Circus Kane Page #4

Synopsis: A reclusive circus master invites a group of social media stars to his house of haunts. Anyone who can make it out before being scared into submission will earn $250,000 - but the stars soon learn they are not only competing for money, but also fighting for their lives.
Genre: Horror
Director(s): Christopher Ray
Production: Uncork'd Entertainment
 
IMDB:
4.6
Year:
2017
88 min
87 Views


How did you get that?

Three two one.

On one, at the same time.

Knob in hand, good to go.

Three, two, one.

God dammit.

Oh Jesus, it's hot in here.

Maybe it's because you're here.

Thank you.

That looks dangerous.

What?

Sh*t. What the hell are we

supposed to do with this?

Check it out.

Follow the yellow brick road?

I guess.

Okay, we got stumps, what do we do?

I imagine we have to hop across them.

That's ridiculous, why wouldn't

we just walk around them?

Sh*t ah! / You okay.

Can't walk across it,

the floor's super-heated.

F***, I'll go first.

All right, I guess I'm going first.

Would you care to? /

That's all you, girl.

What's that sound?

Oh f***!

What happened?

Oh God.

What happened?

The f***ing thing cut me.

This is like really dangerous.

No f***ing sh*t, it's f***ing real.

I guess $250,000 makes

it worth the risk.

So I guess uh, I'll time it. F***!

Be careful.

Those look really sharp.

These are sharp, guys, be careful.

Crawl through. / Let's do this.

Don't you think this is a little

f***ed up to do to people?

Be careful!

The walls are heated.

Come on, let's go.

Hold on.

Here, give me your jacket.

All right, just hold onto this and

just slide through, like a penguin.

What?

Keep your head down,

I'm gonna pull you through

and you just slide right on through.

One, two, three.

Ah stop, stop!

Are you okay?

Hell no, I ain't okay, I'm hooked.

Can you go back?

No, I can't move, dammit.

What do we do? / I don't know.

We pull.

No, what?

What?! / We pull him through.

No, no, no, no, no!

Come on, it's not that bad,

it's just your shirt mostly.

It's not my shirt, it's

my skin, how do you know?

Stop being such a p*ssy.

I'm not!

You sure?

Do you take your band-aids

off fast or slow?

Fast. / Me too.

Oh God, Mommy.

There you go, big man.

Son of a b*tch, you could've killed me.

Easy, easy, you're okay.

Hey, it's not even that bad.

And it's over now, okay?

Seriously?! / Lemme see.

Come on, I've had

periods with heavier flows.

Fine, let's just get out of here.

But you stay away from me,

you understand?

Let's just make it out

of this alive, okay guys?

Come on, guys.

You okay?

No!

It's locked.

There's no way out. / This.

No, okay.

Look for a mallet.

I don't see anything,

just a bunch of bears.

Should we ask for a hint?

I don't see anything.

There!

Yes!

Kane, can we have a hint?

Look.

It's locked.

It's a jack in the box.

Look for a crank.

They have little cranks.

They have little cranks, crank those.

I hear something, don't stop,

something's happening.

Nothing.

Where'd he go?

He's gone.

This place looks like

my grandma's house.

So you've inherited her good taste.

Eat a dick.

All right, enough.

Can you guys just put

your differences aside

so we can work together

and figure this out?

Come on, look around,

find some clues or something.

Look at this.

Seems kind of obvious, right?

It's locked, looks

like we need another key.

Well isn't that wonderful?

Well it's got to be here,

so everybody spread out.

I'll start in this pile right here.

I'll take this pile.

F***ing hate clowns.

Honestly, who doesn't?

Did you see that?

See what? / It's f***ing eyes moved.

What?

What?

Oh my God!

Oh my God, oh my God.

I didn't sign up for this.

It's 250 G's, it's not worth this.

Kane, let us out, we're done.

Guys, I know it's f***ed up,

but I think I'm gonna stay.

What?

What, are you mental,

you see what he did to me?

He bit off my finger, you

want to lose some fingers?

No I don't, but I'd rather lose a

finger than lose my little brother.

They're gonna take him away from

me if I don't bring in some cash.

Then help us find the key, we still

need a key to get out of this room.

I got it, I've got the key! /

Here, here, here!

Must've done something right.

Nothing's happening.

I want to get out! / What?

I want to go back to my basement!

Why isn't anything happening?

Nothing's happening.

Oh my God.

It's not working, come on.

Let me out of here!

Come on, come on! / Let me out!

The words, what did

Kane say in the video?

The words that we have to

say if we want to leave.

Okay, it was Balthazar Kane.

Balthazar Kane!

Balthazar Kane.

What?!

Balthazar Kane, you win again.

Balthazar Kane, you win again.

Balthazar Kane, you win again.

You win again!

Billy?

Billy.

Billy.

No Billy.

Are you okay?

Oh my God.

If he can do it, so can I.

Roxy, no!

Roxy, wait, no!

Roxy, stop!

Roxy, stop moving,

it's only making it worse.

Stay still, stay still.

Roxy, Roxy!

I gotta get out of here.

Roxy no, Roxy slow down!

Roxy, stop! Roxy, stop!

No, I have to get out of here!

Roxy, Roxy!

Roxy, stop.

Roxy, come back!

We have to save her!

We have to save her, Roxy!

You don't have to do this.

I gotta go help her.

Roxy?

Roxy?

Roxy?

Tracy.

Let me go!

No.

It's okay, it's all right.

It's okay, shh.

What gives you the right, Kane?

Why, you do, Mr. Valentine.

You give me the right.

Now, please, go.

I'll leave, sure, after

I get what's coming to me.

What's that, Mr. Valentine?

Prison time?

Now, I've asked you to leave, politely.

Now leave before I lose my patience.

That property is mine, old man!

I'm leaving here with it.

You know, Mr. Valentine,

for the strong man in my show,

you really are rather quite

weak, and quite pathetic.

Now, you will leave my

tent and you are fired.

No!

No, Father!

We've gotta do something,

we've gotta get out of here.

We're getting out of here.

Hello?

911. What's your emergency?

We need an ambulance right away.

To what address?

I don't know where I am.

We can triangulate

where you are, please hold.

Okay.

What's going on?

They're trying to

figure out where we are.

We found you, we will

send over an ambulance

right away, we will

be there in two hours.

What?

This is an emergency, somebody died!

Are you kidding me, two hours?

This is the soonest we can get to you.

You are very far away from

any emergency services.

Send somebody, send the police.

We will send a squad car as well.

F***! / What?

It's gonna be two hours

before anyone can get here.

We find Kane, we find the

others, tell them what happened.

Kane doesn't give a f***,

haven't you noticed?!

Don't be ridiculous, a person died.

That's taking the scare

way too far, let's go.

What are we gonna do with the body?

He's dead, Scott, we can't take him.

We have to find Kane and find the

others and tell them what happened.

We can come back for him later.

What about the money?

F*** the money, we're going home.

Come on, let's go!

Go!

Here, give me your hand, let's go.

We've gotta go, come on, let's go!

Give me your hand! / I can't!

You can do it. / Give me your hand!

Come on, let's go!

Next one, let's go, no breaks!

I'm sorry.

Come on, let's go!

Come on, let's go!

Come on, time it out, let's go.

Go!

Ed just got killed.

Everyone else is dead.

Is this some kind of sick joke?

A joke?

We're not kidding,

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James Cullen Bressack

James Cullen Bressack (born c.1992) is an American film producer, screenwriter and film director. He is the son of Emmy Award-winning writer Gordon Bressack and voice actress Ellen Gerstell. more…

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Submitted on August 05, 2018

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