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Crocodile Dundee In Los Angeles Page #7
Cut! And print.
We'll cut when he throws,|so that'll work fine.
- All right!|- Well done, Paul.
[Assistant Director] Listen, everyone,|we do not burn down the castle now.
That will be|a second-unit shot tomorrow.
That means everyone goes home early|and has tomorrow off.
- Whoo! All right!|- Okay, see you all Friday!
First thing!
[ Man ] And you've actually seen|these paintings quite recently.
Yeah, today.
Well, then that makes it easy.|They're fakes.
You can tell that|from the photographs?
Well, normally, no.|But, you see, these Rembrandts...
and this, The Olive Field|by Van Gogh,
unfortunately no longer exist.
During the bombing|of Belgrade by NATO,
the National Art Museum of Serbia|took a direct hit,
burned to the ground along with|the originals of these paintings...
and possibly the finest collection|of old masters in Eastern Europe.
It was a tragedy|for the art world.
Ergo, these must be copies, fakes.
That, um, Belgrade,|is that in Yugoslavia?
- Yeah.|- Where these paintings come from.
What if it wasn't|an accidental bombing...
and someone removed|the paintings first?
Spoils of war?
Maybe I should take a look at these.|Could you take me to them?
That's probably impossible.
But if I could get one of them|and bring it to you and it was real,
that means the rest|are probably real, right?
You must call me the minute|you find one. I have to see them.
- No worries.|- Thank you. Thank you.
- Hey, who drew this?|- Pablo Picasso.
I'm a drinking man myself,|but I've never been that hammered.
This'll be a piece of cake.|I know this lot backwards.
- Wait in the car.|- Uh, Mick?
I was gonna say, "Be careful, "
but I guess that's kind of a dumb thing|to say to someone who hunts crocodiles.
No worries.
Of course the difference|is obvious here,
but on film,|it's a perfect match.
- Isn't it?|- All right, we have the paintings.
Now must we continue with|this stupid movie business bullshit?
You really don't get it, do you?
God is in the details.
These came into the country as|film props. Anyone wants to see them--
"Sorry. We burned them.
Want proof? Go see the movie. "
Dead end. Brilliant.
Carl, we need your help.
Carl, that painting should be covered.
I'll be with you in a moment.
- Then who the hell is that?|- [Milos] Stop him!
After him! Quickly!
Shoot low!|Don't hit the painting!
After him!|Seal off the lot!
- Quick! Hold this! Thanks.|- What?
He ran in here.|Dravos followed him.
Cover all the exits.|Go in and help Dravos flush him out.
[ Whispering ] Shh. I know, I know.|Mick said to wait here.
It's his bust, right?
I know. I was just looking.
How'd you get here anyway?|Who's looking after Mikey?
Miss Mathis,|his teacher from school.
I followed you in her car.
Oh. I'll just keep you on hold.
Ah.
[ Screams ]
Keep you on hold. Ha!|I just come out with them.
- Who is this man? How does he--|- I think he's the monkey guy.
Mick, the guy that trains|the monkey. Same hat.
How would the monkey guy|know about the paintings?
Is he alone?|You better hope he's still alive.
Get in there.
[Man On Walkie-talkie. ]|We're entering stage four.
- We'll flush him your way.|- Roger that.
[Bell Ringing]
[ Laughs ]
[ Moos ]
- [ Farts ]|- Oh!
Shoot low.|We need him alive.
[ Whistles ]
- Watch out...|- [ Screaming ]
for the wall.
He's gone to the jungle set.
There's only one way|in and out of there.
- I'm on it.|- Cover the gate till we get there.
[Leaves Rustling]
Hey! Hey! Hey! Hey!
High five.
[Man On Walkie-talkie ] Stan, copy.|Boss said don't go in there alone.
- Stan? Stan?|- Too late, mate.
Stan!
Oh, sh*t.
Did it, um--
I- It... missed, I think.
I hope.
Hi, Mick.
I know you're still here.
Why don't we stop|playing this silly game?
You can come out and...
join your friends.
I have no more patience for this!
[Mick]|Okay, you win. I'm comin' out.
Just don't make|any sudden moves.
You don't have to be so formal.|We're all friends.
You can... lower your hands.
I can't really lower this one.
- And why is that?|- 'Cause if I put this arm down...
and break eye contact,
he might come down here|and tear you apart.
- Who?|- Fella who lives in there.
Look. Up on the rock.
[ Growling ]
Are you nuts?|Can't kill a lion with a. 38pistol.
- You'll just piss him off.|- [ Growling ]
If you shoot anyone,|they better not bleed.
Lions go berserk|when they smell blood.
If I was you, I'd back up slowly|into that cage.
Uh, yeah.|Surely, that's a...
tame lion.
Yeah. You could be right.
[ Roaring ]
I shoot you. You bleed.
- I take my chances.|- But he's not your problem.
- It's his missus I'm worried about.|- [ Growling ]
I can't handle her.
She's got PMS, I think.|Can see it in her eyes.
Anyway, you do|what you have to do.
I'm getting in the cage...
before his mother-in-law|comes down.
- No! No!|- [ Roaring ]
- Open the door! Open the door now!|- Give me the gun.
You held a gun to my wife's head.
- Huh?|- That's unforgivable.
- I'm gonna help you lose some weight.|- How?
Virgil's gonna come down here and|bite a big chunk out of your fat ass.
- [ Whimpering ]|- Virgil, lunch!
- [ Roars ]|- Sit!
[ Roars ]
Ah.
If you touch me, I will sue you|for every cent you've got.
Ha! Well, that sounds fair.
Hey, that's about 40 bucks.
[ Laughs ]|It's a fair deal.
Bargain.
And how are you, miss?
- What the hell were you doing in here?|- Well, I had to.
My cell phone went dead,
and I had to come in here|to find a phone to call 911.
You're clever, Sue. I never|would've thought of that.
Yeah, well, that's because|she's a Dundee.
Or she ought to be.
Uh, Jacko, keep an eye on|the goons and, uh, block your ears.
- What?|- Block your ears. Private talk.
No worries, mate.
Uh, I have to tell you this.
I was just really scared|for the first time in my life.
Well, that's okay.|Most people are frightened of lions.
No, not the lions.|They're just hungry.
It's when I saw that goon|with a gun at your head.
That's when I realized|how much I, uh--
You know, um--
Will you marry me?
Well, you do rush into things,|don't you, Mick?
Are you sure it's not|just the romantic setting?
Local experts say the value|of the recovered art...
could run as high|as $300 million.
For the very latest, let's go live|to Marta Waller at the scene. Marta?
Thanks, Hal. Right now|the police are taking...
these priceless paintings|into protective custody.
The woman behind me talking to|the detective is Ms. Sue Charleton,
the Newsday reporter...
who led detectives to the cache|of stolen masterpieces.
However, earlier tonight,
he did tell me he is, in fact,|a known expert in the art world.
Isn't that the guy who had|the skunk on the freeway?
- [ Man Whispers ] Hey, Hal!|- We'll have more as the story unfolds.
Right now|let's go to Malibu...
where last night's downpour|of almost a quarter inch of rain...
resulted in disastrous flooding|and massive mud slides...
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"Crocodile Dundee In Los Angeles" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/crocodile_dundee_in_los_angeles_6078>.
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