Deep End Page #4

Synopsis: 15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé. Mike becomes increasingly desperate to have Susan for himself, with tragic results.
Genre: Drama, Romance
Director(s): Jerzy Skolimowski
Production: Paramount Pictures
 
IMDB:
7.3
Rotten Tomatoes:
89%
R
Year:
1970
88 min
438 Views


- Good evening, sir.

- Thank you.

- That's my fiance. Not bad, eh?

Here you go then.

I'll see you later.

Thank you.

- I'm terribly sorry.

- Good evening, madam.

- Sorry...

- Step this way, please.

- Sorry.

- Warmer inside, sir.

Hop it.

- How much is a hot dog?

- One and nine, sir.

- Yes, yes, all right.

- With mustard?

- One and nine, please, sir.

- Thank you very much.

- Thank you, sir.

- Thank you.

Live show, sir. On now.

Only 10 bob, she takes everything off.

Film show, too, sir.

You'll find it very educational.

Hot dog, please.

- With mustard?

- Yes.

One and nine, please.

- Thank you, sir.

- Thank you.

Live continuous striptease,

goes on now.

Eighteen lovely girls,

nothing on and nowhere to hide.

They're all beautiful. Not a stitch on.

All comes off here.

Everything's on show.

They move, they dance.

It's a beautiful show. Good clean show.

Lots of lovely ladies in here, sir.

Every one hand picked by myself.

Coming inside, sir?

Eh, coming inside?

Are you gonna see the show?

Worth every penny you got.

Hey. What you doing with that, sir?

Put it down. Move out of my way.

Here, put her down.

As naked as the day they were born.

Only bigger and juicier.

Nothing on and nowhere to hide.

Step inside, sir. The show's on now.

Continuous show.

Step right inside, sir.

The show's on now. The show's on now.

Where did you get this poster?

Angelica, continental,

born in Manchester.

Why don't you ask her for yourself if

you can afford her. Very expensive girl.

Step right inside, sir.

The show's on now.

Eighteen beautiful girls,

nothing on and nowhere to hide.

- Thank you, sir.

- Thank you.

Eighteen lovely girls,

nothing on and nowhere to hide.

It all comes off in here.

Not a stitch on.

Continuous live striptease.

Excuse me, sir. I say, sir.

You coming inside, sir?

You can probably go inside, sir,

for 10 bob. Going in?

Show's on now.

Hold on.

- Sorry.

- Who is it?

Hey, where's Angelica?

Who's taken Angelica?

It's me. A customer. A customer, yes.

Hey, hey, where's Angelica? Have you

seen her? Someone's taken Angelica!

- Can I come in?

- Yeah, of course you can.

I'll be busy now.

Well, dear, what can I do for you?

Could I stay for a while, please?

Please do. Welcome. Don't be shy.

- Could I wash my hands?

- Yeah, over there.

Thank you.

You got a match?

A match? Yes.

Here.

You're all trembling, why?

Well, I...

I've been running a lot.

Have a drink, won't you?

Thanks. Well, how much is it?

- Be my guest.

- Oh, thank you.

Why don't you take a glass?

Um, why make it dirty?

- Well, I...

- Hey.

What do you do, boy? Are you at school?

- Um, no, I work.

- Where?

Where is she? Where's Angelica?

I'm a public baths attendant.

Nice job, is it?

Well, it could, yeah, it could be worse.

Pays well?

Yes, quite well.

I got my first 10 quid today.

Oh. Today. Any tips?

Um, yeah. 10 bob. I got 10 bob once.

Must've fancied you.

- No, no.

- Be careful, boy.

No, really, it was nothing like that.

It was a lady.

A lady? What did you do for her?

Nothing really.

I think she was a bit soft in the head.

She kept on talking about football.

Oh, we're probably in the same line.

Football, huh? Are you a football fan?

Yes, I am.

Hang on, come here.

Let me show you something. Come.

Look.

You know him?

Yeah, yeah, he's great.

He plays for West Bromwich.

Yes, well, um...

I see you're not working

so I'll have to go.

What do you mean, not working?

I've never needed work more. There's no

insurance in this kind of business.

- Do you know how much I'm worth?

- No.

I used to take five quid

for a short time.

It's 210s now of course.

Close the door.

Oh, it's Angelica.

Do you fancy her as well?

Do you... Do you know this girl?

Do you know her?

Well, it depends on what you mean

by know her.

