Coco Page #2
- PG
- Year:
- 2017
- 105 min
- $208,487,719
- 45,963 Views
5.
MIGUEL:
No, gracias.
ABUELITA:
I asked if you would like more
tamales.
MIGUEL:
S-sí?
ABUELITA:
That's what I THOUGHT you said.
MIGUEL (V.O.)
Abuelita runs our house just like
Mamá Imelda did.
CUT TO:
Abuelita adjusts the photo of her beloved Mamá Imelda. Then
she perks her ear at a hooting sound.
Miguel idly blows into a glass soda bottle. Abuelita takes
the bottle away.
ABUELITA:
No music!
INT. MAMÁ COCO'S ROOM - DAY
Miguel listens as a truck drives by the window, blaring radio
tunes. Abuelita angrily slams the window shut.
ABUELITA:
No music!!
EXT. STREET - EVENING
A trio of gentlemen serenade each other as they stroll by the
family compound.
MUSICIANS:
(singing)
AUNQUE LA VIDA--
6.
Abuelita bursts out of the gate and chases them away.
ABUELITA:
NO MUSIC!!!
Terrified, the musicians stumble as they run away.
MIGUEL (V.O)
I think we're the only family in
México who hates music...
We see the Rivera family tinkering in the shoe shop, no music
to be heard. Miguel jogs past them.
MIGUEL (V.O.)
And my family's fine with that...
He grabs his shine box, and heads out of the shoe shop.
MIGUEL (V.O.)
But me?
MAMÁ
Be back by lunch, mijo!
MIGUEL:
Love you, Mamá!
Once outside, Miguel makes his way through the small town of
SANTA CECILIA - MORNING
MIGUEL (V.O.)
I am NOT like the rest of my
family...
He passes a woman sweeping a stoop.
WOMAN:
Hola, Miguel!
MIGUEL:
Hola!
He passes a band of musicians playing a tune. Miguel joins
with some air guitar and the further down the street he goes,
the more instruments and sounds layer in. The bells of the
church chime in harmony, a radio blares a cumbia rhythm.
7.
Running past a food stand, Miguel grabs a roll of pan dulce
MIGUEL:
Muchas gracias!
STREET VENDOR:
De nada, Miguel!
As Miguel passes all these scenes, the music synthesizes and
he can't help but tap out rhythms along a table of alebrijes.
The fantastical wooden animal sculptures each play a
different tone like a marimba. Miguel finishes with a SMACK
on a trash can, out of which a pops up a scrappy hairless
Xolo dog. The dog, DANTE, barks and jumps up to lick Miguel,
who laughs.
MIGUEL:
Hey, hey! Dante!
Miguel holds the pan dulce over Dante's head.
MIGUEL:
Sit. Down. Roll over. Shake.
Fist bump.
Dante obeys to the best of his ability.
MIGUEL:
Good boy, Dante!
Miguel tosses the pan dulce to his furless friend who topples
back into the trash can.
CUT TO:
MARIACHI PLAZA - MOMENTS LATER
Miguel rounds the corner toward the town square. Vendors
sell sugar skulls and marigolds, and musicians fill the
square with music.
MIGUEL (V.O)
I know I'm not supposed to love
music -- but it's not my fault!
(beat)
It's his:
Ernesto de la Cruz...Miguel approaches a statue of a handsome mariachi at the
heart of the plaza.
8.
MIGUEL (V.O)
...The greatest musician of all
time.
A tour group and their TOUR GUIDE are gathered around the
base of the statue.
TOUR GUIDE:
And right here, in this very plaza,
the young Ernesto de la Cruz took
his first steps toward becoming the
most beloved singer in Mexican
history!
CUT TO:
CLIPS of de la Cruz in his hay day: playing as a young man in
the plaza, serenading bystanders in a train car...
MIGUEL (V.O.)
He started out a total nobody from
Santa Cecilia, like me. But when
he played music, he made people
fall in love with him.
MORE CLIPS from de la Cruz's films. He leaps from a tree
branch onto a galloping horse. He plays his signature skull
guitar with flourish and flair.
MIGUEL (V.O.)
He starred in movies. He had the
coolest guitar... He could fly!
A CLIP features de la Cruz dressed as a hovering priest, held
up by strings, in front of a cycling sky flat.
MIGUEL (V.O.)
And he wrote the best songs! But
my all-time favorite? It's--
A CLIP of de la Cruz performing in a fancy nightclub.
DE LA CRUZ:
(singing)
REMEMBER ME:
REMEMBER ME:
REMEMBER ME:
(MORE)
9.
REMEMBER ME:
EACH TIME YOU HEAR A SAD GUITAR
KNOW THAT I'M WITH YOU THE ONLY WAY
THAT I CAN BE...
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"Coco" Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/coco_5714>.
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