Crocodile Dundee In Los Angeles Page #6

Synopsis: From the opening shot of a Jurassic Park-esque reptilian eye, you know you are in for a wild ride. As Mick "Crocodile" Dundee sits in a canoe sharpening his famous knife, a monstrous croc hides somewhere in the deep. The croc suddenly attacks, tearing Mick's boat to pieces and leaving him and mate Jacko up a tree. Life for Mick can only get easier, right? When Mick arrives at home, he discovers longtime companion Sue's newspaper-mogul father has called, and needs her help on an article at the paper's Los Angeles branch. Mick, who recognizes his importance in the modernizing bush is now no more than as a tourist attraction, agrees to join her, and together Mick, Sue and son Mikey head for Los Angeles. Here the adventure truly begins, as Mick and Jacko brave a cowboy bar where the horsemen are of a different color, and a Hollywood film party where everyone seems interested in Mick's mate Malcolm "Mal" Gibson's colorful exploits. Sue's article soon leads to a sleazy film producer, so Mick
Director(s): Simon Wincer
Production: Paramount
  1 win & 2 nominations.
 
IMDB:
4.8
Metacritic:
37
Rotten Tomatoes:
11%
PG
Year:
2001
92 min
$25,264,107
Website
564 Views


and four Biggie Fries.

So that's four Classic riples...

- Uh, wait a minute.|- and four Biggie Fries?

Uh, here comes Stan and Harry.

Uh, they'll also be|dining with us tonight,

so we need...|six triple burgers with cheese...

and six Biggie Fries.

Okay. Six Classic ripples|with cheese and six Biggie Fries?

- You know what I'd really like to do?|- What's that?

Go right up on the roof|on one of those skyscrapers.

That's easy.|Just find one that's open.

S'truth. This is|higher than Ayers Rock.

Yeah. Of course, the buildings|in New York are a lot higher.

I was there, you know.

Old New York.

Or as we call it, the "Big Apple. "

Big Apple?|Why do you call it that?

Well, because|it's really big and, uh--

Yeah, but none of those buildings|are as dangerous as this.

What do you mean?

Well, they don't have|earthquakes in New York.

They have 'em here|all the time, right?

Yeah.

We could have one right now.

God!

What do you reckon|it'd do to this building?

Hey, I wouldn't wanna be up here|if she started shakin', eh?

[ Chuckling ]

I've seen enough.|You done?

Oh, yeah.|No point in hangin' round.

This quake-safe?

No worries.

Oh, mate, I need a drink|after all those 1, 286 stairs.

No worries, mate.

Didn't work.

Well, you gotta wait. There's hundreds|of cars going through...

and just us two trying to cross.

Yeah?|Now there's 20 of us, eh?

Yeah, but you can't do that.|It's illegal.

Well, I don't see any cops.

Yeah, but they have cameras|at all these intersections, see?

If you do anything wrong, they take|your picture and send you a fine.

Yeah, but I ain't wearing|a number plate around my neck,

so how the hell are they|gonna know who I am, huh?

When you landed here,|you showed 'em your passport, right?

- Yeah.|- Got your picture in it, dopey.

Oh, yeah, right.

I wonder|how much they fine you.

It all depends on how many times|you push the button.

- This looks like us.|- Great. Texas bar. We're in.

This could be a bit of fun.

These American cowboys|like a good barroom brawl.

- ## [Disco ]|- Howdy, boys. Step on in.

Howdy, ma'am.

- Ma'am.|- Howdy, cowboys.

# It's raining men|Hallelujah #

Stone the bloody crows!

That must've been|one of those poofter bars.

Yup. Only I believe|the correct term is "gay homosexual. "

That's what they call|their shirt-lifters over here.

The only woman there was|the cowgirl at the door.

## [ Rap ]

Give it up, punk,|or I'll blow you away.

- ## [Rap Continues]|- Uh, hang on. I can't hear you.

## [Stops]

- That's better. Now how can I help you?|- Smart-ass cowboy, huh?

- Hand me over your money, man!|- They ain't cowboys.

- They're fools dressed up!|- Fools got money too. [ Laughing ]

- Give it up or I'll bust a cap in your ass!|- Yeah, hand it over, b*tch!

B*tch?

Son, you have any idea how quick|you have to be to catch a tiger snake?

I'm always getting mugged.|I must look rich.

It's one of them soft-top cars.|Cave in.

- [Punks Yelling]|- [ Horn Honks ]

- Ow!|- You know,

this must be why they call L. A.|the "City on Wheels. "

What do you mean?