Yeah, but you know her name.

What do you do with all your money, boy?

I keep 3 and give the rest

to my mother.

- But do you know this girl?

- 7?

Seven quid? You're mad. What do they

need it for? They've no shame.

- Well, they feed me. About this girl...

- They should.

They've brought you into this world,

haven't they?

They've had their fun,

they can pay now.

They wanna have it free.

So you've only got three quid left.

You can't imagine the things

we can do for three quid.

- Yes, but you said two and a half.

- Yes.

Two and a half, of course.

Hey, let's not waste anymore time.

Where do you need her? There?

You just want to see her

when you do it, is that it?

It's easier for you, eh?

No, stop it, stop it, please.

Oh, stop it, look, I have to go now.

You think you can just go

and leave a girl in this state?

I don't have to pay you, do I?

What do you think? You've had my time,

my drink, my emotions.

You made me nervous.

Look, come on, stop it. Give it to me.

Give me the thing, give it.

Hey you! Where's Angelica?

What have you done with her?

Hey, hey, hey. Come on, where is she?

Oh, sod it.

Come on, give it... You sod.

Come on, you little pervert.

- Where is she? I want her back.

- Go on, bastard.

Hey, come back. Come back. Hey.

Come on, come back. Hey! Hey!

Come back, you two. Hey! Come on.

Get, you dirty foreign perverts.

Come back here.

Can I help you, sir?

Yes, did the young couple come out yet?

No, I don't think so.

- But they were here?

- I think so.

Excuse me, sir.

Would you please read this?

It tells you about Christ.

I want to talk to you today

about the Lord Jesus Christ.

There are two things you can be certain

of in this life.

- One of them is the fact that the sun...

- Hot dog, please.

...is going to rise tomorrow morning.

- With mustard?

- Yes.

The other is the fact that one day

there's a coffin waiting for you.

The Bible tells us there's no way out.

- Where'd you get that?

- These men gave it to me.

- Oh, not that, the hot dog.

- Oh, hot dog.

Just here, look, I'll show you.

- Yeah, I fancy a hot dog.

- Do you, yeah?

Have one. There's nice.

They're very good.

- Jesus is the good shepherd.

- I've got one, thanks.

Here, look. Hey, over here.

- Look.

- He loved us so much...

- Ooh, how lovely.

- Two more customers for you.

- Ooh, I'm ever so hungry.

- I'm starving.

Have one.

What're they doing? Don't know

what they're going on about.

Don't know what they're giving out.

Do you know what they're

going on about?

'Ere, we gonna have a hot dog, then?

In his death,

you are a sinner...

- It smells super.

- Hey, go on.

Three hot dogs, please.

- With mustard?

- Oh, please.

Yeah.

Don't laugh at them.

- Oh, thanks.

- Yes.

Ooh, thanks very much.

- Five and three, please, sir.

- Five and three?

- Eeh, I've got no change.

- I don't have any change.

You don't? Here.

He's got a quid.

Here, shall we sing?

- Thank you, sir.

- Thank you very much.

Aren't you gonna sing?

- Which way did you say Piccadilly was?

- Thank you.

Piccadilly, yes, it's just down there.

You can't miss it.

- Ready? Ready?

Rate this script:0.0 / 0 votes

Jerzy Skolimowski

Jerzy Skolimowski (Polish: [jɛʐɨ skɔliˈmɔfskʲi], born 5 May 1938) is a Polish film director, screenwriter, dramatist and actor. A graduate of the prestigious National Film School in Łódź, Skolimowski has directed more than twenty films since his 1960 début Oko wykol (The Menacing Eye). In 1967 he was awarded Golden Bear for his film Le départ. His famous film is Deep End(1970). Jane Asher and John Moulder Brown acted in Deep End. He lived in Los Angeles for over 20 years where he painted in a figurative, expressionist mode and acted occasionally in films. More recently, he returned to Poland, and to film making as a writer and director after a 17-year hiatus with Cztery noce z Anną (Four Nights with Anna) in 2008. He received the Golden Lion Award for Lifetime Achievement at the 2016 Venice Film Festival. more…

All Jerzy Skolimowski scripts | Jerzy Skolimowski Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Deep End" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/deep_end_6638>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Deep End

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does "FADE IN:" signify?
    A The beginning of the screenplay
    B The end of the screenplay
    C A camera movement
    D A transition between scenes