Die Hard Page #26
As he talks, he essentially PATROLS the floor he's staked
out, constantly looking into every dark corner, gun held
ready, moving toward the stairwell.
MCCLANE:
Al? Al, you there?
POWELL:
I'm here, cowboy.
MCCLANE:
Speaking of cows, did you ever
hear so much bullshit in your life?
Two hours? That doesn't even make
any sense --
POWELL:
Don't tell me, partner. I'm just
a desk jockey who was on the way
home when you rang.
MCCLANE:
The way you drove that car, I
figured you for the streets.
POWELL:
In my youth, partner. In my youth.
246 INT. TV STUDIO - NIGHT 246
Gail and Harvey have company, a man from the Senator
Paul Simon's school of grooming.
GAIL:
(in mid-speech)
...author of...
(holding up a copy)
'Hostage/Terrorist, Terrorist/Hostage,
a Study in Duality.' Dr. Hasseldorf,
what can we expect in the next few hours?
HASSELDORF:
Well, Gail, by this time the hostages
and their captors should be entering
the early stages of the Helsinki
Syndrome.
HARVEY:
As in Helsinki, Sweden?
Sam sighs, shakes his head.
HASSELDORF:
(over monitor)
Uh...Finland. Basically, it's when
the hostages and the terrorists go
through a sort of psychological
transference and projection of dependency...
248 INT. NAKATOMI - HOSTAGE FLOOR 248
Fritz drags Ellis' body out of the office and throws it on the
floor.
HASSELDORF:
(over Hans' TV)
What can only be described as a
strange sort of trust and bond
develops...We've had situations where
hostages have embraced their captors
after their release and in one case
even corresponded with them in prison...
249 INT. BUILDING - MACHINE FLOOR 249
Hans turns, looks up at the ceiling. Too dim up there to see
from here. He sighs, sets his gun down on a buttress, starts
253 253
CUT TO:
Robinson looks at a YOUNG COP, reacts, startled:
ROBINSON:
The...the FBI? Here? Now?
YOUNG COP:
Yessir. Right over there.
Robinson looks at Powell, adjusts his clothing, fixes his tie.
POWELL:
(dryly)
You want a breath mint?
Robinson glares at him, then they move together towards:
255 A BIG DARK GOVERNMENT CAR 255
Headlights still on, dominating the area where it sits. Robinson
steps up, sees:
256 HIS P.O.V. - FBI AGENTS 256
They get out. One big back lit SILHOUETTE, one little one.
BIG JOHNSON:
(showing badge)
I'm Special Agent Johnson of the FBI.
This is Agent Johnson...no relation.
ROBINSON:
(stepping forward, plastic
smile)
Dwayne Robinson, LAPD. I'm in charge
here.
BIG JOHNSON:
Not any more.
257 THE MECHANICAL FLOOR - TIGHT ON HANS 257
He checks the plastique, not pleased. He turns, DROPS to the
floor.
He lands, knees bent...looks directly at a PAIR OF BARE FEET.
A GUN BARREL DROPS INTO THE SHOT close to his head.
MCCLANE:
Lost?
A moment. And then Hans turns, looks up.
The transformation in his expression and bearing are mind-
boggling. Hands shaking, eyes filled with fear, he swallows,
looks up at McClane and in a perfect American accent says:
HANS:
--ohGodplease -- don't kill me --
don't kill me -- you're one of them,
I know it --
MCCLANE:
(thrown, unsure)
Whoa, whoa, easy man. I won't hurt
you. Who are you? What are you
looking for?
Hans' eyes dart towards:
260 THE BUTTRESS TEN FEET AWAY 260
Where a tiny piece of his gun sticks out, barely visible.
HANS:
A way up to the roof...I thought I
could signal for help --
He starts in that direction.
MCCLANE:
Forget it. They got a guy up there.
You want to stay alive, keep moving.
Hey? You hear me?
Hans realizes this tack won't work. He follows McClane.
HANS:
You...you're an American?
MCCLANE:
(friendly, easing the
man's fears)
Only if New Jersey counts.
It works. The poor frightened civilian shows a hint of a smile.
CUT TO:
ROBINSON:
(in mid-speech to FBI)
We've got thirty, maybe thirty-five
hostages, probably on the 30th floor...
seven, maybe eight terrorists.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Die Hard" Scripts.com. STANDS4 LLC, 2025. Web. 2 Feb. 2025. <https://www.scripts.com/script/die_hard_154>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In