Even Cowgirls Get The Blues Page #18
- R
- Year:
- 1993
- 95 min
- 384 Views
INT. SIWASH CAVE NIGHT
Sissy listens to the Chink as they walk around the Chink's
clockworks.
CHINK:
These people have no other ritual
than this one. Likewise, they have
but one legend or cultural myth:
that of a continuum they call the
Eternity of Joy. It is into the
Eternity of Joy that they believe
all men will pass once the clockworks
is destroyed. The destruction must
come from the outside, must come by
natural means, must come at the will
of this gesticulating planet whose
more acute stirrings thoughtless
people call "earthquakes."
The Chink holds Sissy's thumbs in his hands adoringly.
CHINK:
The Earth is alive. She burns inside
with the heat of cosmic longing. She
longs to be with her husband again.
She moans. She turns softly in her
sleep. In the Eternity of Joy,
pluralized, deurbanized man, at ease
with his gentle technologies, will
smile and sigh when the Earth begins
to shake. I loved those loony
redskins, but I couldn't be a party
to their utopian dreaming. After a
while it occurred to me that the
Clock People waiting for the Eternity
of Joy was virtually identical to
the Christians waiting for the Second
Coming. Or the Communists waiting
for the worldwide revolution. Or the
Debbies waiting for the flying
saucers. All the same. Just more
suckers betting their share of the
present on the future, banking every
misery on a happy ending to history.
Well, history is ending every second -
happily for some of us, unhappily
for others, happily one second,
unhappily the next. History is always
ending and always not ending... ha
ha ho ho and hee hee.
Sissy interrupts the Chink for a second while he is
worshipping her thumbs.
SISSY:
What do you believe in then?
CHINK:
Ha ha ho ho and hee hee.
Then he says nothing. And his silence makes Sissy weep. They
sit down on a grass floor, illuminated by the fire outside
the cave.
Then the Chink, without hesitation, grasps her thumbs. He
squeezes them, caresses them, covers them with wet kisses,
telling them how beautiful they are.
Sissy is bowled over, frightened, stunned, elated, moved
almost to tears.
Sissy bends her head back and whispers.
SISSY:
If this be adultery, make the most
of it.
And as the Chink plunges into Sissy, she arches her spread
bottom against the blankets and rears up to meet him halfway.
Their bodies glowing in the firelight, they cast shadows of
ANCIENT BEINGS, anthropomorphs making love through the night
under the moon.
INT. CAVE DAY
SUNBEAMS awaken Sissy. When she looks around she sees an
inscription has been freshly scrawled on the right wall.
I BELIEVE IN EVERYTHING; NOTHING IS SACRED.
And on the left wall:
I BELIEVE IN NOTHING; EVERYTHING IS SACRED.
Sissy hears and then sees A HELICOPTER in the sky above the
ranch. Sissy gets up and walks out of the cave.
EXT. TRAIL MORN
Sissy walks.
EXT. RUBBER ROSE
Sissy hitches a ride out of town.
EXT. FRONT DOORSTEPS MORNING
Countless NEWSPAPERS on countless porches, and the headline
of the St. Louis Post-Dispatch reads:
OUR WHOOPING CRANES ARE MISSING.
INT. THE COUNTESS' OFFICE DAY
The countess is in a snit.
THE COUNTESS:
Sissy, don't play dumb with me! You're
a good model but a shitty actress.
The cowgirls are involved in this
whooping crane disappearance. You
know perfectly well they are. Last
seen in Nebraska. Didn't make it to
Canada. Siwash Lake is between
Nebraska and Canada. The cowgirls
have possession of Siwash Lake. And
who else but Jellybean's wild c*nts
could possibly conceive of doing
something so diabolical as to tamper
with the last flock of some nearly
extinct birds? How much do you know
about it? Have they murdered those
cranes the way they murdered my moo
cows?
SISSY:
I don't know anything about it.
THE COUNTESS:
Sissy. You're trying to protect those
scuzzy b*tches. Well, let your
conscience be your guide, as my mommy
used to say, but it won't work. Those
stinking sluts are going to suffer...
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"Even Cowgirls Get The Blues" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/even_cowgirls_get_the_blues_468>.
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