Coco Page #5
- PG
- Year:
- 2017
- 105 min
- $208,487,719
- 45,978 Views
She looks to the photo of Mamá Imelda. Abuelita's eyes
brighten with an idea.
ABUELITA (CONT'D)
You're right. That's just what he
needs!
CUT TO:
EXT. SIDE STREET
Tío Berto unloads rolls of leather from a truckbed. Nearby,
Dante sleeps under the shade of a tree. He startles awake by
a faint TWANGING. The dog scrambles up to the roof.
He reaches a shoe sign advertising the Rivera Family business
and lifts it up.
INT. ROOFTOP HIDEOUT
Dante pokes his head in. Miguel turns and gasps.
18.
MIGUEL:
Oh, it's you. Get in here, c'mon,
Dante. Hurry up.
Dante wriggles into the hideout. Miguel is huddled over
something. The dog peeks around his shoulder.
MIGUEL (CONT'D)
You're gonna get me in trouble,
Miguel reveals a makeshift guitar, cobbled together from a
beat up old soundboard and random other items.
He takes a china marker and sketches a nose on what appears
to be his own version of a skull guitar head.
MIGUEL (CONT'D)
I wish someone wanted to hear me...
Miguel tunes the guitar.
MIGUEL (CONT'D)
Other than you...
Dante gives Miguel a big sloppy lick. Miguel gives a grossed-
out chuckle. He lifts his guitar and strums.
MIGUEL (CONT'D)
Perfecto!
He crawls to the far side of the attic where he's built his
own ofrenda to Ernesto de la Cruz. Posters, candles, and
songbooks are arranged with care. Miguel lights the candles
with reverence, illuminating an album cover of de la Cruz
holding his skull guitar.
Miguel compares the head of his guitar to the album cover.
Then he imitates de la Cruz's pose and smile.
He switches on a beat up old TV and pushes a tape into the
VCR, "Best of de la Cruz" scrawled on the spine.
A montage of the greatest moments from de la Cruz's films
plays out.
I have to sing. I have to play.
The music, it's -- it's not just in
me. It is me.
19.
Miguel strums his guitar as de la Cruz imparts his wisdom.
More clips run in the background as Miguel plays:
When life gets me down, I play my
guitar.
In a clip from "A QUIEN YO AMO:"
The rest of the world may follow
the rules, but I must follow my
heart!
De la Cruz kisses a woman passionately. Miguel cringes.
Another clip from "A QUIEN YO AMO:"
You know that feeling? Like
there's a song in the air and it's
playing just for you...
As Miguel watches de la Cruz play guitar in the video, he
repeats the melody on his own guitar.
(singing)
YOU COULD REACH OUT AND TOUCH IT
BUT IT'S TRUE...
As a good-natured priest in "NUESTRA IGLESIA:"
You must have faith, sister.
NUN (FILM CLIP)
Oh but Padre, he will never listen.
He will listen... to MUSIC!
(singing)
ONLY A SONG:
ONLY A SONG:
HAS THE POWER TO CHANGE A HEART...
Miguel loses himself in the music.
20.
Never underestimate the power of
music...
Miguel's tune intertwines with the melodies on the TV set.
The clip jumps forward:
LOLA (FILM CLIP)
But my father, he will never give
his permission.
I am done asking permission. When
you see your moment you mustn't let
it pass you by, you must seize it!
The tape ends with an interview clip.
INTERVIEWER (FILM CLIP)
Señor de la Cruz, what did it take
for you to seize your moment?
I had to have faith in my dream.
No one was going to hand it to me.
It was up to me to reach for that
dream, grab it tight, and make it
come true.
MIGUEL:
...and make it come true.
The tape ends. The words sink into Miguel. He reaches for
the flyer for the plaza "TALENT SHOW."
MIGUEL:
No more hiding, Dante. I gotta
seize my moment!
Dante wags his tail, panting happily.
MIGUEL (CONT'D)
I'm gonna play in Mariachi Plaza if
it kills me!
CUT TO:
Children run by with sparklers as Abuelita opens the doors to
the family compound.
21.
ABUELITA:
Día de los Muertos has begun!
In the courtyard, two TODDLER COUSINS haphazardly scatter
marigold petals from their baskets.
MAMÁ
No, no, no, no, no.
Mamá corrects them, creating a path from the ofrenda room to
the front gate.
MAMÁ (CONT'D)
We have to make a clear path. The
petals guide our ancestors home. We
don't want their spirits to get
lost. We want them to come, and
enjoy all the food and drinks on
the ofrenda, sí?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Coco" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/coco_5714>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In