Col cuore in gola (Deadly Sweet) Page #3

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Who knows, it's enough someone is

photogenic when doing this job.

As soon as I come back, we'll

make a series of prints.

Bye.

"Anyway I say to you

the most suitable colour...

for a gorgeous body,

isn't the green of grassland

neither the blue of lakes, but

the black of a photo studio. "

Michelangelo Antonioni.

Wait, what are you doing?

Leris might be into

the gallery.

It's in connection with

his flat indoor.

- Is there Leris?

- No, no.

Holy cow!

On the car!

Why do you run away?

He's a Prescott's man,

he saw me going up to him.

He's sure it was me

to get rid of him.

Be careful!

Be careful!

Holy cow!

Hurry up, move!

Stop!

Stop!

Holy cow!

Stop!

Where are they?

Here they are.

Open!

Seek them!

That way!

Move, come.

- Come on!

- Go!

Here they are.

Get on.

They made it.

- The best thing is that we

divide. - What?

I'm getting off at the next

stop, so they will follow me.

- But I...

- Go to David's.

- I want to come with you.

- Stop it!

And remember

try to find out Jerome.

I'll reach you there.

I hope that at least.

Don't be afraid.

Getting rid of me won't be

so easy for you.

And don't move from David's

for any reason at all.

- Understood?

- Mm.

Here he is.

Come on, let's run into him!

That way, run.

Stop!

You this way, you that way.

Be still! You're trapped!

Spit out!

I'll make you speak.

I'll make you cry out.

I'll make you piss your blood.

I'll make you implore.

I'll make you scream.

Anyway nobody can hear you here.

That's enough, where's

the agenda?

You have a time to speak till

I'll end up leafing off

your eyelashes.

You speak, you don't speak.

You speak.

You don't speak.

You speak.

You don't speak.

You speak.

You don't speak.

You speak.

You don't speak.

You speak.

You don't speak.

You speak.

You don't speak.

You speak, you don't speak.

The girl who was with

me keeps it.

Where is she?

She's waiting for me

in the centre.

Release him.

He'll lead us to her.

Move.

Open your mouth.

Go. And keep your mouth

closed.

The police, come on,

surpass them.

Here's patrol no. 18,

send an ambulance.

There was a car crash,

two wounded persons.

We captured a third guy

having a handgun.

Another guy has run away,

we don't know who they are.

We're leading them for

an interrogatory.

They were riding a black Jaguar with

this registration number: XY5243.

I'm repeating, a black Jaguar,

XY5243. Over and out.

This way, move, come on, turn

towards me. On you back.

Come on, look at me.

Hey, what did you do?

I thought actors could have

their body doubles

for the dangerous shots.

But I use to be a body double

of myself every time.

Come and lay down here.

- Have you some band-aids by chance

or something similar? - Dunno.

What's up, don't you feel good?

No, I'm tired.

Fed up with all

this mystery.

You don't believe me

anymore, true?

"The truth is that, working

decisively without ever deflecting

from the revolutionary

principles, the people's back

will be nice, powerful and

harmonious". Mao Tse Tung.

Stop it, it's useless.

- Everything is useless, meaningless.

- Like in a movie.

Quiet. Quiet, Bernard.

Let me love you at least,

my angel.

I'll be fine again through you.

Oh, yes.

Me too, me too.

David! David!

Is it done?

As soon you can, come down.

Damn!

Veronica has come.

Together with her friend.

Ah, the high disappeared

brother.

Do you show me the last

photos?

Look at them, here they are.

Jerome has come.

Did you hear?

How nice!

Look at these ones!

Amazing.

I have been waiting for you

for a long time at the flippers.

Where's Martha?

Why?

Have you been at home?

Just for a while.

Was she there?

- My coat? - Jane, it's there. - She

was entering while I was going out.

Why?

I'd like to know what's

this whole story.

- Have you a car?

- Yes. - Lead us.

- Where?

- To home?

- What?

- To home.

Why, if I may ask?

We've to talk with Martha.

She won't be there.

Why?

She went out.

Go ahead.

She went to a happening, she

wanted me to accompany her.

Ok. We're going there too.

But...

We weren't invited.

We're going there regardless.

But I have no a proper dress,

I cannot.

Don't worry, baby, your look

is very nice anyway.

Phew.

I'm coming too.

No, not this night.

Go to bed.

- Sh*t! You're always having it for me.

- Forget it.

Show your look.

Not bad.

Come, we'll have fun as well.

What's the matter with

Martha now?

Leris has been killed.

Why did you do that?

What?

You know well what I mean.

You want to joke.

Leris' assassination

is not a joke.

You're crazy.

Maybe.

Where did you go yesterday night,

when you went out together with Leris

away from Prescott's?

So you're the French guy.

Yes, a supposed Prescott's

killer.

What did Leris do yesterday

evening?

I've already referred to

the police about that.

He led me to his home.

And we have been staying there

all over the night, till dawn.

But why?

Where's Leris?

Inside his bath.

As a corpse.

Do you recognize it?

It's the Jane's one, where

did you find it?

Besides Leris' corpse.

I knew that.

I knew she was still

his lover.

She was the one to do that.

Jane killed him!

Jane, Jane, Jane, Jane.

Come on, let's go away.

I don't care about what you did.

No, Bernard, I cannot do it.

Go away, you have no longer

to do with me.

Take it, this ear-ring is yours.

You cannot do it, Jane.

You cannot.

Bernard, but don't you understand?

I cannot, I just cannot do it.

And I don't want it, moreover.

So, go ahead.

Try.

Shoot.

Shoot.

Shoot.

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