De-Lovely Page #4
And plant it like that. See?
Good catch.
Sun-tanned, wind-blown
Honeymooners at last alone
-You know, this was written as a duet.
-Thanks.
Oh, how lucky we are
While I give to you and you give to me
True love, true love
So on and on it will always be
True love, true love
Cole, l know this is your song,
but it just doesn't sound like you.
Linda thinks it does.
With nothing to do
Are you going to put it
in the new show you're working on?
-Why not?
-Because it doesn't sound like me.
Love forever true
Bravo!
Oh, my goodness,
could you be any more wonderful?
Come in.
-Hello.
-Hi.
l was lying in my bed just now, thinking...
l don't want to stay in that room.
l want to stay here tonight, is that all right?
Of course it is, darling.
ls everything all right?
Are you lonely?
No, l'm fine.
lt's just that....
lt's funny, this afternoon...
l was watching you...
and watching you
watching the Murphys' kids...
and l thought about how happy we are
and how much we have...
and then l thought about the Murphys
and how happy they are...
We are as happy as the Murphys,
but we could be happy in the way that...
the Murphys are happy
if we had what the Murphys have.
They bring them so much happiness.
l'm so glad l'm not trying
to write this as a song.
lt would be a beautiful serenade.
Champagne,
or how do you wanna play this?
Comedy, tragedy? Musical comedy, farce?
Why don't we just play?
Good idea.
Night and day
You are the one
Only you beneath the moon
And under the sun
Whether near to me or far
It's no matter, darling, where you are
I think--
Stop!
-lt's impossible, l just can't do it.
-Cole.
He is only an actor,
The song is a problem.
l told you, we should have given it
to Astaire.
Beard, the song is not a problem,
it's a challenge.
Just give me a moment.
Jack, dear boy...
what can l do to help?
Anything, just name it.
Write another song.
God, that cuts me right to the quick.
l know it's God-awful,
but it's the best l can do.
And we open in three days.
Look, Mr. Porter, the song goes
so high and so low, it is impossible.
lt's not impossible.
Jack, l wrote it with you in mind.
l know you've got it. l can sing it,
and l have a range of three notes.
Where did you come up with it?
l get all my ideas from a little Chinese man
in Poughkeepsie.
Listen, you can sing this.
The problem is, you're not having any fun.
Just don't think about the melody.
lt's about obsession.
You've been in love?
Just sing it with me.
Think about the lyrics and just look at me.
One more time. Jimmy?
Like the beat beat beat of the tom tom
Like the tick tick tock of the stately clock
-As it stands against the wall
-lt's relentless, it's obsessive.
Like the drip drip drip of the raindrops
When the summer shower is through
So a voice within me keeps repeating
You you you
Night and day
You are the one
Only you beneath the moon
And under the sun
That's beautiful.
Whether near to me or far
It's no matter, darling, where you are
I think of you
Night and day
Jimmy, try E flat.
Day and night
Why is it so
That this longing for you
Follows wherever I go?
In the roaring traffic's boom
In the silence of my lonely room
I think of you
Night and day
Night and day
Under the hide of me
There's an, oh, such a hungry yearning
Burning inside of me
And this torment won't be through
Till you let me spend my life
Making love to you
Day and night
Night and day
Bravo.
least of all myself, until Linda.
She restored me to myself.
And l gave her back...
me.
Hardly payment in kind.
lrving swears that The Times critic
was dancing up the aisle.
Our producer was still standing
in the front row, applauding.
No triumph complete without this.
Thank you.
You're welcome. Let's not be late.
l'm gonna ride with Monty
if it's all right with you.
He says the London producers
are dying to talk to me...
about the West End transfer.
ls it all right if l join you later?
Can't you speak with him at the party?
No business at the party, only fun.
-lt's all right, l'll be there soon.
-All right.
Bye-bye.
Beard, you know, you're very dear to me,
always have been...
but these opening night gifts of yours
are becoming more and more intricate.
lt's not as elegant as one of
Linda's cigarette cases, l know...
but l believe it may be better suited
to the daring side of your nature.
Monty, you've always been so solicitous
vis--vis my nature. You pamper me.
l have to, my boy. Nature is a nasty b*tch.
lf nature were fair, l'd be Marlene Dietrich.
If you wake up and dream
Life will suddenly seem
as gay as it used to be
Never mind what they say
And you'll still be alive
when they're dead
Your words.
Yes, Monty, but it's a song,
not a call to arms.
Arms weren't what l had in mind.
l wanted to tell you privately
how much all your attention did for me.
And Night and Day,
how much it means to me.
From here on,
you two will have to improvise.
l'm gonna find some trouble of my own
in the Ramble.
Shall we have a cigarette?
Good morning.
This is something new.
To be inconsiderate,
to ignore your obligations.
l know.
l'm so sorry, l really am.
That was unforgivable.
Cole, you disappointed a lot of people
last night.
The London producers were there.
Some Hollywood people were most anxious
to speak with you.
l don't want to go to Hollywood,
and l don't want to fight.
l don't want to fight.
-And l don't want to blame.
-Thank you for that, dear.
But if things are gonna be different...
l'd like to know.
l'll tell you as soon as l know.
You must have known already.
l got the ending.
I didn't know how much my happiness
would hurt us.
We couldn't hear the songs
the same way anymore.
Suddenly the lyrics all sounded like code.
In olden days, a glimpse of stocking
was looked on as something shocking
Now heaven knows
Anything goes
Good authors, too,
who once knew better words
Now only use four-letter words
Writing prose
Anything goes
If saying your prayers you like
They love your song.
-If old chairs you like
-If old chairs you like
Don't you?
If backstairs you like
-If love affairs you like
-If love affairs you like
If love affairs you like
Why, nobody will oppose
So though I'm not a great romancer
I know that I'm bound to answer
When you propose
Anything goes
Ellin says lrving is having
a great run in Hollywood.
The Gershwins are there--
You want me to leave
at the top of my game?
-If old hymns you like
-If old hymns you like
-If bare limbs you like
-If bare limbs you like
-If Mae West you like
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"De-Lovely" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/de-lovely_6466>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In