They don't even get out|of their car to mug you.

- Hey!|- [ Groaning] Ow!

It's all your fault, homes!|You shouldn't have called him a b*tch!

Should we call the cops?

No point. Over here,|they'd probably end up suing us.

Besides, it's not their fault.

It's the drugs.

I saw all about it|on that Geraldo Rivera.

He knows the streets.

Let's just get a cup of coffee|and go home.

Don't be too hasty|ordering coffee around here.

You might not be too happy|with the way they serve it.

Trust me.

And this is where a big crocodile|almost bit his leg right off.

- Whoa!|- Neat!

Well, to tell the truth, kids,|it wasn't really that big.

No more than 20 feet or so|anyway.

[Boy]|Whoa! That's huge!

- [ Chittering ]|- Yes, I know.

They just don't appreciate|a real artiste. I'd have bit him too.

I thought you were fabulous.

I don't care what that director said.|He's an idiot.

You were really good.

- You said black with one sugar, right?|- Oh, yes.

- Thanks, mate. Excellent.|- And...

I got us a little treat|for our friend here.

Oh, great.|That'll hit the spot.

- Black and one sugar.|- [ Slurps ]

She's a bit grumpy today.

Not happy with|the size of her trailer.

She wants a big one like Virgil,|but I keep telling her,

"Virgil's a lion.|You're only a monkey. "

- [ Chittering ]|- Sorry.

"Chimpanzee. "

Say, have you thought|about changing agents?

Diego, you're talking to a chimp.|They don't speak English.

Neither did my first wife.

Neither did my first wife.

Keep moving, Dravos.

Don't be stupid!|Mind the painting!

[ Muttering ]

Just lean it carefully|against the wall for now.

- [ Thuds ]|- Carefully!

G'day, Phil.|What's happening, mate?

Hi, Mick.|The usual continuity nightmare.

Right.

- What's that mean?|- It means I have to make this set...

look exactly like it did|on location in Yugoslavia.

Yugoslavia. Is that where|all these paintings come from?

Yup. They had them|done there. Dumb.

Would've been cheaper here,|and more realistic.

Oh, so none of these are valuable.|They're just all copies.

Yup, and rather|poor ones at that.

And these huge, tacky frames?|For God sakes.

Don't they usually cart|the sets and the props...

from one country|to another and back again?

Maybe in a big-budget international|movie like Mission: Impossible 3.

But I haven't seen Tom Cruise|hanging around the set, have you?

Tom Cruise.|What's he look like?

Like... Tom Cruise.

Jeez, Mick, were you|born in a cave?

Yeah!|How did you know that?

Never mind.

Jim, the Van Goghs|are down at the wrong end.

See, here they started with|the Gauguins, one above the other.

Let's get this right.|We gotta be done in here tonight.

They're shooting|in here tomorrow.

[ Sniffs ]

[Mick ] You see,|you can mix heroin into a plaster,

make it any shape you like.

So, when I see this guy go nuts 'cause|they bumped the lousy painting,

that's when I knew|where the drugs were hidden--

molded into the picture frames.

Pure heroin, or|as we call it, "smack. "

Jeez, Mick, you really do|think like a detective.

Yeah, well, it comes sort of|natural to me, you know?

- Hey, Mick.|- Ah.

That was the police lab.

Sorry. The frames are just plaster.|There's no drugs.

Oh, bugger it.

I was sure|I cracked the case.

I don't know. Maybe they're not|smuggling anything.

Oh, no. They're sneaking around|with something.

I just haven't found it yet.

Look, I read about this fella,

he used to push|a wheelbarrow full of cow dung...

across the border every day.

"Manure for the garden, " he'd say.|Went on for months.

And the border guards knew|he was smuggling something,

so they'd stop him and rake through|that manure with a fine-tooth comb.

Never found a thing.

Turned out they were right.|He was smuggling something:

wheelbarrows.

Right under their noses.

See, it's there, and I'm just|not seeing it... yet. But I will.

Nah. I reckon he was right|the first time. It's drugs.

They wouldn't go to all|that trouble for wheelbarrows.

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Paul Hogan

Paul Hogan, (born 8 October 1939) is an Australian comedian, actor and television presenter. He was nominated for the Academy Award for Best Original Screenplay and won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for his performance as outback adventurer Michael "Crocodile" Dundee in Crocodile Dundee (1986), the first in the Crocodile Dundee film series. more…

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Submitted on August 05, 2018

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