City of God Page #5

Synopsis: Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.
Genre: Crime, Drama
Director(s): Fernando Meirelles, Kátia Lund (co-director)
Production: Miramax Films
  Nominated for 4 Oscars. Another 66 wins & 38 nominations.
 
IMDB:
8.6
Metacritic:
79
Rotten Tomatoes:
91%
R
Year:
2002
130 min
Website
6,556 Views


Unless you are a robber,|get out.

KNOCKOUT NED'S HISTORY

Robbery !

The first time...

Bring the revolvers!

...Knockout Ned saved|a dealer from Redhead.

We said no killings.|It's a rule!

We want the boss's money! Open the tills!

Do you want to leave? Well, so do we!

The second time, Redhead|saved Knockout

Ned learned that rules|have exceptions.

An exception.

Are you the director?|Robbery! Everybody down!

I don't play. Whoever moves|will be shot!

The third time,|the exception became a rule.

With the money from the robberies|they would face Ze.

Redhead would protect his business.

Knockout, the best|shooter, wanted revenge.

The Italian first.|This is 9mm.

- It's not aligned.|- You 'll get it at a good price.

This is a 12mm.|We call it ''crap''.

Uzi, 9mm. From Israel.|David's star.

I want a 30-06.

It's party time!

The war begins.|Let's pray.

Our Father,|who art in heaven...

hallowed be thy name...

Gangsters have the guns|but they don't shoot.

Knockout's one bullet|was like ten of Ze's bullets.

Ze couldn't stand it.|He counter-attacked.

The ghetto was like Hell|but now it had become Hell!

I decided to get out.|That's how I became a journalist.

Nice picture!|That's Rogerio Ris's for sure.

What was I saying?

As every professional...

I started from the lowest level,|from the bottom.

Without knowing|what was ahead of me...

Instead of going home|I went to the newspaper's offices.

Someone from the City Of God|worked in the laboratory.

He helped me to fulfil|my life's dream.

Rogerio, this is|the Rocket - photographer.

- He is an admirer of yours.|- You have a good taste, Rocket.

I am leaving.

Nice guy! What should have been swift revenge|turned into an all out war.

The City of God was been divided.

You couldn't go from one section the other...

not even to visit a relative.

The cops considered anyone living|in the slum a hoodlum.

People got used to living in Vietnam...

and more and more volunteers|signed up to die.

The Kids.

Somebody hit me.

The war|was forgiving everything.

One of Ze's guys kicked me.

Take this.

He raped my sister...

- Ze took our home.|- Kill for your pride.

I am Siago,|Benny's friend.

You know how to read?|Spell?

- I am good.|- You are hired.

To revenge my father's|killer.

- What's your name?|- My name is Otto.

What's happening?

- He works.|- He needs a gun.

He won't last a week.

A year later, nobody|remembered how it all started.

The aim was to take out|the enemy's business...

to buy guns and to extend|the enterprise.

I sniff, I killed, I stole.|I am man!

The TV showed interest.|The police would intervene.

A gangster from|the city of God was arrested.

Manuel Massando,|also known as Knockout Ned,

has been hospitaled after being attacked |by Ze's gang.

He gave us an interview.

- Does the war continue?|- Yes, it continues.

Were many people killed?

Many. Innocent mostly.

If a person knowns me|that's enough for Ze to kill him.

- Are the police absent?|- They hunt me, not him.

I am in jail while he|kills people without a care.

Knockout Ned believes|that the war will continue.

The police promise|to disband the gangs.

Bastard! I am the boss and he is|in the newspaper!

- Did you find mine?|- Knockout's only.

My name must be somewhere.

- Can you read?|- The pictures. Nothing.

- What the Hell are you doing?|- Those are the classifieds!

Read everything!

- There are no articles!|- Do you want to be shot?

We'll show them|who is the boss!

Give me the camera!

- Take my picture.|- I don't know how it works.

Take me. |Back...

- It doesn't click.|- You fools.

