why don't you

just go off to bed?

I wanna open my presents.

Yeah, it would

be best if you--

But I wanna open them now!

Go to bed now,

or I will come back tomorrow

and rip out all of your teeth

with a pair of pliers.

Oh, great. Now I'm

emotionally scarred for life.

Which reminds me.

Hey! Stay the heck away

from Old Man Williams!

Hey, just let it go.

Whoa, whoa, whoa!

Hold on, strange lady.

- Now, who are you again?

- Oh.

I'm the Ghost

of Christmas Present.

Then, uh, how come

you're in my past?

Well, we've had

a little situation.

But don't you worry

'cause I'm here

to fix things.

Oh, no.

Oh, no, oh, no!

What?

It's broken!

What is?

Our ride home!

That's a candy cane!

It's Christmas Eve.

We'll go get another one.

Jack, this isn't just

any candy cane.

This is a highly sensitive piece

of technologically advanced

time-travel equipment!

Oh!

Wow.

You shouldn't have sat on it.

I didn't sit on it.

Somebody tackled me!

Because I thought

you were the little dude!

Oh, do I look like

the little dude?

No.

- Thank you.

- You're welcome.

[sighs]

So we're stuck here.

Yes, Jack,

we are stuck here.

I mean, the only way

to get you back

to your own time is...

Past.

So we missed it.

What?

You said our time had passed.

No, not passed. Past.

- Past.

- Right!

So we missed it.

- Just follow me.

- [Jack laughs]

The Ghost of Christmas Past

still has his candy cane

chronometer.

We need to find him.

And we need wheels.

Don't do that, please.

See, it's 1965,

and nobody locks their cars.

- Really.

- Mm-hmm.

All right, I will just

hot-wire this--

No, no, no, no.

In 1965, everybody

put their keys right here.

- Really.

- Yeah.

No seatbelts

'cause it's, uh...

- 1965?

- Yeah!

- Get in.

- All right.

Well, Santa Claus

My name is Sam

American boy

That's who I am

And I'm writing a list

Trying to make a plan

Well, Santa Claus

It's Christmastime

And all year long...

[Jack]

Okay, so basically

what you're telling me is,

if we don't find

this guy by midnight,

I am stuck here forever.

- Yeah, pretty much, yeah.

- Yeah.

Don't you guys have

like a contingency plan

or escape route that we

could be taking right now?

Yes, and I'm it.

Okay, now, think, Jack.

What exactly happened?

What exactly

did he say?

Well, we were in

my parents' living room,

and he started weeping.

He started weeping and

getting weird and maudlin

and self-pitying.

Reminded me of

my crazy Aunt Shirley

when she got drunk.

Then all of a sudden,

he pulls out this

giant snowflake thing,

and he smashes it

on the fireplace.

So he did this

on purpose.

He did that on purpose,

for sure.

But why?

- Wha-- You tell me!

- Where could he have gone?

What do you mean?

You know everything, right?

No, I know everything

about the present.

- Right, and this is the past.

- Yes!

I get it.

I'm getting this thing.

- Slowly.

- Yes.

What is the first thing

that Past would do

as a human?

Probably

something strange.

[gasps]

Where's the closest place

we can go to buy cigarettes?

Well, it's Christmas Eve,

so everything is closed.

Except...

- He's here.

- Yeah.

- I can feel it.

- I can feel it, too.

Oh!

Look at these toys!

- Oh, that's cool.

- They're so simple,

yet the children seem to

love them, don't you, honey?

Because they have to use

their imaginations.

It's fun, right?

- It's fun!

- [toot]

I'm sorry. It's fun.

See how funny that is?

Look at this!

What, they're advertising

guns to children?

Oh, no! They're BB guns.

They're only BB guns.

These fire

real metal pellets?

Real, little, tiny,

tiny metal pellets.

Oh, this is ridiculous.

You just put this thing down.

You could put

somebody's eye out

with one of these things.

Step away from the guns!

Where's the manager?

I demand to speak

with the manager!

Cigarettes are on

the third floor.

I just remembered.

Let's go, let's go!

Here, son.

[Present]

Santa, keep the kids

away from the guns!

[Jack]

Yeah, Santa!

Now, these are,

in my opinion,

the closest to Cuban

you'll find.

Word has it,

President Kennedy himself

sent a box to Castro

just to show him

how we do things here

in the U.S. of A.

- Excuse me.

- One moment, little lady.

- Excuse me.

- I said one moment.

I suggest you put the reins

on your wife, pal.

Okay, I got a couple

of questions for you.

Now, I have a friend.

How tall is he?

He's about like that.

Yeah, with a green vest

and a red tie.

What's his name?

Christmas Past.

Chris Maspast.

Chris, first name--

Yeah, he walked off

about three minutes ago.

Yeah, where'd he go?

He asked me where

the hat department was,

and I told him it was

on the second floor.

Thank you so much.

You're... welcome.

[Man on P.A.]

Good evening, shoppers.

Two hours until closing.

Two hours until closing.

Merry Christmas.

Hey! Past!

There goes

jolly old St. Nick

He's gonna

make his rounds again

[continues]

Sorry!

Santa! This is the real one!

- [horn honks]

- Watch where you're going!

- Whoa, whoa, whoa!

- Go!

[driver]

What is this, a parade?

Stop! Stop!

[Jack]

Stop! We'll get him.

[panting]

Come on, come on.

Keep running.

Oh, wonderful!

Past, what are you doing?

Have you lost your mind?

Why couldn't you

just leave me be?

Just give us

the candy cane chronometer.

We'll go back to the office

and sort this out.

You know, I was really

looking forward to the '60s.

It was a great decade.

You know,

you leave me no choice.

- No, no, no, don't!

- Don't you do that!

- I'm gonna do it, yeah.

Rate this script:0.0 / 0 votes

Todd Berger

Todd Berger (born April 5, 1979) is an American film director, screenwriter, actor, and novelist most prominently known for writing, directing, and appearing in the films It's a Disaster, Cover Versions, and The Scenesters. Berger has also appeared as an actor in films such as Southland Tales and on the television shows Parks and Recreation and Maron. Berger also wrote the novel Showdown City, published in 2016 by Diversion Books. Publishers Weekly gave the book a starred review and called it a "terrific debut novel." Berger is a graduate of The University of Texas at Austin, where he worked for the student television station KVR-TV and wrote and directed the nationally syndicated comedy show Campus Loop.Berger also wrote The Happytime Murders, an upcoming noir-comedy puppet film being directed by Brian Henson and starring Melissa McCarthy, and is currently writing a screenplay for a film adaptation of Where's Waldo. more…

All Todd Berger scripts | Todd Berger Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Chasing Christmas" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/chasing_christmas_5356>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Chasing Christmas

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A Off Screen
    B Original Sound
    C Opening Scene
    D On Stage