Death to Smoochy Page #2
NORA:
The guy can't get arrested, Frank.
He can't even break into the
birthday party circuit. Last I
heard he was working hospitals andnursing homes. He's a joke.
Stokes stands up and walks around the room.
STOKES:
The truth of the matter is, a
successful children's show has
always depended on two simpleelements: a fuzzy costume and alot of hype. Strip away the foamrubber and the network money andthey're all jokes. Marginaltalents.. cabaret acts... off-
Broadway runoff...
(CONTINUED)
7.
CONTINUED:
NORA:
I probably have ten acts in mydevelopment file -- acts I've beencultivating!-- that are more
deserving than Sheldon Mopes.
STOKES:
And each one a moral questionmark. Something I can't risk atthe moment.
NORA:
(frustrated)
We can do better than this guy,
Frank. He brings nothing to thetable.
STOKES:
Except ethics. With Mopes,
controversy. The man's an
ethical, harmless, cornball. In
short, a glass of milk on twolegs.
Stokes stops pacing.
NORA:
Don't ask me to do it. You know
I'll do anything for you, butplease... not this...
Stokes gazes out the window at the city.
STOKES:
Go find Smoochy.
EXT. CONEY ISLAND - EARLY EVENING
The lighted Ferris wheel spins CENTER FRAME. We CRANE
DOWN and eventually LAND ON a side street with theamusement park looming in the b.g. We're in FRONT of a
small building. The half-lit neon sign reads: CONEY
ISLAND METHADONE CENTER. We DRIFT THROUGH the double
doors THROUGH the reception area where random junkiesloiter and fill out paperwork. We CONTINUE DOWN a
narrow hallway as the faint sound of someone SINGING andplaying the GUITAR INCREASES. We finally burst THROUGHanother set of doors marked "Treatment Room." The
singing now fills our ears as we PUSH IN ON the"performer" -- a big, puffy, orange rhinoceros. Smoochy.
Or to be more specific, SHELDON MOPES.
(CONTINUED)
8.
CONTINUED:
Smoochy sits on a stool with his guitar and sings to thepatients as they stand in line before a sliding glasswindow, where a nurse hands each person a little cup ofmethadone which they immediately drink.
The Smoochy costume is a mass of misshapen orange foamrubber that exposes Sheldon's painted face in the front.
A multi-colored horn protrudes from his forehead.
SMOOCHY (SHELDON)
(singing to the tuneof 'She'll be Comin'
round the Mountain')
'We'll get that monkey off your
back,
Yes we will, yes we willWe'll get that monkey off your
back,
Yes we will...'
'We'll get that monkey off yourback
And get your life right back on
track
If you'll just give up the smackYes you will, yes you will!!'
The song ends. A few baffled junkies applaud.
SMOOCHY:
Thanks, fellas. I'm rooting foryou!
We PAN AWAY FROM Sheldon TO the exit. Standing there inher coat, looking mortified, is Nora.
INT. RECEPTION AREA - SHORT WHILE LATER
Nora sits in the reception area. Sheldon emerges in hisstreet clothes. He carries Smoochy's body on a hangerover his shoulder and carries a large shopping bag whichholds Smoochy's head.
NORA:
Mr. Mopes?
Sheldon stops.
SHELDON:
Yeah?
(CONTINUED)
9.
CONTINUED:
NORA:
I, uh, saw your performancetonight. Very...
(searching)
... spirited.
SHELDON:
Really? Thanks. I would've done
a longer set if that guy hadn'tpulled a knife on the securityguard. Once the pepper spraystarts flyin', that's it for the
encores.
NORA:
Yes, that did put a damper on theevening, didn't it?
SHELDON:
Are you a new patient? On the
juice, as we say?
NORA:
Ah, no. But it's sweet of you to
assume so.
She hands him her card. He reads it.
SHELDON:
'Nora Bishop. V.P. of
Development. Kidnet.'
(to Nora)
Good gravy. You work for Kidnet?
NORA:
As stated.
Sheldon grabs her hand and shakes it.
SHELDON:
Well, it's a pleasure to meet you,
Nora. A real honor. Hey, youhungry?
EXT. CONEY ISLAND BOARDWALK - NATHAN'S HOT DOGS - SHORT
WHILE LATER:
Sheldon and Nora stand at the crowded counter at
Nathan's. Sheldon ravenously eats his sloppily-
garnished, oddly colored hot dog. Nora winces as
she watches him.
(CONTINUED)
10.
CONTINUED:
SHELDON:
(with full mouth)
Soy dogs... never thought I'd
live to see the day. Organic,
rich in natural protein, and
nobody gets killed. Although I
do feel bad for the beans. Just
kidding. Sure you don't want one?
NORA:
Believe it or not, no.
He takes another bite.
SHELDON:
So anyway, like I was saying,
people always tell me, 'You gotta
network, Sheldon... you gotta sell
yourself... or you'll be playing
the drug clinics and shopping
centers the rest of your life.'
And you know what I tell 'em?
NORA:
I haven't the foggiest.
SHELDON:
I tell 'em, it's not about the old
handshake and back slap game.
It's not about adding fuel to the
shlock machine. It's about doing
good work. Having integrity.
Making people happy and delivering
a positive message. Foundations
are built with concrete, not
plaster of Paris!
He pulls the stained, misshapen Smoochy head from theshopping bag.
SHELDON:
This is concrete! This is
integrity!
NORA:
(calmly)
I can see that.
Sheldon realizes his voice was getting too loud.
SHELDON:
Sorry. As you can imagine, living
by your convictions can be a
little stressful at times.
(CONTINUED)
11.
CONTINUED:
NORA:
We all have our cross to bear.
SHELDON:
See, I was raised by mygrandfather, and Grandpop paveddriveways for a living...
NORA:
Are we going into a story?
SHELDON:
Thing is, he didn't really pavethem. Just covered them with
black paint. Of course, once the
first rain came along, peoplerealized they'd been swindled. I
vowed to myself back then that I'dnever make a living throughdeception. Never. Whadda yathink of them apples?
Nora looks glassy-eyed. She takes a deep breath.
NORA:
The reason I'm here today, Mr.
Mopes, as fate would have it,
Kidnet is currently looking for aperformer with... convictions.
And integrity. Someone like...
She almost chokes on the word.
NORA:
... yourself.
Sheldon laughs.
SHELDON:
Yeah, right. Got any more jokes?
NORA:
I don't think I could top that
one.
SHELDON:
Hold the phone. You're telling methat Kidnet is finally ready to doa show of Smoochy quality? Of
Smoochy caliber?
(CONTINUED)
12.
CONTINUED:
NORA:
(dryly)
Yes... I believe we're ready to
push ourselves to that level.
SHELDON:
I knew this day would come!
After all these years I finallymeet someone in the business who
gets what I do. Who gets what I'mall about. You get me, don't you,
Nora?
NORA:
I'm afraid so.
SHELDON:
Well, Miss V.P. of Development...
let's go make history!
CUT TO:
PREP MONTAGE:
KIDNET STUDIO WARDROBE ROOM. A team of designers andseamstresses cut, sew and shape endless sheets of orangefoam rubber. Sheldon stands on a wooden box as he's
measured from head to toe. On the wall is a blueprintlabeled "Smoochy the Rhino -- REDESIGN."
A costume designer walks over with the new Smoochy headand places it on Sheldon.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Death to Smoochy" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/death_to_smoochy_339>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In