You f***ed me, a**holes.

I'll call an acquaintance.

- He came.|- Take the camera.

Well, kid?

Aren't you a photographer?|Take a picture of us.

- You broke it.|- Not me.

Needs some fixin'.

- What's your name?|- Rocket.

Take one more.

Two lines.|With your guns.

- You're out, dammit!|- Speak kindly.

- Show us the pictures.|- We must develop these photos.

How much does it cost?

Take this money|and bring the pictures.

- I have to remove the film.|- Keep the camera.

Benny wanted to give it|to you. It's yours.

Don't forget|the pictures.

Pierre! can you develop|this film?

I can't, Rocket,|I'll get into trouble.

I work only for the newspaper. I'll get fired.

Develop this, Pierre.|And this.

I am going for lunch.

You are lucky.|Dimensions?

For the enlargement.

Whatever you think is better.

I am in big trouble.

I am dead.

Somebody signed|his conviction.

I'll smash his face!

You stole my pictures!|They will kill me!

What are you talking about?

They'll kill me|because of you!

The pictures|were at the laboratory.

Everything that is in the laboratory|is for publication.

- I saw them, I published them.|- You stole them.

- Give them to me.|- Here, take them.

- Don't you have more?|- Relax. What's your name?

Rocket?|Nice to meet you. Marina.

Relax. I've got your money.

When a picture is published|we pay the photographer.

Do you want to become a photographer?

Nice start with a front-page!

- How did you take them?|- I live there.

Not even one photographer|has managedto go to the ghetto.

If you bring more|pictures of Ze...

the newspaper will buy them.

- Can you?|- I don't know.

- What's the problem?|- I can't go there again at night.

- And the day?|- It is a risk.

At last they understood|that I'm the Boss.

What's the name of this photographer|friend of yours?

He is good. I'll take it|to show him.

Yes, or no?|It's a big chance.

You made the right decision.

I'll give you film, lenses|and another camera.

Come to see the equipment|office.

There is another problem.|Where am I going to sleep tonight?

I can't go back.

This one is 135 mm.|Do you shoot from near or from a distance?

- Can you measure the light?|- Yes.

Don't you think you are too close?

I don't know how I managed|to talk to them like this.

Maybe I was about to die|but I had a camera...

and a chance|to become a photographer.

What is more, we had|the whole night to ourselves.

- Do you want to eat something ?|- No thanks.

Won't you eat, or drink?|A joint?

Try this.

Time to sleep.

- I'll show you your bed|- Have you got hot water?

Yes, haven't you ever|tried a hot bath?

No. We got boiling water|from the saucepan.

- Why are you standing there?|- In which room am I going to sleep?

Unfortunately, I have only one room.|We will sleep together.

I won't tell you much|about my first sexual experience.

Somewhere else, another one, a more important|erotic scene was taking place.

Redhead was helping|Knockout escape.

without a shot.

The guard was in|the hands of the nurse.

Meanwhile, Ze|was investing in ammo...

To terminate|Redhead.

He was heavily equipped even though|he didn't have to pay.

Do you remember the shotgun? |It is a semi-automatic shotgun.

You haven't seen a Browning like this.|It can even shoot down aeroplanes.

I want what I asked for.|The American AR-15.

- They don't exist in Brazil.|- I don't give a sh*t.

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Bráulio Mantovani

Bráulio Mantovani (born July 1963 in São Paulo) is a Brazilian screenwriter and author. Graduating in Portuguese Language and Literature from the Pontifícia Universidade Católica de São Paulo, he began his career writing professionally for theatre groups in 1987. In the early 1990s, he moved to New York City where he worked as camera operator and assistant director for Zbigniew Rybczyński. Back in Brazil, he wrote the script for the short film Palace II, directed by Fernando Meirelles in 2001. On the next year, the partnership extended to City of God, which earned him an Academy Award nomination for Best Adapted Screenplay. more…

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Submitted on August 05, 2018

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