Die Hard Page #28
Hans pales as we hear the ding of an approaching elevator.
HANS:
You were saying.
McClane whirls in time to see:
269 269
260 KARL, FRANCO AND FRITZ 270
Coming out of it, FIRING.
271 BACK TO SCENE 271
McClane FIRES back, killing Fritz. Karl and Franco take
cover. McClane ducks into a water cooler alcove, looks back
at:
He's gone, a SWINGING OFFICE DOOR the only evidence of his
passing.
273 BACK TO SCENE 273
McClane curses himself, then RETREATS into a:
273-A- OUT OUT 273-A-
273-I 273-I
274 BANK OF COMPUTERS 274
Where he DUCKS and DODGES as bullets ping and ricochet all
around him. Ducking, rolling, he FIRES at:
275 FRANCO 275
McClane's bullets RAKE his middle, throw him over a desk, his
weapon FLYING:
276 CLOSER 276
He SLIDES right into a glass door. It smashes around his head.
Bright arterial BLOOD fountains up:
277 MCCLANE 277
hope rising at the prospect of an equal battle, his face
suddenly FALLS as BULLETS fly in from an unexpected direction.
He turns:
278 HANS 278
has reappeared and snatched up Franco's weapon.
279 MCCLANE 279
FIRES, moving, trying to keep from bring flanked. One of his
shots SHATTERS a glass panel, raining down shards near Hans,
who escapes with only superficial scratches.
280 HANS 280
looks at the glass around him, gets an idea. He SHOUTS to
Karl in German:
HANS:
The glass! Shoot the glass!
And, saying this, he demonstrates. Karl follows suit.
281 MCCLANE 281
as GLASS FLIES EVERYWHERE, McClane sees one option, takes it.
BLASTING a burst to keep their heads down, he WHIRLS, JUMPS
on top of a long counter and RUNS ACROSS THE ROOM. Their
BULLETS follow him, six inches behind his moving form! Big
CRAY UNITS GROAN with electronic SQUEALS and SPARKS as a
million Gigabytes goes to RAM heaven. McClane reaches the end
of the counter, DIVES and rolls to the floor:
282 HIS FOOT 282
goes right down on a jagged SHARD. He GROANS, keeps going:
283 STAIRWELL DOOR 283
He's out, gone, safe!
284 BACK TO SCENE 284
Karl looks pissed as hell. Behind him, Hans sifts through
rubble, then comes over, smiling.
He's holding the bag of detonators.
HANS:
Smile, Karl. We are back in business.
CUT TO:
285 INT. TV TRAILER 285
HASSELDORF:
(on monitor here)
...all depends on what we mean by
"Terror.' If Clauswitz could say
'War is the last resort of Deplomacy,'
couldn't we just as well say that
terrorism has an equal claim to...
Mary comes inside, grinning ear to ear. Thornburg looks up from
his danish, a cute little chin napkin protecting his shirt
collar.
THORNBURG:
You got something?
MARY:
(waving a paper)
Just McClane's name, badge number,
police record, vital statistics...
(the ringer)
...And his family's address right
here in L.A.
286 HOSTAGE FLOOR 286
Eddie and Uli are guarding the hostages. Hans and Karl return.
Hans tosses the bag of detonators to Uli, who grins, leaves.
287 HOLLY AND GINNY 287
Holly has watched all this nervously. But Ginny's eyes follow
Karl, who doesn't share the mood of the others.
GINNY:
That one look pissed, Ms. Gennero...
HOLLY:
(relieved)
Thank God.
(explaining)
He's still alive.
CUT TO:
The door JARS open. McClane all but crawls inside. As he
passes the CAMERA we SEE his dragging foot leaving a trail
of blood on the linoleum.
CUT TO:
289 VAULT ROOM - SAME TIME 289
Theo and Kristoff REACT, delighted, as they get the message
SIXTH LOCK DEACTIVATED. Suddenly a BUZZER SOUNDS and the
graphic flashes:
"ELECTROMAGNETIC SEAL ENGAGED. CANNOTBE DISARMED AT THIS LOCATION. TERMINATE SEQUENCE (Y/N)?"
THEO:
You better heat up that miracle *
you were talking about. We broke
through on Number Six, and the
Electromagentic came down like a
sledgehammer...
INTERCUT:
290 HANS' OFFICE 290
HANS:
(unphased) *
Well have a look at what our friends
outside are doing and I'll be right
up.
291 INT. BATHROOM - NIGHT 291
Wincing in pain, McClane washes his foot in a sink basin. He
washes a deep cut, soaps it, but the pain doesn't relent.
When a VOICE speaks, he JUMPS, realizes it's the CB.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Die Hard" Scripts.com. STANDS4 LLC, 2025. Web. 2 Feb. 2025. <https://www.scripts.com/script/die_hard_154>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In